- Handel • Messiah HWV 56 • Part I • No. 1 SinfoniaMessiah HWV 56
Part I • No. 1 SinfoniaSibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • No. 2 Accompagnato 'Comfort ye, comfort ye my people' (Tenor)Messiah HWV 56
Part I • No. 2 Accompagnato 'Comfort ye, comfort ye my people' (Tenor)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • No. 3 Aria 'Ev'ry valley shall be exalted' (Tenor)Messiah HWV 56
Part I • No. 3 Aria 'Ev'ry valley shall be exalted' (Tenor)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • No. 4 Chorus 'And the glory of the Lord shall be revealed' (Chorus)Messiah HWV 56
Part I • No. 4 Chorus 'And the glory of the Lord shall be revealed' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • No. 5 Accompagnato 'Thus saith the Lord of Host' (Bass)Messiah HWV 56
Part I • No. 5 Accompagnato 'Thus saith the Lord of Host' (Bass)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • No. 6 Aria 'But who may abide the day of His coming' (Bass or Alto)Messiah HWV 56
Part I • No. 6 Aria 'But who may abide the day of His coming' (Bass or Alto)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • No. 7 Chorus 'And He shall purify' (Chorus)Messiah HWV 56
Part I • No. 7 Chorus 'And He shall purify' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • Recitative 'Behold, a virgin shall conceive' (Alto)Messiah HWV 56
Part I • Recitative 'Behold, a virgin shall conceive' (Alto)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • No. 8.1 Aria and Chorus 'O thou that tellest good tidings to Zion' (Alto) –Messiah HWV 56
Part I • No. 8.1 Aria and Chorus 'O thou that tellest good tidings to Zion' (Alto) –Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • No. 8.2 Aria and Chorus 'O thou that tellest good tidings to Zion' (Chorus)Messiah HWV 56
Part I • No. 8.2 Aria and Chorus 'O thou that tellest good tidings to Zion' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • No. 9 Accompagnato 'For behold, darkness shall cover the earth' (Bass)Messiah HWV 56
Part I • No. 9 Accompagnato 'For behold, darkness shall cover the earth' (Bass)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • No. 10 Aria 'The people that walked in darkness' (Bass)Messiah HWV 56
Part I • No. 10 Aria 'The people that walked in darkness' (Bass)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • No. 11 Chorus 'For unto us a Child is born' (Chorus)Messiah HWV 56
Part I • No. 11 Chorus 'For unto us a Child is born' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • No. 12 PifaMessiah HWV 56
Part I • No. 12 PifaSibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • Recitative 'There were shepherds abiding' - No. 13 Accompagnato 'And lo, the angel of the Lord' - No. 14 Accompagnato 'And suddenly there was with the angel' (Soprano)Messiah HWV 56
Part I • Recitative 'There were shepherds abiding' - No. 13 Accompagnato 'And lo, the angel of the Lord' - No. 14 Accompagnato 'And suddenly there was with the angel' (Soprano)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • No. 15 Chorus 'Glory to God in the highest' (Chorus)Messiah HWV 56
Part I • No. 15 Chorus 'Glory to God in the highest' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • No. 16 Aria 'Rejoice greatly, O daughter of Zion' (Soprano)Messiah HWV 56
Part I • No. 16 Aria 'Rejoice greatly, O daughter of Zion' (Soprano)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • Recitative 'Then shall the eyes of the blind' (Alto)Messiah HWV 56
Part I • Recitative 'Then shall the eyes of the blind' (Alto)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • No. 17 Duet 'He shall feed his flock' (Soprano, Alto)Messiah HWV 56
Part I • No. 17 Duet 'He shall feed his flock' (Soprano, Alto)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part I • No. 18 Chorus 'His yoke is easy, His burthen is light' (Chorus)Messiah HWV 56
Part I • No. 18 Chorus 'His yoke is easy, His burthen is light' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 19 Chorus 'Behold the Lamb of God' (Chorus)Messiah HWV 56
Part II • No. 19 Chorus 'Behold the Lamb of God' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 20 Aria 'He was despised' (Alto)Messiah HWV 56
Part II • No. 20 Aria 'He was despised' (Alto)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 21 Chorus 'Surely, He hath borne our griefs' (Chorus)Messiah HWV 56
Part II • No. 21 Chorus 'Surely, He hath borne our griefs' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 22 Chorus 'And with His stripes we are healed' (Chorus)Messiah HWV 56
Part II • No. 22 Chorus 'And with His stripes we are healed' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 23 Chorus 'All we like sheep have gone astray' (Chorus)Messiah HWV 56
Part II • No. 23 Chorus 'All we like sheep have gone astray' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 24 Accompagnato 'All they that see Him' (Tenor)Messiah HWV 56
Part II • No. 24 Accompagnato 'All they that see Him' (Tenor)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 25 Chorus 'He trusted in God' (Chorus)Messiah HWV 56
Part II • No. 25 Chorus 'He trusted in God' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 26 Accompagnato 'Thy rebuke hath broken His heart' (Tenor or Soprano)Messiah HWV 56
Part II • No. 26 Accompagnato 'Thy rebuke hath broken His heart' (Tenor or Soprano)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 27 Arioso 'Behold, and see if there be any sorrow' (Tenor or Soprano)Messiah HWV 56
Part II • No. 27 Arioso 'Behold, and see if there be any sorrow' (Tenor or Soprano)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 28 Accompagnato 'He was cut off out of the land' (Tenor)Messiah HWV 56
Part II • No. 28 Accompagnato 'He was cut off out of the land' (Tenor)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 29 Aria 'But Thou didst not leave His soul' (Tenor)Messiah HWV 56
Part II • No. 29 Aria 'But Thou didst not leave His soul' (Tenor)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 30 Chorus 'Lift up your heads, o ye gates' (Chorus)Messiah HWV 56
Part II • No. 30 Chorus 'Lift up your heads, o ye gates' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • Recitative 'Unto which of the angels' (Tenor)Messiah HWV 56
Part II • Recitative 'Unto which of the angels' (Tenor)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 31 Chorus 'Let all the angels of God worship Him' (Chorus)Messiah HWV 56
Part II • No. 31 Chorus 'Let all the angels of God worship Him' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 32 Aria 'Thou art gone up on high' (Soprano)Messiah HWV 56
Part II • No. 32 Aria 'Thou art gone up on high' (Soprano)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 33 Chorus 'The Lord gave the word' (Chorus)Messiah HWV 56
Part II • No. 33 Chorus 'The Lord gave the word' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 34 Duet, Chorus and Aria 'How beautiful are the feet' (Soprano)Messiah HWV 56
Part II • No. 34 Duet, Chorus and Aria 'How beautiful are the feet' (Soprano)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 35 Arioso and Chorus 'Their sound is gone out' (Chorus)Messiah HWV 56
Part II • No. 35 Arioso and Chorus 'Their sound is gone out' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 36 Aria 'Why do the nations so furiously rage' (Bass)Messiah HWV 56
Part II • No. 36 Aria 'Why do the nations so furiously rage' (Bass)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 37 Chorus 'Let us break their bonds asunder' (Chorus)Messiah HWV 56
Part II • No. 37 Chorus 'Let us break their bonds asunder' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • Recitative 'He that dwelleth in heaven' (Tenor)Messiah HWV 56
Part II • Recitative 'He that dwelleth in heaven' (Tenor)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 38 Aria 'Thou shalt break them' (Tenor)Messiah HWV 56
Part II • No. 38 Aria 'Thou shalt break them' (Tenor)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part II • No. 39 Chorus 'Hallelujah' (Chorus)Messiah HWV 56
Part II • No. 39 Chorus 'Hallelujah' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part III • No. 40 Aria 'I know that my Redeemer liveth' (Soprano)Messiah HWV 56
Part III • No. 40 Aria 'I know that my Redeemer liveth' (Soprano)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part III • No. 41 Chorus 'Since by Man came death' (Chorus)Messiah HWV 56
Part III • No. 41 Chorus 'Since by Man came death' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part III • No. 42 Accompagnato 'Behold, I tell you a mystery' (Bass)Messiah HWV 56
Part III • No. 42 Accompagnato 'Behold, I tell you a mystery' (Bass)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part III • No. 43 Aria 'The trumpet shall sound' (Bass)Messiah HWV 56
Part III • No. 43 Aria 'The trumpet shall sound' (Bass)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part III • Recitative 'Then shall be brought to pass' (Alto)Messiah HWV 56
Part III • Recitative 'Then shall be brought to pass' (Alto)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part III • No. 44 Duet 'O death, where is thy sting' (Alto, Tenor)Messiah HWV 56
Part III • No. 44 Duet 'O death, where is thy sting' (Alto, Tenor)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part III • No. 45 Chorus 'But thanks be to God' (Chorus)Messiah HWV 56
Part III • No. 45 Chorus 'But thanks be to God' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part III • No. 46 Aria 'If God be for us' (Soprano)Messiah HWV 56
Part III • No. 46 Aria 'If God be for us' (Soprano)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part III • No. 47 Chorus 'Worthy is the Lamb that was slain' (Chorus)Messiah HWV 56
Part III • No. 47 Chorus 'Worthy is the Lamb that was slain' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Messiah HWV 56 • Part III • No. 48 Chorus 'Amen' (Chorus)Messiah HWV 56
Part III • No. 48 Chorus 'Amen' (Chorus)Sibylla Rubens (Soprano), Ingeborg Danz (Alto), James Taylor (Tenor), Thomas Quasthoff (Bass), Helmuth Rilling
Oregon Bach Festival Choir, Oregon Bach Festival Orchestra1997, Eugene, Hult Center for the Performing Arts - Handel • Saul HWV 53 • Symphony • Sinfonia. Allegro –Saul HWV 53
Symphony • Sinfonia. Allegro –Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Symphony • Larghetto –Saul HWV 53
Symphony • Larghetto –Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Symphony • Allegro –Saul HWV 53
Symphony • Allegro –Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Symphony • MenuetSaul HWV 53
Symphony • MenuetElizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 1 'How excellent Thy name, O Lord' (Chorus, Scene 1)Saul HWV 53
Act 1 • No. 1 'How excellent Thy name, O Lord' (Chorus, Scene 1)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 2 Air 'An Infant rais'd by thy Command' (Soprano, Scene 1)Saul HWV 53
Act 1 • No. 2 Air 'An Infant rais'd by thy Command' (Soprano, Scene 1)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 3 Trio 'Along the Monster Atheist strode' (Chorus, Scene 1)Saul HWV 53
Act 1 • No. 3 Trio 'Along the Monster Atheist strode' (Chorus, Scene 1)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 4 'The Youth inspir'd by Thee, O Lord' (Chorus, Scene 1)Saul HWV 53
Act 1 • No. 4 'The Youth inspir'd by Thee, O Lord' (Chorus, Scene 1)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 5 'How excellent thy name, O Lord' (Chorus, Scene 1)Saul HWV 53
Act 1 • No. 5 'How excellent thy name, O Lord' (Chorus, Scene 1)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 6 Recitative 'He comes!' (Michal, Scene 2)Saul HWV 53
Act 1 • No. 6 Recitative 'He comes!' (Michal, Scene 2)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 7 Air 'O godlike Youth!' (Michal, Scene 2)Saul HWV 53
Act 1 • No. 7 Air 'O godlike Youth!' (Michal, Scene 2)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 8 Recitative 'Behold, O King' (Abner, Saul, David, Scene 2)Saul HWV 53
Act 1 • No. 8 Recitative 'Behold, O King' (Abner, Saul, David, Scene 2)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 9 Air 'O King, your Favours with Delight' (David, Scene 2)Saul HWV 53
Act 1 • No. 9 Air 'O King, your Favours with Delight' (David, Scene 2)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 10 Recitative 'O early Piety!' (Jonathan, Scene 2)Saul HWV 53
Act 1 • No. 10 Recitative 'O early Piety!' (Jonathan, Scene 2)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 11 Air 'What abject Thoughts a Prince can have' (Merab, Scene 2)Saul HWV 53
Act 1 • No. 11 Air 'What abject Thoughts a Prince can have' (Merab, Scene 2)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 12 Recitative 'Yet think with whom this Honour you bestow' (Merab, Scene 2)Saul HWV 53
Act 1 • No. 12 Recitative 'Yet think with whom this Honour you bestow' (Merab, Scene 2)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 20 Sinfonie pour les CarrillonsSaul HWV 53
Act 1 • No. 20 Sinfonie pour les CarrillonsElizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 21 Recitative 'Already see the Daughters of the Land' (Michal, Scene 3)Saul HWV 53
Act 1 • No. 21 Recitative 'Already see the Daughters of the Land' (Michal, Scene 3)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 22 'Welcome, welcome, mighty King!' (Chorus, Scene 3)Saul HWV 53
Act 1 • No. 22 'Welcome, welcome, mighty King!' (Chorus, Scene 3)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 23 Accompagnato 'What do I hear?' (Saul, Scene 3)Saul HWV 53
Act 1 • No. 23 Accompagnato 'What do I hear?' (Saul, Scene 3)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 24 'David his Ten Thousands slew' (Chorus, Scene 3)Saul HWV 53
Act 1 • No. 24 'David his Ten Thousands slew' (Chorus, Scene 3)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 25 Accompagnato 'To him Ten Thousands!' (Saul, Scene 3)Saul HWV 53
Act 1 • No. 25 Accompagnato 'To him Ten Thousands!' (Saul, Scene 3)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 26 Air 'With Rage I shall burst his Praises to hear!' (Saul, Scene 3)Saul HWV 53
Act 1 • No. 26 Air 'With Rage I shall burst his Praises to hear!' (Saul, Scene 3)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 27 Recitative 'Imprudent Women!' (Jonathan, Michal, Scene 4)Saul HWV 53
Act 1 • No. 27 Recitative 'Imprudent Women!' (Jonathan, Michal, Scene 4)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 28 Air 'Fell Rage and black Despair possest' (Michal, Scene 4)Saul HWV 53
Act 1 • No. 28 Air 'Fell Rage and black Despair possest' (Michal, Scene 4)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 29 Recitative 'This but the smallest part of Harmony' (High Priest, Scene 4)Saul HWV 53
Act 1 • No. 29 Recitative 'This but the smallest part of Harmony' (High Priest, Scene 4)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 30 Accompagnato 'By thee this Universal Frame' (High Priest, Scene 4)Saul HWV 53
Act 1 • No. 30 Accompagnato 'By thee this Universal Frame' (High Priest, Scene 4)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 31 Recitative 'Rack'd with Infernal Pains' (Abner, Scene 5)Saul HWV 53
Act 1 • No. 31 Recitative 'Rack'd with Infernal Pains' (Abner, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 32 Air 'O Lord, whose Mercies numberless' (David, Scene 5)Saul HWV 53
Act 1 • No. 32 Air 'O Lord, whose Mercies numberless' (David, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 33 Symphony (Scene 5)Saul HWV 53
Act 1 • No. 33 Symphony (Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 34 Recitative ''Tis all in vain' (Jonathan, Scene 5)Saul HWV 53
Act 1 • No. 34 Recitative ''Tis all in vain' (Jonathan, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 35 Air 'A Serpent, in my Bosom warm'd' (Saul, Scene 5)Saul HWV 53
Act 1 • No. 35 Air 'A Serpent, in my Bosom warm'd' (Saul, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 36 Recitative 'Has he escap'd my Rage?' (Saul, Scene 5)Saul HWV 53
Act 1 • No. 36 Recitative 'Has he escap'd my Rage?' (Saul, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 37 Air 'Capricious Man, in Humour lost' (Merab, Scene 5)Saul HWV 53
Act 1 • No. 37 Air 'Capricious Man, in Humour lost' (Merab, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 38 Accompagnato 'O Filial Piety!' (Jonathan, Scene 6)Saul HWV 53
Act 1 • No. 38 Accompagnato 'O Filial Piety!' (Jonathan, Scene 6)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 39 Air 'No, cruel Father, no' (Jonathan, Scene 6)Saul HWV 53
Act 1 • No. 39 Air 'No, cruel Father, no' (Jonathan, Scene 6)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 1 • No. 41 'Preserve him for the Glory of thy Name' (Chorus, Scene 6)Saul HWV 53
Act 1 • No. 41 'Preserve him for the Glory of thy Name' (Chorus, Scene 6)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 42 'Envy! Eldest-born of Hell!' (Chorus, Scene 1)Saul HWV 53
Act 2 • No. 42 'Envy! Eldest-born of Hell!' (Chorus, Scene 1)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 43 Recitative 'Ah, dearest Friend' (Jonathan, Scene 2)Saul HWV 53
Act 2 • No. 43 Recitative 'Ah, dearest Friend' (Jonathan, Scene 2)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 44 Air 'But sooner Jordan's Stream, I swear' (Jonathan, Scene 2)Saul HWV 53
Act 2 • No. 44 Air 'But sooner Jordan's Stream, I swear' (Jonathan, Scene 2)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 45 Recitative 'O strange Vicissitude!' (David, Jonathan, Scene 2)Saul HWV 53
Act 2 • No. 45 Recitative 'O strange Vicissitude!' (David, Jonathan, Scene 2)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 47 Recitative 'My Father comes' (Jonathan, Scene 2)Saul HWV 53
Act 2 • No. 47 Recitative 'My Father comes' (Jonathan, Scene 2)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 48 Recitative 'Hast thou obey'd my orders' (Saul, Jonathan, Scene 3)Saul HWV 53
Act 2 • No. 48 Recitative 'Hast thou obey'd my orders' (Saul, Jonathan, Scene 3)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 49 Air 'Sin not, O King, against the Youth' (Jonathan, Scene 3)Saul HWV 53
Act 2 • No. 49 Air 'Sin not, O King, against the Youth' (Jonathan, Scene 3)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 50 Air 'As Great Jehovah lives, I swear' (Saul, Scene 3)Saul HWV 53
Act 2 • No. 50 Air 'As Great Jehovah lives, I swear' (Saul, Scene 3)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 51 Air 'From Cities storm'd, and Battles won' (Jonathan, Scene 3)Saul HWV 53
Act 2 • No. 51 Air 'From Cities storm'd, and Battles won' (Jonathan, Scene 3)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 52 Recitative 'Appear, my Friend' (Jonathan, Saul, Scene 4)Saul HWV 53
Act 2 • No. 52 Recitative 'Appear, my Friend' (Jonathan, Saul, Scene 4)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 53 Air 'Your words, O King, my Loyal Heart' (David, Scene 4)Saul HWV 53
Act 2 • No. 53 Air 'Your words, O King, my Loyal Heart' (David, Scene 4)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 54 Recitative 'Yes, he shall wed my Daughter!' (Saul, Scene 4)Saul HWV 53
Act 2 • No. 54 Recitative 'Yes, he shall wed my Daughter!' (Saul, Scene 4)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 55 Recitative 'A Father's Will has authoriz'd my Love' (Michal, Scene 5)Saul HWV 53
Act 2 • No. 55 Recitative 'A Father's Will has authoriz'd my Love' (Michal, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 56 Duet 'O Fairest of ten thousand fair' (Michal, David, Scene 5)Saul HWV 53
Act 2 • No. 56 Duet 'O Fairest of ten thousand fair' (Michal, David, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 57 'Is there a Man, who all his Ways Directs' (Chorus, Scene 5)Saul HWV 53
Act 2 • No. 57 'Is there a Man, who all his Ways Directs' (Chorus, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 58a Symphony. Largo –Saul HWV 53
Act 2 • No. 58a Symphony. Largo –Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • Allegro (Scene 5)Saul HWV 53
Act 2 • Allegro (Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 58b Symphony. Gavotte (Scene 5)Saul HWV 53
Act 2 • No. 58b Symphony. Gavotte (Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 59 Recitative 'Thy Father is as cruel, and as false' (David, Scene 6)Saul HWV 53
Act 2 • No. 59 Recitative 'Thy Father is as cruel, and as false' (David, Scene 6)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 60 Duet 'At Persecution I can laugh' (David, Michal, Scene 6)Saul HWV 53
Act 2 • No. 60 Duet 'At Persecution I can laugh' (David, Michal, Scene 6)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 63 Recitative 'Mean as he was, he is my Brother now' (Merab, Scene 8)Saul HWV 53
Act 2 • No. 63 Recitative 'Mean as he was, he is my Brother now' (Merab, Scene 8)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 64 Air 'Author of Peace, who canst controll' (Merab, Scene 8)Saul HWV 53
Act 2 • No. 64 Air 'Author of Peace, who canst controll' (Merab, Scene 8)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 65 Symphony (Scene 9)Saul HWV 53
Act 2 • No. 65 Symphony (Scene 9)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 66 Accompagnato 'The Time at length is come' (Saul, Scene 9)Saul HWV 53
Act 2 • No. 66 Accompagnato 'The Time at length is come' (Saul, Scene 9)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 67 Recitative 'Where is the Son of Jesse?' (Saul, Jonathan, Scene 10)Saul HWV 53
Act 2 • No. 67 Recitative 'Where is the Son of Jesse?' (Saul, Jonathan, Scene 10)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 2 • No. 68 'O fatal Consequence' (Chorus, Scene 10)Saul HWV 53
Act 2 • No. 68 'O fatal Consequence' (Chorus, Scene 10)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 69 Accompagnato 'Wretch that I am!' (Saul, Scene 1)Saul HWV 53
Act 3 • No. 69 Accompagnato 'Wretch that I am!' (Saul, Scene 1)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 70 Recitative and Accompagnato ''Tis said, here lives a Woman' (Saul, Scene 1)Saul HWV 53
Act 3 • No. 70 Recitative and Accompagnato ''Tis said, here lives a Woman' (Saul, Scene 1)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 71 Recitative 'With me what would'st thou?' (Witch of Endor, Saul, Scene 2)Saul HWV 53
Act 3 • No. 71 Recitative 'With me what would'st thou?' (Witch of Endor, Saul, Scene 2)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 72 Air 'Infernal Spirits, by wose Pow'r' (Witch of Endor, Scene 2)Saul HWV 53
Act 3 • No. 72 Air 'Infernal Spirits, by wose Pow'r' (Witch of Endor, Scene 2)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 73 Accompagnato 'Why hast thou force'd me from the Realm of Peace' (Apparition of Samuel, Saul, Scene 3)Saul HWV 53
Act 3 • No. 73 Accompagnato 'Why hast thou force'd me from the Realm of Peace' (Apparition of Samuel, Saul, Scene 3)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 74 Symphony (Scene 3)Saul HWV 53
Act 3 • No. 74 Symphony (Scene 3)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 75 Recitative 'Whence com'st thou?' (David, Amalekite, Scene 4)Saul HWV 53
Act 3 • No. 75 Recitative 'Whence com'st thou?' (David, Amalekite, Scene 4)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 76 Air 'Impious Wretch, of Race accurst!' (David, Scene 4)Saul HWV 53
Act 3 • No. 76 Air 'Impious Wretch, of Race accurst!' (David, Scene 4)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 77b March. Grave (Scene 5)Saul HWV 53
Act 3 • No. 77b March. Grave (Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 78 'Mourn, Israel, mourn thy Beauty lost' (Chorus, Scene 5)Saul HWV 53
Act 3 • No. 78 'Mourn, Israel, mourn thy Beauty lost' (Chorus, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 79 Air 'O let it not in Gath be heard' (Tenor, Scene 5)Saul HWV 53
Act 3 • No. 79 Air 'O let it not in Gath be heard' (Tenor, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 80 Air 'From this unhappy Day' (Soprano, Scene 5)Saul HWV 53
Act 3 • No. 80 Air 'From this unhappy Day' (Soprano, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 81 Air 'Brave Jonathan his Bow ne'er drew' (Alt, Scene 5)Saul HWV 53
Act 3 • No. 81 Air 'Brave Jonathan his Bow ne'er drew' (Alt, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 82 'Eagles were not so swift as they' (Chorus, Scene 5)Saul HWV 53
Act 3 • No. 82 'Eagles were not so swift as they' (Chorus, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 84 'O fatal Day! How low the Mighty lie!' (David, Chorus, Scene 5)Saul HWV 53
Act 3 • No. 84 'O fatal Day! How low the Mighty lie!' (David, Chorus, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 85 Air 'Ye men of Judah, weep no more' (High Priest, Scene 5)Saul HWV 53
Act 3 • No. 85 Air 'Ye men of Judah, weep no more' (High Priest, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Saul HWV 53 • Act 3 • No. 86 'Gird on thy Sword, thou Man of Might' (Chorus, Scene 5)Saul HWV 53
Act 3 • No. 86 'Gird on thy Sword, thou Man of Might' (Chorus, Scene 5)Elizabeth Keusch (Soprano), Kirsten Blaise (Soprano), Daniel Taylor (Alto), Norman Shankle (Tenor), Wolfgang Frisch (Tenor), Christian Palm (Baritone), Markus Eiche (Bass), Helmuth Rilling
Gächinger Kantorei, Bach-Collegium Stuttgart2007, Stuttgart, Liederhalle, Beethovensaal - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • Overture. (No tempo indication) – Allegro – AndanteAlexander's Feast or The Power of Musick HWV 75
Part I • Overture. (No tempo indication) – Allegro – AndanteAneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • Recitative 'Twas at the royal feast' (Tenor)Alexander's Feast or The Power of Musick HWV 75
Part I • Recitative 'Twas at the royal feast' (Tenor)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • No. 1 Air 'Happy, happy, happy pair' (Tenor) - No. 2 Chorus 'Happy, happy, happy pair' (Soprano, Tenor, Chorus)Alexander's Feast or The Power of Musick HWV 75
Part I • No. 1 Air 'Happy, happy, happy pair' (Tenor) - No. 2 Chorus 'Happy, happy, happy pair' (Soprano, Tenor, Chorus)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • Recitative 'Timotheus, plac'd on high' (Tenor)Alexander's Feast or The Power of Musick HWV 75
Part I • Recitative 'Timotheus, plac'd on high' (Tenor)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • No. 3 Accompagnato 'The song began from Jove' (Soprano)Alexander's Feast or The Power of Musick HWV 75
Part I • No. 3 Accompagnato 'The song began from Jove' (Soprano)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • No. 4 Chorus 'The list'ning crowd' (Chorus)Alexander's Feast or The Power of Musick HWV 75
Part I • No. 4 Chorus 'The list'ning crowd' (Chorus)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • No. 5 Air 'With ravish'd ears the monarch hears' (Soprano)Alexander's Feast or The Power of Musick HWV 75
Part I • No. 5 Air 'With ravish'd ears the monarch hears' (Soprano)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • Recitative 'The praise of Bacchus then the sweet musician sung' (Bass, Tenor)Alexander's Feast or The Power of Musick HWV 75
Part I • Recitative 'The praise of Bacchus then the sweet musician sung' (Bass, Tenor)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • No. 6 Air and Chorus 'Bacchus, ever fair and young' (Bass) – 'Bacchus blessings are a treasure' (Chorus)Alexander's Feast or The Power of Musick HWV 75
Part I • No. 6 Air and Chorus 'Bacchus, ever fair and young' (Bass) – 'Bacchus blessings are a treasure' (Chorus)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • Recitative 'Sooth'd with the sound' (Tenor)Alexander's Feast or The Power of Musick HWV 75
Part I • Recitative 'Sooth'd with the sound' (Tenor)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • No. 7b Accompagnato 'He choose a mournful Muse' (Alto)Alexander's Feast or The Power of Musick HWV 75
Part I • No. 7b Accompagnato 'He choose a mournful Muse' (Alto)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • No. 8b Air 'He sung Darius, great and good' (Alto)Alexander's Feast or The Power of Musick HWV 75
Part I • No. 8b Air 'He sung Darius, great and good' (Alto)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • No. 9b Accompagnato 'With downcast looks' (Alto)Alexander's Feast or The Power of Musick HWV 75
Part I • No. 9b Accompagnato 'With downcast looks' (Alto)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • No. 10 Chorus 'Behold Darius great and good' (Chorus)Alexander's Feast or The Power of Musick HWV 75
Part I • No. 10 Chorus 'Behold Darius great and good' (Chorus)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • Recitative B 'The mighty master smil'd to see' (Alto)Alexander's Feast or The Power of Musick HWV 75
Part I • Recitative B 'The mighty master smil'd to see' (Alto)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • No. 11 Arioso 'Softly sweet' (Soprano)Alexander's Feast or The Power of Musick HWV 75
Part I • No. 11 Arioso 'Softly sweet' (Soprano)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • No. 12 Air 'War, he sung, is toil and trouble' (Soprano)Alexander's Feast or The Power of Musick HWV 75
Part I • No. 12 Air 'War, he sung, is toil and trouble' (Soprano)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • No. 13 Chorus 'The many rend the skies' (Chorus)Alexander's Feast or The Power of Musick HWV 75
Part I • No. 13 Chorus 'The many rend the skies' (Chorus)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • No. 14 Air 'The Prince, unable to conceal his pain' (Soprano)Alexander's Feast or The Power of Musick HWV 75
Part I • No. 14 Air 'The Prince, unable to conceal his pain' (Soprano)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part I • Si replica il Coro: No. 13 Chorus 'The many rend the skies' (Chorus)Alexander's Feast or The Power of Musick HWV 75
Part I • Si replica il Coro: No. 13 Chorus 'The many rend the skies' (Chorus)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part II • No. 15 Accompagnato and Chorus 'Now strike the golden Lyre again!' (Tenor) – 'Break his bands of sleep asunder' (Chorus)Alexander's Feast or The Power of Musick HWV 75
Part II • No. 15 Accompagnato and Chorus 'Now strike the golden Lyre again!' (Tenor) – 'Break his bands of sleep asunder' (Chorus)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part II • No. 16a Air 'Revenge, revenge, revenge, Timotheus cries' (Bass)Alexander's Feast or The Power of Musick HWV 75
Part II • No. 16a Air 'Revenge, revenge, revenge, Timotheus cries' (Bass)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part II • No. 17 Accompagnato 'Give the vengeance due to the valiant crew' (Tenor)Alexander's Feast or The Power of Musick HWV 75
Part II • No. 17 Accompagnato 'Give the vengeance due to the valiant crew' (Tenor)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part II • No. 18 Air 'The princes applaud with a furious joy' (Tenor)Alexander's Feast or The Power of Musick HWV 75
Part II • No. 18 Air 'The princes applaud with a furious joy' (Tenor)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part II • No. 19 Air 'Thais led the way' (Soprano) - Chorus 'The princes applaud with a furious joy' (Chorus)Alexander's Feast or The Power of Musick HWV 75
Part II • No. 19 Air 'Thais led the way' (Soprano) - Chorus 'The princes applaud with a furious joy' (Chorus)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part II • No. 20 Accompagnato 'Thus, long ago' (Tenor) - Chorus 'At last devine Cecilia came' (Chorus)Alexander's Feast or The Power of Musick HWV 75
Part II • No. 20 Accompagnato 'Thus, long ago' (Tenor) - Chorus 'At last devine Cecilia came' (Chorus)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part II • Recitative 'Your voices tune, and raise them high' (Alto) (additional movement 1751)Alexander's Feast or The Power of Musick HWV 75
Part II • Recitative 'Your voices tune, and raise them high' (Alto) (additional movement 1751)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part II • (No. 22) Duet 'Let's imitate her notes above' (Soprano, Alto) (additional movement 1742/1751)Alexander's Feast or The Power of Musick HWV 75
Part II • (No. 22) Duet 'Let's imitate her notes above' (Soprano, Alto) (additional movement 1742/1751)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part II • Recitative 'Let old Timotheus yield the prize' (Tenor, Bass)Alexander's Feast or The Power of Musick HWV 75
Part II • Recitative 'Let old Timotheus yield the prize' (Tenor, Bass)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Alexander's Feast or The Power of Musick HWV 75 • Part II • No. 21 Chorus 'Let old Timotheus yield the prize' (Chorus)Alexander's Feast or The Power of Musick HWV 75
Part II • No. 21 Chorus 'Let old Timotheus yield the prize' (Chorus)Aneta Mihályová (Soprano), Yana Mamonova (Soprano), Chiyuki Okamura (Soprano), Lucia Duchoňová (Mezzo-soprano), Karolina Sikora (Mezzo-soprano), Benjamin Bruns (Tenor), Wiard Witholt (Bass-baritone), Rolf Beck
Schleswig-Holstein Festival Chor, Schleswig-Holstein Festival Orchester2009, Kiel, Schloss - Handel • Belshazzar HWV 61 • Act I • No. 1 OvertureBelshazzar HWV 61
Act I • No. 1 OvertureSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 2 VainBelshazzar HWV 61
Act I • No. 2 VainSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 3 Thou, God Most HighBelshazzar HWV 61
Act I • No. 3 Thou, God Most HighSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 6 BeholdBelshazzar HWV 61
Act I • No. 6 BeholdSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 7 Well May They LaughBelshazzar HWV 61
Act I • No. 7 Well May They LaughSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 9 Oppress'd with Never-Ceasing GriefBelshazzar HWV 61
Act I • No. 9 Oppress'd with Never-Ceasing GriefSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 11 Be ComfortedBelshazzar HWV 61
Act I • No. 11 Be ComfortedSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 15 Can You Then Think It StrangeBelshazzar HWV 61
Act I • No. 15 Can You Then Think It StrangeSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 16 Great GodBelshazzar HWV 61
Act I • No. 16 Great GodSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 17 My FriendsBelshazzar HWV 61
Act I • No. 17 My FriendsSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 18 All EmpiresBelshazzar HWV 61
Act I • No. 18 All EmpiresSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 19 O Sacred Oracles of TruthBelshazzar HWV 61
Act I • No. 19 O Sacred Oracles of TruthSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 22 Sing, O Ye Heav'nsBelshazzar HWV 61
Act I • No. 22 Sing, O Ye Heav'nsSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 23 Let Festal JoyBelshazzar HWV 61
Act I • No. 23 Let Festal JoySylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 24 For You My FriendsBelshazzar HWV 61
Act I • No. 24 For You My FriendsSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 26 It Is the CustomBelshazzar HWV 61
Act I • No. 26 It Is the CustomSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 27 Recall, Oh KingBelshazzar HWV 61
Act I • No. 27 Recall, Oh KingSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 28 They Tell You TrueBelshazzar HWV 61
Act I • No. 28 They Tell You TrueSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 29 Oh Dearer Than My LifeBelshazzar HWV 61
Act I • No. 29 Oh Dearer Than My LifeSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act I • No. 30 By Slow DegreesBelshazzar HWV 61
Act I • No. 30 By Slow DegreesSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 31 See, from His PostBelshazzar HWV 61
Act II • No. 31 See, from His PostSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 32 You See, My FriendsBelshazzar HWV 61
Act II • No. 32 You See, My FriendsSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 34 To ArmsBelshazzar HWV 61
Act II • No. 34 To ArmsSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 35 Ye Tutelar Gods of Our EmpireBelshazzar HWV 61
Act II • No. 35 Ye Tutelar Gods of Our EmpireSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 36 Let the Deep BowlBelshazzar HWV 61
Act II • No. 36 Let the Deep BowlSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 37a Where Is the God of Judah's Boasted Power?Belshazzar HWV 61
Act II • No. 37a Where Is the God of Judah's Boasted Power?Sylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 37b Help, HelpBelshazzar HWV 61
Act II • No. 37b Help, HelpSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 38 Call All My Wise MenBelshazzar HWV 61
Act II • No. 38 Call All My Wise MenSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 40a Ye SagesBelshazzar HWV 61
Act II • No. 40a Ye SagesSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 40b Alas!Belshazzar HWV 61
Act II • No. 40b Alas!Sylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 41 Oh Misery!Belshazzar HWV 61
Act II • No. 41 Oh Misery!Sylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 42a Oh King!Belshazzar HWV 61
Act II • No. 42a Oh King!Sylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 42b Art ThouBelshazzar HWV 61
Act II • No. 42b Art ThouSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 44 Yet, to ObeyBelshazzar HWV 61
Act II • No. 44 Yet, to ObeySylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 45 Oh Sentence Too SevereBelshazzar HWV 61
Act II • No. 45 Oh Sentence Too SevereSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 46 Regard, Oh SonBelshazzar HWV 61
Act II • No. 46 Regard, Oh SonSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 48 You, GobriasBelshazzar HWV 61
Act II • No. 48 You, GobriasSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act II • No. 49 Oh Glorious PrinceBelshazzar HWV 61
Act II • No. 49 Oh Glorious PrinceSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act III • No. 50 Alternate Hopes and FearsBelshazzar HWV 61
Act III • No. 50 Alternate Hopes and FearsSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act III • No. 53b All Is LostBelshazzar HWV 61
Act III • No. 53b All Is LostSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act III • No. 54 Bel BowethBelshazzar HWV 61
Act III • No. 54 Bel BowethSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act III • No. 56 A Martial SymphonyBelshazzar HWV 61
Act III • No. 56 A Martial SymphonySylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act III • No. 57 To PowerBelshazzar HWV 61
Act III • No. 57 To PowerSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act III • No. 58 Be It Thy CareBelshazzar HWV 61
Act III • No. 58 Be It Thy CareSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act III • No. 59 Destructive WarBelshazzar HWV 61
Act III • No. 59 Destructive WarSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act III • No. 60 Great VictorBelshazzar HWV 61
Act III • No. 60 Great VictorSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act III • No. 61 Say, Venerable ProphetBelshazzar HWV 61
Act III • No. 61 Say, Venerable ProphetSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act III • No. 62 Tell It OutBelshazzar HWV 61
Act III • No. 62 Tell It OutSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act III • No. 63 Yes, I Will Rebuild Thy CityBelshazzar HWV 61
Act III • No. 63 Yes, I Will Rebuild Thy CitySylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Belshazzar HWV 61 • Act III • No. 64 I Will Magnify TheeBelshazzar HWV 61
Act III • No. 64 I Will Magnify TheeSylvia Stahlman (Soprano), Helen Raab (Mezzo-soprano), Heidrun Ankersen (Alto), Wilfrid Jochims (Tenor), Helge Birkeland (Bass), Helmuth Rilling
Figuralchor der Gedächtniskirche Stuttgart, Orchester der Stuttgarter Kirchenmusiktage℗ 2020 - Handel • Te Deum in D major HWV 283 “For the Victory of Dettingen” • No. 1 Chorus 'We praise thee, oh God' (Chorus)Te Deum in D major HWV 283
No. 1 Chorus 'We praise thee, oh God' (Chorus)Dorothee Fries (Soprano), Cäcilie Fuhs-Gerihsen (Soprano), Matthias Rexroth (Alto), Thomas Cooley (Tenor), Raimund Nolte (Bass), Ulrich Stötzel
Collegium vocale Siegen, Friedemann Immer Trumpet Consort, Hannoversche Hofkapelle℗ 2020 - Handel • Te Deum in D major HWV 283 “For the Victory of Dettingen” • No. 2 Solo and Chorus 'All the earth doth worship thee' (Alto, Chorus)Te Deum in D major HWV 283
No. 2 Solo and Chorus 'All the earth doth worship thee' (Alto, Chorus)Dorothee Fries (Soprano), Cäcilie Fuhs-Gerihsen (Soprano), Matthias Rexroth (Alto), Thomas Cooley (Tenor), Raimund Nolte (Bass), Ulrich Stötzel
Collegium vocale Siegen, Friedemann Immer Trumpet Consort, Hannoversche Hofkapelle℗ 2020 - Handel • Te Deum in D major HWV 283 “For the Victory of Dettingen” • No. 3 Chorus 'To thee all angels cry aloud' (Chorus)Te Deum in D major HWV 283
No. 3 Chorus 'To thee all angels cry aloud' (Chorus)Dorothee Fries (Soprano), Cäcilie Fuhs-Gerihsen (Soprano), Matthias Rexroth (Alto), Thomas Cooley (Tenor), Raimund Nolte (Bass), Ulrich Stötzel
Collegium vocale Siegen, Friedemann Immer Trumpet Consort, Hannoversche Hofkapelle℗ 2020 - Handel • Te Deum in D major HWV 283 “For the Victory of Dettingen” • No. 4 Chorus 'To thee Cherubim and Seraphim continually do cry' (Chorus)Te Deum in D major HWV 283
No. 4 Chorus 'To thee Cherubim and Seraphim continually do cry' (Chorus)Dorothee Fries (Soprano), Cäcilie Fuhs-Gerihsen (Soprano), Matthias Rexroth (Alto), Thomas Cooley (Tenor), Raimund Nolte (Bass), Ulrich Stötzel
Collegium vocale Siegen, Friedemann Immer Trumpet Consort, Hannoversche Hofkapelle℗ 2020 - Handel • Te Deum in D major HWV 283 “For the Victory of Dettingen” • No. 5 Chorus 'The glorious company of the apostles' (Chorus)Te Deum in D major HWV 283
No. 5 Chorus 'The glorious company of the apostles' (Chorus)Dorothee Fries (Soprano), Cäcilie Fuhs-Gerihsen (Soprano), Matthias Rexroth (Alto), Thomas Cooley (Tenor), Raimund Nolte (Bass), Ulrich Stötzel
Collegium vocale Siegen, Friedemann Immer Trumpet Consort, Hannoversche Hofkapelle℗ 2020 - Handel • Te Deum in D major HWV 283 “For the Victory of Dettingen” • No. 6 Solo and Chorus 'Thou art the King of Glory, oh Christ' (Bass, Chorus)Te Deum in D major HWV 283
No. 6 Solo and Chorus 'Thou art the King of Glory, oh Christ' (Bass, Chorus)Dorothee Fries (Soprano), Cäcilie Fuhs-Gerihsen (Soprano), Matthias Rexroth (Alto), Thomas Cooley (Tenor), Raimund Nolte (Bass), Ulrich Stötzel
Collegium vocale Siegen, Friedemann Immer Trumpet Consort, Hannoversche Hofkapelle℗ 2020 - Handel • Te Deum in D major HWV 283 “For the Victory of Dettingen” • No. 7 Air 'When thou tookest upon thee to deliver man' (Bass)Te Deum in D major HWV 283
No. 7 Air 'When thou tookest upon thee to deliver man' (Bass)Dorothee Fries (Soprano), Cäcilie Fuhs-Gerihsen (Soprano), Matthias Rexroth (Alto), Thomas Cooley (Tenor), Raimund Nolte (Bass), Ulrich Stötzel
Collegium vocale Siegen, Friedemann Immer Trumpet Consort, Hannoversche Hofkapelle℗ 2020 - Handel • Te Deum in D major HWV 283 “For the Victory of Dettingen” • No. 8 Chorus 'When thou hadst overcome the sharpness of death' (Chorus)Te Deum in D major HWV 283
No. 8 Chorus 'When thou hadst overcome the sharpness of death' (Chorus)Dorothee Fries (Soprano), Cäcilie Fuhs-Gerihsen (Soprano), Matthias Rexroth (Alto), Thomas Cooley (Tenor), Raimund Nolte (Bass), Ulrich Stötzel
Collegium vocale Siegen, Friedemann Immer Trumpet Consort, Hannoversche Hofkapelle℗ 2020 - Handel • Te Deum in D major HWV 283 “For the Victory of Dettingen” • No. 9 Trio 'Thou sittest at the right hand of God' – 'We believe that thou shalt come' (Alto, Tenor, Bass)Te Deum in D major HWV 283
No. 9 Trio 'Thou sittest at the right hand of God' – 'We believe that thou shalt come' (Alto, Tenor, Bass)Dorothee Fries (Soprano), Cäcilie Fuhs-Gerihsen (Soprano), Matthias Rexroth (Alto), Thomas Cooley (Tenor), Raimund Nolte (Bass), Ulrich Stötzel
Collegium vocale Siegen, Friedemann Immer Trumpet Consort, Hannoversche Hofkapelle℗ 2020 - Handel • Te Deum in D major HWV 283 “For the Victory of Dettingen” • No. 10 (Symphony.) AdagioTe Deum in D major HWV 283
No. 10 (Symphony.) AdagioDorothee Fries (Soprano), Cäcilie Fuhs-Gerihsen (Soprano), Matthias Rexroth (Alto), Thomas Cooley (Tenor), Raimund Nolte (Bass), Ulrich Stötzel
Collegium vocale Siegen, Friedemann Immer Trumpet Consort, Hannoversche Hofkapelle℗ 2020 - Handel • Te Deum in D major HWV 283 “For the Victory of Dettingen” • No. 11 Chorus 'We therefore pray' (Chorus)Te Deum in D major HWV 283
No. 11 Chorus 'We therefore pray' (Chorus)Dorothee Fries (Soprano), Cäcilie Fuhs-Gerihsen (Soprano), Matthias Rexroth (Alto), Thomas Cooley (Tenor), Raimund Nolte (Bass), Ulrich Stötzel
Collegium vocale Siegen, Friedemann Immer Trumpet Consort, Hannoversche Hofkapelle℗ 2020 - Handel • Te Deum in D major HWV 283 “For the Victory of Dettingen” • No. 12 Chorus 'Make them to be numbered with thy Saints' (Chorus)Te Deum in D major HWV 283
No. 12 Chorus 'Make them to be numbered with thy Saints' (Chorus)Dorothee Fries (Soprano), Cäcilie Fuhs-Gerihsen (Soprano), Matthias Rexroth (Alto), Thomas Cooley (Tenor), Raimund Nolte (Bass), Ulrich Stötzel
Collegium vocale Siegen, Friedemann Immer Trumpet Consort, Hannoversche Hofkapelle℗ 2020 - Handel • Te Deum in D major HWV 283 “For the Victory of Dettingen” • No. 13 Chorus 'Day by day we magnify thee' (Chorus)Te Deum in D major HWV 283
No. 13 Chorus 'Day by day we magnify thee' (Chorus)Dorothee Fries (Soprano), Cäcilie Fuhs-Gerihsen (Soprano), Matthias Rexroth (Alto), Thomas Cooley (Tenor), Raimund Nolte (Bass), Ulrich Stötzel
Collegium vocale Siegen, Friedemann Immer Trumpet Consort, Hannoversche Hofkapelle℗ 2020 - Handel • Te Deum in D major HWV 283 “For the Victory of Dettingen” • No. 14 Accompagnato 'Vouchsafe, oh Lord, to keep us this day' (Bass)Te Deum in D major HWV 283
No. 14 Accompagnato 'Vouchsafe, oh Lord, to keep us this day' (Bass)Dorothee Fries (Soprano), Cäcilie Fuhs-Gerihsen (Soprano), Matthias Rexroth (Alto), Thomas Cooley (Tenor), Raimund Nolte (Bass), Ulrich Stötzel
Collegium vocale Siegen, Friedemann Immer Trumpet Consort, Hannoversche Hofkapelle℗ 2020 - Handel • Te Deum in D major HWV 283 “For the Victory of Dettingen” • No. 15 Solo and Chorus 'Oh Lord, in thee have I trusted' (Alto, Chorus)Te Deum in D major HWV 283
No. 15 Solo and Chorus 'Oh Lord, in thee have I trusted' (Alto, Chorus)Dorothee Fries (Soprano), Cäcilie Fuhs-Gerihsen (Soprano), Matthias Rexroth (Alto), Thomas Cooley (Tenor), Raimund Nolte (Bass), Ulrich Stötzel
Collegium vocale Siegen, Friedemann Immer Trumpet Consort, Hannoversche Hofkapelle℗ 2020 - Handel • Samson HWV 57: Air 'Total eclipse!' (Samson, Act I) • Total eclipse!Samson HWV 57: Air 'Total eclipse!' (Samson, Act I)
Total eclipse!Ernst Haefliger (Tenor), Karl Richter
Münchener Bach-Orchester℗ 2020 - Handel • Samson HWV 57: 'Thus when the sun from's wat'ry bed' (Samson, Act III) • Thus when the sun from's wat'ry bedSamson HWV 57: 'Thus when the sun from's wat'ry bed' (Samson, Act III)
Thus when the sun from's wat'ry bedErnst Haefliger (Tenor), Karl Richter
Münchener Bach-Orchester℗ 2020 - Handel • Joshua HWV 64: 'O hätt' ich Jubals Harf' (Oh! Had I Jubal's lyre, Soprano) • I. O hätt' ich Jubals Harf'Joshua HWV 64: 'O hätt' ich Jubals Harf' (Oh! Had I Jubal's lyre, Soprano)
I. O hätt' ich Jubals Harf'Maria Stader (Soprano), Karl Richter
Münchener Bach-Orchester℗ 2020 - Handel • Serse (Xerxes) HWV 40: 'Frondi tenere e belle' (Serse, Act I) • Frondi tenere e belleSerse (Xerxes) HWV 40: 'Frondi tenere e belle' (Serse, Act I)
Frondi tenere e belleErnst Haefliger (Tenor), Karl Richter
Münchener Bach-Orchester℗ 2020 - Handel • Serse (Xerxes) HWV 40: 'Se bramate d'amar, chi vi sdegna' (Serse, Act II) • Se bramate d'amar, chi vi sdegnaSerse (Xerxes) HWV 40: 'Se bramate d'amar, chi vi sdegna' (Serse, Act II)
Se bramate d'amar, chi vi sdegnaErnst Haefliger (Tenor), Karl Richter
Münchener Bach-Orchester℗ 2020 - Handel • Giulio Cesare in Egitto HWV 17: 'Svegliatevi nel core' (Sesto, Act I) • Svegliatevi nel core, furie d'un alma offesaGiulio Cesare in Egitto HWV 17: 'Svegliatevi nel core' (Sesto, Act I)
Svegliatevi nel core, furie d'un alma offesaErnst Haefliger (Tenor), Karl Richter
Münchener Bach-Orchester℗ 2020