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R. Strauss: Salome, Op. 54, TrV 215

©℗ 2015 MYTO Historical
  • Strauss • Salome op. 54 TrV 215 • Act I • 1. Wie schon ist die Prinzessin Salome heute nacht! (How beautiful is the Princess Salome tonight!) (Narraboth, Page, First Soldier, Second Soldier)
    Salome op. 54 TrV 215
    Act I • 1. Wie schon ist die Prinzessin Salome heute nacht! (How beautiful is the Princess Salome tonight!) (Narraboth, Page, First Soldier, Second Soldier)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 2. Nach mir wird Einer kommen (After me shall come another) (Jokanaan, Second Soldier, First Soldier, Cappadocian)
    Salome op. 54 TrV 215
    Act I • 2. Nach mir wird Einer kommen (After me shall come another) (Jokanaan, Second Soldier, First Soldier, Cappadocian)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 3. Ich will niche bleiben (I will not stay) (Salome, Page)
    Salome op. 54 TrV 215
    Act I • 3. Ich will niche bleiben (I will not stay) (Salome, Page)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 4. Siehe, der Herr ist gekommen (The Lord hath come) (Jokanaan, Salome, Soldier, Narraboth)
    Salome op. 54 TrV 215
    Act I • 4. Siehe, der Herr ist gekommen (The Lord hath come) (Jokanaan, Salome, Soldier, Narraboth)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 5. Wie schwarz es da drunten ist! (Salome, Soldier, Page, Narraboth)
    Salome op. 54 TrV 215
    Act I • 5. Wie schwarz es da drunten ist! (Salome, Soldier, Page, Narraboth)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 6. Wo ist er, dessen Sundenbecher jetzt voll ist? (Where is he whose cup of abominations is now full?) (Jokanaan, Salome, Narraboth)
    Salome op. 54 TrV 215
    Act I • 6. Wo ist er, dessen Sundenbecher jetzt voll ist? (Where is he whose cup of abominations is now full?) (Jokanaan, Salome, Narraboth)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 7. Seine Augen sind von allem (Salome, Narraboth, Jokanaan)
    Salome op. 54 TrV 215
    Act I • 7. Seine Augen sind von allem (Salome, Narraboth, Jokanaan)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 8. Jochanaan! Ich bin verliebt in deinen Leib (Jokanaan! I am amorous of thy body!) (Salome, Jokanaan)
    Salome op. 54 TrV 215
    Act I • 8. Jochanaan! Ich bin verliebt in deinen Leib (Jokanaan! I am amorous of thy body!) (Salome, Jokanaan)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 9. Niemals, Tochter Babylons (Jochanaan, Salome)
    Salome op. 54 TrV 215
    Act I • 9. Niemals, Tochter Babylons (Jochanaan, Salome)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 10. Zuruck, Tochter Sodoms! Beruhre mich nicht! (Jochanaan, Salome)
    Salome op. 54 TrV 215
    Act I • 10. Zuruck, Tochter Sodoms! Beruhre mich nicht! (Jochanaan, Salome)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 11. Ich will deinen Mund kussen (Salome, Jokanaan)
    Salome op. 54 TrV 215
    Act I • 11. Ich will deinen Mund kussen (Salome, Jokanaan)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 12. Lass mich deinen Mund kussen, Jochanaan! (Salome, Jochanaan)
    Salome op. 54 TrV 215
    Act I • 12. Lass mich deinen Mund kussen, Jochanaan! (Salome, Jochanaan)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 13. Wo ist Salome? (Where is Salome?) (Herod, Herodias, Soldier)
    Salome op. 54 TrV 215
    Act I • 13. Wo ist Salome? (Where is Salome?) (Herod, Herodias, Soldier)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 14. Es ist kalt hier (It is cold here) (Herod, Herodias, Salome)
    Salome op. 54 TrV 215
    Act I • 14. Es ist kalt hier (It is cold here) (Herod, Herodias, Salome)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 15. Salome, komm, trink Wein mit mir (Salome, come drink a little wine with me) (Herod, Salome, Herodias)
    Salome op. 54 TrV 215
    Act I • 15. Salome, komm, trink Wein mit mir (Salome, come drink a little wine with me) (Herod, Salome, Herodias)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 16. Sich, die Zeit ist gekommen (Lo! The time has come!) (Jokanaan, Herodias, Herod, Juden)
    Salome op. 54 TrV 215
    Act I • 16. Sich, die Zeit ist gekommen (Lo! The time has come!) (Jokanaan, Herodias, Herod, Juden)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 17. Der Messias ist gekommen (Erster Nazarener, All)
    Salome op. 54 TrV 215
    Act I • 17. Der Messias ist gekommen (Erster Nazarener, All)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 18. Tanz fur mich, Salome (Dance for me, Salome) (Herod, Herodias, Salome, Jokanaan)
    Salome op. 54 TrV 215
    Act I • 18. Tanz fur mich, Salome (Dance for me, Salome) (Herod, Herodias, Salome, Jokanaan)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 19. Salome's Dance
    Salome op. 54 TrV 215
    Act I • 19. Salome's Dance    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 20. Ah! Herrlich! Wundervoll, wundervoll! (Ah! Wonderful, wonderful!) (Herod, Salome)
    Salome op. 54 TrV 215
    Act I • 20. Ah! Herrlich! Wundervoll, wundervoll! (Ah! Wonderful, wonderful!) (Herod, Salome)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 21. Was ist es, das du haben mochtest, Salome? (Herod, Salome, Herodias)
    Salome op. 54 TrV 215
    Act I • 21. Was ist es, das du haben mochtest, Salome? (Herod, Salome, Herodias)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 22. Salome, ich beschwore dich: sei nicht trotzig! (Herodes, Salome, Herodias)
    Salome op. 54 TrV 215
    Act I • 22. Salome, ich beschwore dich: sei nicht trotzig! (Herodes, Salome, Herodias)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 23. Salome, bedenk, was du tun willst (Salome, think of what you are doing) (Herod, Salome, Herodias)
    Salome op. 54 TrV 215
    Act I • 23. Salome, bedenk, was du tun willst (Salome, think of what you are doing) (Herod, Salome, Herodias)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 24. Es ist kein Laut zu vernehmen (There is no sound) (Salome)
    Salome op. 54 TrV 215
    Act I • 24. Es ist kein Laut zu vernehmen (There is no sound) (Salome)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 25. Ah! Du wolltest mich nicht deinen Mund kussen lassen, Jochanaan! (Ah! Thou wouldst not suffer me to kiss thy mouth, Jokanaan) (Salome)
    Salome op. 54 TrV 215
    Act I • 25. Ah! Du wolltest mich nicht deinen Mund kussen lassen, Jochanaan! (Ah! Thou wouldst not suffer me to kiss thy mouth, Jokanaan) (Salome)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 26. Und deine Zunge, sie spricht kein Wort, Jochanaan (Salome)
    Salome op. 54 TrV 215
    Act I • 26. Und deine Zunge, sie spricht kein Wort, Jochanaan (Salome)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 27. Ach, warum hast du mich nicht angesehen? (Salome)
    Salome op. 54 TrV 215
    Act I • 27. Ach, warum hast du mich nicht angesehen? (Salome)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 28. Sie ist ein Ungeheuer, deine Tochter (She is monstrous, thy daughter) (Herod, Herodias)
    Salome op. 54 TrV 215
    Act I • 28. Sie ist ein Ungeheuer, deine Tochter (She is monstrous, thy daughter) (Herod, Herodias)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Strauss • Salome op. 54 TrV 215 • Act I • 29. Ah! Ich habe deinen Mund gekusst, Jochanaan (Ah! I have kissed thy mouth, Jokanaan) (Salome, Herodes)
    Salome op. 54 TrV 215
    Act I • 29. Ah! Ich habe deinen Mund gekusst, Jochanaan (Ah! I have kissed thy mouth, Jokanaan) (Salome, Herodes)    Libretto: Oscar Wilde, Translation: Hedwig Lachmann
    Angelo Mercuriali (Tenor), Maria Teresa Massa-Ferrero (Alto), Dario Caselli (Bass), Giannetto Zini (Bass), Tito Gobbi (Baritone), Giuliano Ferrein (Bass), Lily Djanel (Soprano), Fiorenzo Tasso (Tenor), Francesco Maria Benedetti (Mezzo-soprano), Mario Carlin (Tenor), Cesare Masini Sperti (Tenor), Tommaso Soley (Tenor), Luigi Fort (Tenor), Franco Calabrese (Bass), Aldo Bertocci (Tenor), Nino Sanzogno
    Orchestra Sinfonica Nazionale della RAI
    1952, Torino
  • Mozart • Le nozze di Figaro KV 492: 'Aprite un po' quegli occhi' (Figaro, Act IV) • Aprite un po' quegli occhi
    Le nozze di Figaro KV 492: 'Aprite un po' quegli occhi' (Figaro, Act IV)
    Aprite un po' quegli occhi    Libretto: Lorenzo da Ponte
    Tito Gobbi (Baritone), Alfredo Simonetto
    Orchestra Sinfonica di Milano della RAI
    1956, Milano
  • Donizetti • Don Pasquale: 'Quel guardo il cavaliere' (Norina, Act I) • Quel guardo il cavaliere – So anch'io la virtù magica
    Don Pasquale: 'Quel guardo il cavaliere' (Norina, Act I)
    Quel guardo il cavaliere – So anch'io la virtù magica    Libretto: Giovanni Ruffini
    Rosanna Carteri (Soprano), Alfredo Simonetto
    Orchestra Sinfonica di Milano della RAI
    1956, Milan
  • Rossini • Guillaume Tell: 'Resta immobile' (Sois immobile) (Guglielmo, Act III, in Italian) • Resta immobile
    Guillaume Tell: 'Resta immobile' (Sois immobile) (Guglielmo, Act III, in Italian)
    Resta immobile    Libretto: Victor-Joseph Étienne de Jouy, Hippolyte Louis Florent Bis
    Tito Gobbi (Baritone), Alfredo Simonetto
    Orchestra Sinfonica di Milano della RAI
    1956, Milan
  • Mascagni • Lodoletta: 'Flammen perdonami' (Lodoletta, Act III) • Flammen perdonami
    Lodoletta: 'Flammen perdonami' (Lodoletta, Act III)
    Flammen perdonami    Libretto: Giovacchino Forzano
    Rosanna Carteri (Soprano), Alfredo Simonetto
    Orchestra Sinfonica di Milano della RAI
    1956, Milan
  • Cilea • Adriana Lecouvreur: 'Io son l'umile ancella' (Adriana, Act 1) • Io son l'umile ancella
    Adriana Lecouvreur: 'Io son l'umile ancella' (Adriana, Act 1)
    Io son l'umile ancella    Libretto: Arturo Colautti
    Tito Gobbi (Baritone), Rosanna Carteri (Soprano), Alfredo Simonetto
    Orchestra Sinfonica di Milano della RAI
    1956, Milan
  • Cilea • Adriana Lecouvreur: ‘Ecco il monologo‘ (Michonnet, Act I) • Ecco il monologo
    Adriana Lecouvreur: ‘Ecco il monologo‘ (Michonnet, Act I)
    Ecco il monologo
    Tito Gobbi (Baritone), Rosanna Carteri (Soprano), Alfredo Simonetto
    Orchestra Sinfonica di Milano della RAI
    1956, Milan
  • Verdi • Otello: 'Mia madre aveva una povera ancella' (Desdemona, Act IV) • Mia madre aveva una povera ancella
    Otello: 'Mia madre aveva una povera ancella' (Desdemona, Act IV)
    Mia madre aveva una povera ancella    Libretto: Arrigo Boito
    Rosanna Carteri (Soprano), Alfredo Simonetto
    Orchestra Sinfonica di Milano della RAI
    1956, Milan
  • Verdi • Don Carlo: 'Io morrò ma lieto in core' (Rodrigo, Act III) • Io morrò ma lieto in core
    Don Carlo: 'Io morrò ma lieto in core' (Rodrigo, Act III)
    Io morrò ma lieto in core    Libretto: Camille du Locle, Joseph Méry
    Tito Gobbi (Baritone), Alfredo Simonetto
    Orchestra Sinfonica di Milano della RAI
    1956, Milan