- Piazzolla • Chau París (1955) (Arr. for Accordion, Piano and Double Bass)Chau París (1955) (Arr. for Accordion, Piano and Double Bass)Ksenija Sidorova (Accordion), Claudio Constantini (Piano), Roberto Koch (Double Bass)℗ 2021, Krün, Schloss Elmau
- Voitenko • Revelation
- Piazzolla • Histoire du Tango (1986): Café 1930 (Arr. for Accordion, Violin, Double Bass and Guitar) • 2. Café 1930Histoire du Tango (1986): Café 1930 (Arr. for Accordion, Violin, Double Bass and Guitar)
2. Café 1930Ksenija Sidorova (Accordion), Alexander Sitkovetsky (Violin), Roberto Koch (Double Bass), Reentko Dirks (Guitar)℗ 2021, Krün, Schloss Elmau - Roffi • Nocturne: A Kind of Lullaby of the Times We Have Not Yet LivedNocturne: A Kind of Lullaby of the Times We Have Not Yet LivedGoldmund Quartet
Ksenija Sidorova (Accordion), Roberto Koch (Double Bass), Florian Schötz (Violin), Pinchas Adt (Violin), Christoph Vandory (Viola), Raphael Paratore (Violoncello)℗ 2021, Krün, Schloss Elmau - Piazzolla • Concerto for Bandoneon, Chamber Orchestra and Percussion “Aconcagua” • I. Allegro marcatoConcerto for Bandoneon, Chamber Orchestra and Percussion
I. Allegro marcatoKsenija Sidorova (Accordion), Thomas Hengelbrock
NDR Elbphilharmonie Orchester2018, Hamburg, Elbphilharmonie - Piazzolla • Concerto for Bandoneon, Chamber Orchestra and Percussion “Aconcagua” • II. ModeratoConcerto for Bandoneon, Chamber Orchestra and Percussion
II. ModeratoKsenija Sidorova (Accordion), Thomas Hengelbrock
NDR Elbphilharmonie Orchester2018, Hamburg, Elbphilharmonie - Piazzolla • Concerto for Bandoneon, Chamber Orchestra and Percussion “Aconcagua” • III. PrestoConcerto for Bandoneon, Chamber Orchestra and Percussion
III. PrestoKsenija Sidorova (Accordion), Thomas Hengelbrock
NDR Elbphilharmonie Orchester2018, Hamburg, Elbphilharmonie - Piazzolla • Lumière: Soledad (1975) (Arr. for Accordion, Violin and Piano)Lumière: Soledad (1975) (Arr. for Accordion, Violin and Piano)Ksenija Sidorova (Accordion), Alexander Sitkovetsky (Violin), Claudio Constantini (Piano)℗ 2021, Krün, Schloss Elmau
- Piazzolla • María de Buenos Aires (1968): Yo soy María (Arr. for Accordion, Violin and Piano)María de Buenos Aires (1968): Yo soy María (Arr. for Accordion, Violin and Piano)Ksenija Sidorova (Accordion), Alexander Sitkovetsky (Violin), Claudio Constantini (Piano)℗ 2021, Krün, Schloss Elmau
- Angelis • Fantasy on a Theme of A. Piazzolla “Chiquilín de Bachín” • Fantasy on a Theme of A. Piazzolla "Chiquilín de Bachín"Fantasy on a Theme of A. Piazzolla
Fantasy on a Theme of A. Piazzolla "Chiquilín de Bachín"Goldmund Quartet
Ksenija Sidorova (Accordion), Florian Schötz (Violin), Pinchas Adt (Violin), Christoph Vandory (Viola), Raphael Paratore (Violoncello)℗ 2021, Krün, Schloss Elmau - Piazzolla • Romance del Diablo (1965) (Arr. for Accordion and Orchestra)Romance del Diablo (1965) (Arr. for Accordion and Orchestra)Ksenija Sidorova (Accordion)℗ 2021, Krün, Schloss Elmau
- Bach • Concerto for Keyboard in D minor BWV 974 (after A. Marcello: Oboe Concerto S. Z799) (Arr. for Accordion) • II. AdagioConcerto for Keyboard in D minor BWV 974 (after A. Marcello: Oboe Concerto S. Z799) (Arr. for Accordion)
II. AdagioKsenija Sidorova (Accordion)℗ 2021, Krün, Schloss Elmau - Akhunov • Two Keys to One J. Brodsky's Poem (2016) • The MoonTwo Keys to One J. Brodsky's Poem (2016)
The MoonGoldmund Quartet
Ksenija Sidorova (Accordion), Florian Schötz (Violin), Pinchas Adt (Violin), Christoph Vandory (Viola), Raphael Paratore (Violoncello)℗ 2021, Krün, Schloss Elmau - Akhunov • Two Keys to One J. Brodsky's Poem (2016) • The RiverTwo Keys to One J. Brodsky's Poem (2016)
The RiverGoldmund Quartet
Ksenija Sidorova (Accordion), Florian Schötz (Violin), Pinchas Adt (Violin), Christoph Vandory (Viola), Raphael Paratore (Violoncello)℗ 2021, Krün, Schloss Elmau - Piazzolla • Libertango (1974) (Arr. for Accordion and Orchestra)Libertango (1974) (Arr. for Accordion and Orchestra)Ksenija Sidorova (Accordion), Clark Rundell
BBC National Orchestra of Wales2012, Cardiff, BBC Hoddinott Hall