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Mahler: Symphony No. 8 in E-Flat Major "Symphony of a Thousand" (Live)

©℗ 2019 Orfeo
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Hymnus • Veni, creator spiritus
    Symphony No. 8 in E flat major
    Hymnus • Veni, creator spiritus
    Mimi Coertse (Soprano), Hilde Zadek (Soprano), Ira Malaniuk (Alto), Lucretia West (Alto), Giuseppe Zampieri (Tenor), Hermann Prey (Baritone), Otto Edelmann (Bass), Dimitri Mitropoulos
    Wiener Philharmoniker, Wiener Sängerknaben, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein
    August 1960, Salzburg
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Poco adagio
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Poco adagio
    Mimi Coertse (Soprano), Hilde Zadek (Soprano), Ira Malaniuk (Alto), Lucretia West (Alto), Giuseppe Zampieri (Tenor), Hermann Prey (Baritone), Otto Edelmann (Bass), Dimitri Mitropoulos
    Wiener Philharmoniker, Wiener Sängerknaben, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein
    August 1960, Salzburg
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Waldung, sie schwankt heran
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Waldung, sie schwankt heran
    Mimi Coertse (Soprano), Hilde Zadek (Soprano), Ira Malaniuk (Alto), Lucretia West (Alto), Giuseppe Zampieri (Tenor), Hermann Prey (Baritone), Otto Edelmann (Bass), Dimitri Mitropoulos
    Wiener Philharmoniker, Wiener Sängerknaben, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein
    August 1960, Salzburg
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Ewiger Wonnebrand
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Ewiger Wonnebrand
    Mimi Coertse (Soprano), Hilde Zadek (Soprano), Ira Malaniuk (Alto), Lucretia West (Alto), Giuseppe Zampieri (Tenor), Hermann Prey (Baritone), Otto Edelmann (Bass), Dimitri Mitropoulos
    Wiener Philharmoniker, Wiener Sängerknaben, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein
    August 1960, Salzburg
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Wie Felsenabgrund mir zu Füßen
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Wie Felsenabgrund mir zu Füßen
    Mimi Coertse (Soprano), Hilde Zadek (Soprano), Ira Malaniuk (Alto), Lucretia West (Alto), Giuseppe Zampieri (Tenor), Hermann Prey (Baritone), Otto Edelmann (Bass), Dimitri Mitropoulos
    Wiener Philharmoniker, Wiener Sängerknaben, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein
    August 1960, Salzburg
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Gerettet ist das edle Glied
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Gerettet ist das edle Glied
    Mimi Coertse (Soprano), Hilde Zadek (Soprano), Ira Malaniuk (Alto), Lucretia West (Alto), Giuseppe Zampieri (Tenor), Hermann Prey (Baritone), Otto Edelmann (Bass), Dimitri Mitropoulos
    Wiener Philharmoniker, Wiener Sängerknaben, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein
    August 1960, Salzburg
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Dir, der Unberührbaren
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Dir, der Unberührbaren
    Mimi Coertse (Soprano), Hilde Zadek (Soprano), Ira Malaniuk (Alto), Lucretia West (Alto), Giuseppe Zampieri (Tenor), Hermann Prey (Baritone), Otto Edelmann (Bass), Dimitri Mitropoulos
    Wiener Philharmoniker, Wiener Sängerknaben, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein
    August 1960, Salzburg
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Bei der Liebe, die den Füßen
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Bei der Liebe, die den Füßen
    Mimi Coertse (Soprano), Hilde Zadek (Soprano), Ira Malaniuk (Alto), Lucretia West (Alto), Giuseppe Zampieri (Tenor), Hermann Prey (Baritone), Otto Edelmann (Bass), Dimitri Mitropoulos
    Wiener Philharmoniker, Wiener Sängerknaben, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein
    August 1960, Salzburg
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Komm! Hebe dich zu höhern Sphären
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Komm! Hebe dich zu höhern Sphären
    Mimi Coertse (Soprano), Hilde Zadek (Soprano), Ira Malaniuk (Alto), Lucretia West (Alto), Giuseppe Zampieri (Tenor), Hermann Prey (Baritone), Otto Edelmann (Bass), Dimitri Mitropoulos
    Wiener Philharmoniker, Wiener Sängerknaben, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein
    August 1960, Salzburg
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Alles Vergängliche ist nur ein Gleichnis
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Alles Vergängliche ist nur ein Gleichnis
    Mimi Coertse (Soprano), Hilde Zadek (Soprano), Ira Malaniuk (Alto), Lucretia West (Alto), Giuseppe Zampieri (Tenor), Hermann Prey (Baritone), Otto Edelmann (Bass), Dimitri Mitropoulos
    Wiener Philharmoniker, Wiener Sängerknaben, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein
    August 1960, Salzburg