Seiji Ozawa Anniversary
©℗ 2010 Decca Music Group Ltd.
- Bartók • Music for Strings, Percussion and Celesta BB 114 Sz. 106 (1936) • 1. Andante tranquilloMusic for Strings, Percussion and Celesta BB 114 Sz. 106 (1936)
1. Andante tranquilloSeiji Ozawa, Saito Kinen Orchestra℗ 2005 - Bartók • Music for Strings, Percussion and Celesta BB 114 Sz. 106 (1936) • 2. AllegroMusic for Strings, Percussion and Celesta BB 114 Sz. 106 (1936)
2. AllegroSeiji Ozawa, Saito Kinen Orchestra℗ 2005 - Bartók • Music for Strings, Percussion and Celesta BB 114 Sz. 106 (1936) • 3. AdagioMusic for Strings, Percussion and Celesta BB 114 Sz. 106 (1936)
3. AdagioSeiji Ozawa, Saito Kinen Orchestra℗ 2005 - Bartók • Music for Strings, Percussion and Celesta BB 114 Sz. 106 (1936) • 4. Allegro moltoMusic for Strings, Percussion and Celesta BB 114 Sz. 106 (1936)
4. Allegro moltoSeiji Ozawa, Saito Kinen Orchestra℗ 2005 - Bartók • Concerto for Orchestra BB 123 Sz. 116 (1942-1943, rev. 1945) • I. Introduzione. Andanto non troppo – Allegro vivaceConcerto for Orchestra BB 123 Sz. 116 (1942-1943, rev. 1945)
I. Introduzione. Andanto non troppo – Allegro vivaceSeiji Ozawa, Saito Kinen Orchestra℗ 2005 - Bartók • Concerto for Orchestra BB 123 Sz. 116 (1942-1943, rev. 1945) • II. Giuoco della coppie. Allegretto scherzandoConcerto for Orchestra BB 123 Sz. 116 (1942-1943, rev. 1945)
II. Giuoco della coppie. Allegretto scherzandoSeiji Ozawa, Saito Kinen Orchestra℗ 2005 - Bartók • Concerto for Orchestra BB 123 Sz. 116 (1942-1943, rev. 1945) • III. Elegia. Andante non troppoConcerto for Orchestra BB 123 Sz. 116 (1942-1943, rev. 1945)
III. Elegia. Andante non troppoSeiji Ozawa, Saito Kinen Orchestra℗ 2005 - Bartók • Concerto for Orchestra BB 123 Sz. 116 (1942-1943, rev. 1945) • IV. Intermezzo interrotto. AllegrettoConcerto for Orchestra BB 123 Sz. 116 (1942-1943, rev. 1945)
IV. Intermezzo interrotto. AllegrettoSeiji Ozawa, Saito Kinen Orchestra℗ 2005 - Bartók • Concerto for Orchestra BB 123 Sz. 116 (1942-1943, rev. 1945) • V. Finale. Pesante – PrestoConcerto for Orchestra BB 123 Sz. 116 (1942-1943, rev. 1945)
V. Finale. Pesante – PrestoSeiji Ozawa, Saito Kinen Orchestra℗ 2005 - Berlioz • Symphonie fantastique op. 14 H 48 • I. Rêveries, passionsSymphonie fantastique op. 14 H 48
I. Rêveries, passionsSeiji Ozawa, Saito Kinen Orchestra2010 - Berlioz • Symphonie fantastique op. 14 H 48 • II. Un bal
- Berlioz • Symphonie fantastique op. 14 H 48 • III. Scène aux champsSymphonie fantastique op. 14 H 48
III. Scène aux champsSeiji Ozawa, Saito Kinen Orchestra2010 - Berlioz • Symphonie fantastique op. 14 H 48 • IV. Marche au suppliceSymphonie fantastique op. 14 H 48
IV. Marche au suppliceSeiji Ozawa, Saito Kinen Orchestra2010 - Berlioz • Symphonie fantastique op. 14 H 48 • V. Songe d'une nuit de SabbatSymphonie fantastique op. 14 H 48
V. Songe d'une nuit de SabbatSeiji Ozawa, Saito Kinen Orchestra2010 - Ravel • Pavane pour une infante défunte M 19 (1899) (Version for Small Orchestra) • Assez doux, mais d’une sonorité largePavane pour une infante défunte M 19 (1899) (Version for Small Orchestra)
Assez doux, mais d’une sonorité largeSeiji Ozawa, Saito Kinen Orchestra℗ 2008 - Takemitsu • Ceremonial. An Autumn Ode for Orchestra (1992)Ceremonial. An Autumn Ode for Orchestra (1992)Seiji Ozawa, Saito Kinen Orchestra℗ 1997
- Takemitsu • Keizu (Family Tree): Musical Verses for Young People • 1. Once Upon a TimeKeizu (Family Tree): Musical Verses for Young People
1. Once Upon a TimeSeira Ozawa (Speaker), Seiji Ozawa
Saito Kinen Orchestra℗ 1997 - Takemitsu • Keizu (Family Tree): Musical Verses for Young People • 2. GrandpaKeizu (Family Tree): Musical Verses for Young People
2. GrandpaSeira Ozawa (Speaker), Seiji Ozawa
Saito Kinen Orchestra℗ 1997 - Takemitsu • Keizu (Family Tree): Musical Verses for Young People • 3. GrandmaKeizu (Family Tree): Musical Verses for Young People
3. GrandmaSeira Ozawa (Speaker), Seiji Ozawa
Saito Kinen Orchestra℗ 1997 - Takemitsu • Keizu (Family Tree): Musical Verses for Young People • 4. DadKeizu (Family Tree): Musical Verses for Young People
4. DadSeira Ozawa (Speaker), Seiji Ozawa
Saito Kinen Orchestra℗ 1997 - Takemitsu • Keizu (Family Tree): Musical Verses for Young People • 5. MomKeizu (Family Tree): Musical Verses for Young People
5. MomSeira Ozawa (Speaker), Seiji Ozawa
Saito Kinen Orchestra℗ 1997 - Takemitsu • Keizu (Family Tree): Musical Verses for Young People • 6. A Distant PlaceKeizu (Family Tree): Musical Verses for Young People
6. A Distant PlaceSeira Ozawa (Speaker), Seiji Ozawa
Saito Kinen Orchestra℗ 1997 - Takemitsu • My Way of Life: In memoriam Michael Vyner (1990) • 1. I was once asked to write about 'my way of life'My Way of Life: In memoriam Michael Vyner (1990)
1. I was once asked to write about 'my way of life'Dwayne Croft (Baritone), Seiji Ozawa
Saito Kinen Orchestra, Tokyo Opera Singers℗ 1997 - Takemitsu • My Way of Life: In memoriam Michael Vyner (1990) • 2. To a discerning eyeMy Way of Life: In memoriam Michael Vyner (1990)
2. To a discerning eyeDwayne Croft (Baritone), Seiji Ozawa
Saito Kinen Orchestra, Tokyo Opera Singers℗ 1997 - Takemitsu • My Way of Life: In memoriam Michael Vyner (1990) • 3. A human being has its own way of lifeMy Way of Life: In memoriam Michael Vyner (1990)
3. A human being has its own way of lifeDwayne Croft (Baritone), Seiji Ozawa
Saito Kinen Orchestra, Tokyo Opera Singers℗ 1997 - Takemitsu • My Way of Life: In memoriam Michael Vyner (1990) • 4. It is not time that passes onMy Way of Life: In memoriam Michael Vyner (1990)
4. It is not time that passes onDwayne Croft (Baritone), Seiji Ozawa
Saito Kinen Orchestra, Tokyo Opera Singers℗ 1997 - Takemitsu • Requiem for Strings (1957)
- Takemitsu • Air for Solo Flute (1995)
- Mahler • Symphony No. 2 in C minor “Resurrection” • I. Allegro maestoso. Mit durchaus ernstem und feierlichem AusdruckSymphony No. 2 in C minor
I. Allegro maestoso. Mit durchaus ernstem und feierlichem AusdruckDame Kiri Te Kanawa (Soprano), Marilyn Horne (Mezzo-soprano), Seiji Ozawa
Boston Symphony Orchestra, Tanglewood Festival Chorus1986, Boston, Symphony Hall - Mahler • Symphony No. 2 in C minor “Resurrection” • II. Andante moderato. Sehr gemächlichSymphony No. 2 in C minor
II. Andante moderato. Sehr gemächlichDame Kiri Te Kanawa (Soprano), Marilyn Horne (Mezzo-soprano), Seiji Ozawa
Boston Symphony Orchestra, Tanglewood Festival Chorus1986, Boston, Symphony Hall - Mahler • Symphony No. 2 in C minor “Resurrection” • III. In ruhig fliessender BewegungSymphony No. 2 in C minor
III. In ruhig fliessender BewegungDame Kiri Te Kanawa (Soprano), Marilyn Horne (Mezzo-soprano), Seiji Ozawa
Boston Symphony Orchestra, Tanglewood Festival Chorus1986, Boston, Symphony Hall - Mahler • Symphony No. 2 in C minor “Resurrection” • IV. Urlicht. Sehr feierlich, aber schlicht (O Röschen roth!)Symphony No. 2 in C minor
IV. Urlicht. Sehr feierlich, aber schlicht (O Röschen roth!)Dame Kiri Te Kanawa (Soprano), Marilyn Horne (Mezzo-soprano), Seiji Ozawa
Boston Symphony Orchestra, Tanglewood Festival Chorus1986, Boston, Symphony Hall - Mahler • Symphony No. 2 in C minor “Resurrection” • V. Im Tempo des Scherzos. Wild herausfahrend –Symphony No. 2 in C minor
V. Im Tempo des Scherzos. Wild herausfahrend –Dame Kiri Te Kanawa (Soprano), Marilyn Horne (Mezzo-soprano), Seiji Ozawa
Boston Symphony Orchestra, Tanglewood Festival Chorus1986, Boston, Symphony Hall - Mahler • Symphony No. 2 in C minor “Resurrection” • Maestoso. Sehr zurückhaltend – Wieder zurückhaltend –Symphony No. 2 in C minor
Maestoso. Sehr zurückhaltend – Wieder zurückhaltend –Dame Kiri Te Kanawa (Soprano), Marilyn Horne (Mezzo-soprano), Seiji Ozawa
Boston Symphony Orchestra, Tanglewood Festival Chorus1986, Boston, Symphony Hall - Mahler • Symphony No. 2 in C minor “Resurrection” • Sehr langsam und gedehnt –Symphony No. 2 in C minor
Sehr langsam und gedehnt –Dame Kiri Te Kanawa (Soprano), Marilyn Horne (Mezzo-soprano), Seiji Ozawa
Boston Symphony Orchestra, Tanglewood Festival Chorus1986, Boston, Symphony Hall - Mahler • Symphony No. 2 in C minor “Resurrection” • Langsam. Misterioso (Aufersteh'n, ja aufersteh'n wirst du) –Symphony No. 2 in C minor
Langsam. Misterioso (Aufersteh'n, ja aufersteh'n wirst du) –Dame Kiri Te Kanawa (Soprano), Marilyn Horne (Mezzo-soprano), Seiji Ozawa
Boston Symphony Orchestra, Tanglewood Festival Chorus1986, Boston, Symphony Hall - Mahler • Symphony No. 2 in C minor “Resurrection” • Etwas bewegter (O glaube, mein Herz, o glaube)Symphony No. 2 in C minor
Etwas bewegter (O glaube, mein Herz, o glaube)Dame Kiri Te Kanawa (Soprano), Marilyn Horne (Mezzo-soprano), Seiji Ozawa
Boston Symphony Orchestra, Tanglewood Festival Chorus1986, Boston, Symphony Hall - Bach • Toccata and Fugue in D minor BWV 565 (Arr. L. Stokowski for Orchestra) • Adagio - FugaToccata and Fugue in D minor BWV 565 (Arr. L. Stokowski for Orchestra)
Adagio - FugaSeiji Ozawa, Boston Symphony Orchestra℗ 1992 - Webern • Ricercar in Six Voices for Orchestra (after J. S. Bach BWV 1079) (1935)Ricercar in Six Voices for Orchestra (after J. S. Bach BWV 1079) (1935)Seiji Ozawa, Boston Symphony Orchestra℗ 1992
- Bach • Partita for Solo Violin No. 2 in D minor BWV 1004: V. Ciaccona (Arr. J. Raff for Large Orchestra)Partita for Solo Violin No. 2 in D minor BWV 1004: V. Ciaccona (Arr. J. Raff for Large Orchestra)Seiji Ozawa, Boston Symphony Orchestra℗ 1992
- Stravinsky • Canonic Variations on Vom Himmel hoch da komm ich her for Choir and Orchestra (after Johann Sebastian Bach, BWV 769) • 1. ChoraleCanonic Variations on Vom Himmel hoch da komm ich her for Choir and Orchestra (after Johann Sebastian Bach, BWV 769)
1. ChoraleSeiji Ozawa, Boston Symphony Orchestra, Tanglewood Festival Chorus℗ 1992 - Stravinsky • Canonic Variations on Vom Himmel hoch da komm ich her for Choir and Orchestra (after Johann Sebastian Bach, BWV 769) • 2. Variation 1: In canone all'OttavaCanonic Variations on Vom Himmel hoch da komm ich her for Choir and Orchestra (after Johann Sebastian Bach, BWV 769)
2. Variation 1: In canone all'OttavaSeiji Ozawa, Boston Symphony Orchestra, Tanglewood Festival Chorus℗ 1992 - Stravinsky • Canonic Variations on Vom Himmel hoch da komm ich her for Choir and Orchestra (after Johann Sebastian Bach, BWV 769) • 3. Variation 2: Alio modo in canone alla QuintaCanonic Variations on Vom Himmel hoch da komm ich her for Choir and Orchestra (after Johann Sebastian Bach, BWV 769)
3. Variation 2: Alio modo in canone alla QuintaSeiji Ozawa, Boston Symphony Orchestra, Tanglewood Festival Chorus℗ 1992 - Stravinsky • Canonic Variations on Vom Himmel hoch da komm ich her for Choir and Orchestra (after Johann Sebastian Bach, BWV 769) • 4. Variation 3: In canone alla SettimaCanonic Variations on Vom Himmel hoch da komm ich her for Choir and Orchestra (after Johann Sebastian Bach, BWV 769)
4. Variation 3: In canone alla SettimaSeiji Ozawa, Boston Symphony Orchestra, Tanglewood Festival Chorus℗ 1992 - Stravinsky • Canonic Variations on Vom Himmel hoch da komm ich her for Choir and Orchestra (after Johann Sebastian Bach, BWV 769) • 5. Variation 4: In canone all'Ottava per augmentationemCanonic Variations on Vom Himmel hoch da komm ich her for Choir and Orchestra (after Johann Sebastian Bach, BWV 769)
5. Variation 4: In canone all'Ottava per augmentationemSeiji Ozawa, Boston Symphony Orchestra, Tanglewood Festival Chorus℗ 1992 - Stravinsky • Canonic Variations on Vom Himmel hoch da komm ich her for Choir and Orchestra (after Johann Sebastian Bach, BWV 769) • 6. Variation 5: L'altra sorte del canone al rovescioCanonic Variations on Vom Himmel hoch da komm ich her for Choir and Orchestra (after Johann Sebastian Bach, BWV 769)
6. Variation 5: L'altra sorte del canone al rovescioSeiji Ozawa, Boston Symphony Orchestra, Tanglewood Festival Chorus℗ 1992 - Bach • Prelude and Fugue in E flat major BWV 552 (Arr. for Orchestra) • Prelude and FuguePrelude and Fugue in E flat major BWV 552 (Arr. for Orchestra)
Prelude and FugueSeiji Ozawa, Boston Symphony Orchestra℗ 1992 - Poulenc • Gloria for Soprano, Chorus and Orchestra FP 177 (1959) • 1. GloriaGloria for Soprano, Chorus and Orchestra FP 177 (1959)
1. GloriaKathleen Battle (Soprano), Seiji Ozawa
Boston Symphony Orchestra, Tanglewood Festival Chorus2010 - Poulenc • Gloria for Soprano, Chorus and Orchestra FP 177 (1959) • 2. Laudamus teGloria for Soprano, Chorus and Orchestra FP 177 (1959)
2. Laudamus teKathleen Battle (Soprano), Seiji Ozawa
Boston Symphony Orchestra, Tanglewood Festival Chorus2010 - Poulenc • Gloria for Soprano, Chorus and Orchestra FP 177 (1959) • 3. Domine DeusGloria for Soprano, Chorus and Orchestra FP 177 (1959)
3. Domine DeusKathleen Battle (Soprano), Seiji Ozawa
Boston Symphony Orchestra, Tanglewood Festival Chorus2010 - Poulenc • Gloria for Soprano, Chorus and Orchestra FP 177 (1959) • 4. Domine fili unigeniteGloria for Soprano, Chorus and Orchestra FP 177 (1959)
4. Domine fili unigeniteKathleen Battle (Soprano), Seiji Ozawa
Boston Symphony Orchestra, Tanglewood Festival Chorus2010 - Poulenc • Gloria for Soprano, Chorus and Orchestra FP 177 (1959) • 5. Domine Deus, Agnus DeiGloria for Soprano, Chorus and Orchestra FP 177 (1959)
5. Domine Deus, Agnus DeiKathleen Battle (Soprano), Seiji Ozawa
Boston Symphony Orchestra, Tanglewood Festival Chorus2010 - Poulenc • Gloria for Soprano, Chorus and Orchestra FP 177 (1959) • 6. Qui sedes ad dexteram PatrisGloria for Soprano, Chorus and Orchestra FP 177 (1959)
6. Qui sedes ad dexteram PatrisKathleen Battle (Soprano), Seiji Ozawa
Boston Symphony Orchestra, Tanglewood Festival Chorus2010 - Poulenc • Concerto for Organ, String Orchestra and Timpani in G minor FP 93 • Andante –Concerto for Organ, String Orchestra and Timpani in G minor FP 93
Andante –Everett Joseph Firth (Timpani), Simon Preston (Organ), Seiji Ozawa
Boston Symphony Orchestra1991, Boston, Symphony Hall - Poulenc • Concerto for Organ, String Orchestra and Timpani in G minor FP 93 • Subito andante moderato –Concerto for Organ, String Orchestra and Timpani in G minor FP 93
Subito andante moderato –Everett Joseph Firth (Timpani), Simon Preston (Organ), Seiji Ozawa
Boston Symphony Orchestra1991, Boston, Symphony Hall - Poulenc • Concerto for Organ, String Orchestra and Timpani in G minor FP 93 • Tempo allegro, molto agitatoConcerto for Organ, String Orchestra and Timpani in G minor FP 93
Tempo allegro, molto agitatoEverett Joseph Firth (Timpani), Simon Preston (Organ), Seiji Ozawa
Boston Symphony Orchestra1991, Boston, Symphony Hall - Poulenc • Concert champêtre for Harpsichord and Orchestra FP 49 • I. Allegro molto – Adagio – Allegro moltoConcert champêtre for Harpsichord and Orchestra FP 49
I. Allegro molto – Adagio – Allegro moltoTrevor Pinnock (Harpsichord), Seiji Ozawa
Boston Symphony Orchestra℗ 1995 - Poulenc • Concert champêtre for Harpsichord and Orchestra FP 49 • II. Andante. Mouvement de SicilienneConcert champêtre for Harpsichord and Orchestra FP 49
II. Andante. Mouvement de SicilienneTrevor Pinnock (Harpsichord), Seiji Ozawa
Boston Symphony Orchestra℗ 1995 - Poulenc • Concert champêtre for Harpsichord and Orchestra FP 49 • III. Finale. Presto très gaiConcert champêtre for Harpsichord and Orchestra FP 49
III. Finale. Presto très gaiTrevor Pinnock (Harpsichord), Seiji Ozawa
Boston Symphony Orchestra℗ 1995 - Rimsky-Korsakov • Sheherazade op. 35 • 1. The Sea and Sindbad's Ship. Largo e maestosoSheherazade op. 35
1. The Sea and Sindbad's Ship. Largo e maestosoRainer Honeck (Violin), Seiji Ozawa
Wiener Philharmoniker1993, Wien, Musikverein - Rimsky-Korsakov • Sheherazade op. 35 • 2. The Story of the Kalender Prince. LentoSheherazade op. 35
2. The Story of the Kalender Prince. LentoRainer Honeck (Violin), Seiji Ozawa
Wiener Philharmoniker1993, Wien, Musikverein - Rimsky-Korsakov • Sheherazade op. 35 • 3. The Young Prince and the Young Princess. Andantino quasi allegrettoSheherazade op. 35
3. The Young Prince and the Young Princess. Andantino quasi allegrettoRainer Honeck (Violin), Seiji Ozawa
Wiener Philharmoniker1993, Wien, Musikverein - Rimsky-Korsakov • Sheherazade op. 35 • 4. Festival at Baghdad – The Sea – The Ship Breaks against a Cliff Surmounted by a Bronze Horseman. Allegro moltoSheherazade op. 35
4. Festival at Baghdad – The Sea – The Ship Breaks against a Cliff Surmounted by a Bronze Horseman. Allegro moltoRainer Honeck (Violin), Seiji Ozawa
Wiener Philharmoniker1993, Wien, Musikverein - Rimsky-Korsakov • Russian Easter Festival op. 36 “Overture on Liturgical Themes”
- Strauss • Wiener Philharmoniker Fanfare TrV 248 • Wiener Philharmoniker FanfareWiener Philharmoniker Fanfare TrV 248
Wiener Philharmoniker FanfareSeiji Ozawa, Wiener Philharmoniker℗ 1997 - Strauss • Eine Alpensinfonie op. 64 TrV 233Eine Alpensinfonie op. 64 TrV 233Seiji Ozawa, Wiener PhilharmonikerMarch 1996, Wien, Wiener Musikverein
- Strauss • Feierlicher Einzug der Ritter des Johanniter-Ordens (Investiturmarsch) for Brass and Timpani TrV 224 • Langsam und feierlichFeierlicher Einzug der Ritter des Johanniter-Ordens (Investiturmarsch) for Brass and Timpani TrV 224
Langsam und feierlichSeiji Ozawa, Wiener Philharmoniker℗ 1997 - Tchaikovsky • Symphony No. 5 in E minor op. 64 TH 29 • I. Andante - Allegro con animaSymphony No. 5 in E minor op. 64 TH 29
I. Andante - Allegro con animaSeiji Ozawa, Berliner Philharmoniker℗ 1995 - Tchaikovsky • Symphony No. 5 in E minor op. 64 TH 29 • II. Andante cantabile, con alcuna lizenzaSymphony No. 5 in E minor op. 64 TH 29
II. Andante cantabile, con alcuna lizenzaSeiji Ozawa, Berliner Philharmoniker℗ 1995 - Tchaikovsky • Symphony No. 5 in E minor op. 64 TH 29 • III. Valse. Allegro moderatoSymphony No. 5 in E minor op. 64 TH 29
III. Valse. Allegro moderatoSeiji Ozawa, Berliner Philharmoniker℗ 1995 - Tchaikovsky • Symphony No. 5 in E minor op. 64 TH 29 • IV. Finale. Andante maestoso – Allegro vivaceSymphony No. 5 in E minor op. 64 TH 29
IV. Finale. Andante maestoso – Allegro vivaceSeiji Ozawa, Berliner Philharmoniker℗ 1995 - Tchaikovsky • The Year 1812, Festival Overture op. 49 TH 49 “1812 Overture” • The Year 1812, Festival Overture op. 49 TH 49 "1812 Overture"The Year 1812, Festival Overture op. 49 TH 49
The Year 1812, Festival Overture op. 49 TH 49 "1812 Overture"Seiji Ozawa, Berliner Philharmoniker℗ 1995 - Wagner • Der fliegende Holländer WWV 63: Ouvertüre • Allegro con brio – Andante – Animando un poco – Tempo I – Molto animato – Un poco ritenutoDer fliegende Holländer WWV 63: Ouvertüre
Allegro con brio – Andante – Animando un poco – Tempo I – Molto animato – Un poco ritenutoSeiji Ozawa, Berliner Philharmoniker℗ 1990 - Wagner • Lohengrin WWV 75: Prelude to Act I • Langsam
- Wagner • Die Meistersinger von Nürnberg WWV 96: Prelude to Act I • Sehr mäßig bewegt – Bewegt, doch immer noch etwas breit – Mäßig im Hauptzeitmaß – Sehr gewichtigDie Meistersinger von Nürnberg WWV 96: Prelude to Act I
Sehr mäßig bewegt – Bewegt, doch immer noch etwas breit – Mäßig im Hauptzeitmaß – Sehr gewichtigSeiji Ozawa, Berliner Philharmoniker℗ 1990 - Wagner • Tannhäuser WWV 70: Overture • Andante maestoso - Allegro - Tempo I - Molto vivace - Assai strettoTannhäuser WWV 70: Overture
Andante maestoso - Allegro - Tempo I - Molto vivace - Assai strettoSeiji Ozawa, Berliner Philharmoniker℗ 1990 - Wagner • Tristan und Isolde WWV 90: Vorspiel und Liebestod (Prelude and Love-Death) • 1. Prelude (Act I). Langsam und schmachtendTristan und Isolde WWV 90: Vorspiel und Liebestod (Prelude and Love-Death)
1. Prelude (Act I). Langsam und schmachtendSeiji Ozawa, Berliner Philharmoniker℗ 1990 - Wagner • Tristan und Isolde WWV 90: Vorspiel und Liebestod (Prelude and Love-Death) • 2. Isoldes Liebestod (Act III). Sehr mässig beginnendTristan und Isolde WWV 90: Vorspiel und Liebestod (Prelude and Love-Death)
2. Isoldes Liebestod (Act III). Sehr mässig beginnendSeiji Ozawa, Berliner Philharmoniker℗ 1990 - Tchaikovsky • Romeo and Juliet, Overture-Fantasy TH 42 (1869 version) • Andante non troppo – Allegro giustoRomeo and Juliet, Overture-Fantasy TH 42 (1869 version)
Andante non troppo – Allegro giustoSeiji Ozawa, San Francisco Symphony℗ 1973 - Prokofiev • Romeo and Juliet, Ballet Suite No. 2 op. 64b (1936) • 1. Montagues and Capulets. AndanteRomeo and Juliet, Ballet Suite No. 2 op. 64b (1936)
1. Montagues and Capulets. AndanteSeiji Ozawa, San Francisco Symphony℗ 1973 - Prokofiev • Romeo and Juliet, Ballet Suite No. 2 op. 64b (1936) • 4. Dance. VivoRomeo and Juliet, Ballet Suite No. 2 op. 64b (1936)
4. Dance. VivoSeiji Ozawa, San Francisco Symphony℗ 1973 - Prokofiev • Romeo and Juliet, Ballet Suite No. 2 op. 64b (1936) • 7. Romeo u mogily Dzhul'etty (Romeo at Juliet's Tomb). Adagio funebreRomeo and Juliet, Ballet Suite No. 2 op. 64b (1936)
7. Romeo u mogily Dzhul'etty (Romeo at Juliet's Tomb). Adagio funebreSeiji Ozawa, San Francisco Symphony℗ 1973 - Prokofiev • Romeo and Juliet, Ballet Suite No. 2 op. 64b (1936) • 6. Tanets antil'skikh devushek (Dance of the Girls with Lilies). Andante con eleganzaRomeo and Juliet, Ballet Suite No. 2 op. 64b (1936)
6. Tanets antil'skikh devushek (Dance of the Girls with Lilies). Andante con eleganzaSeiji Ozawa, San Francisco Symphony℗ 1973 - Prokofiev • Romeo and Juliet, Ballet Suite No. 1 op. 64a (1936) • 7. Gibel' Tibal'da (Death of Tybalt). PrecipitatoRomeo and Juliet, Ballet Suite No. 1 op. 64a (1936)
7. Gibel' Tibal'da (Death of Tybalt). PrecipitatoSeiji Ozawa, San Francisco Symphony℗ 1973 - Berlioz • Roméo et Juliette op. 17 H 79: Nuit sereine. Scène d’amour • Nuit sereine. Scène d’amourRoméo et Juliette op. 17 H 79: Nuit sereine. Scène d’amour
Nuit sereine. Scène d’amourSeiji Ozawa, San Francisco Symphony1972, Cupertino, Flint Center for the Performing Arts - Bernstein • Symphonic Dances from 'West Side Story' (1960) • 1. Prologue. Allegro moderatoSymphonic Dances from 'West Side Story' (1960)
1. Prologue. Allegro moderatoSeiji Ozawa, San Francisco Symphony℗ 1973 - Bernstein • Symphonic Dances from 'West Side Story' (1960) • 2. Somewhere. AdagioSymphonic Dances from 'West Side Story' (1960)
2. Somewhere. AdagioSeiji Ozawa, San Francisco Symphony℗ 1973 - Bernstein • Symphonic Dances from 'West Side Story' (1960) • 3. Scherzo. Vivace e leggieroSymphonic Dances from 'West Side Story' (1960)
3. Scherzo. Vivace e leggieroSeiji Ozawa, San Francisco Symphony℗ 1973 - Bernstein • Symphonic Dances from 'West Side Story' (1960) • 4. Mambo. Meno PrestoSymphonic Dances from 'West Side Story' (1960)
4. Mambo. Meno PrestoSeiji Ozawa, San Francisco Symphony℗ 1973 - Bernstein • Symphonic Dances from 'West Side Story' (1960) • 5. Cha-cha. Andante con graziaSymphonic Dances from 'West Side Story' (1960)
5. Cha-cha. Andante con graziaSeiji Ozawa, San Francisco Symphony℗ 1973 - Bernstein • Symphonic Dances from 'West Side Story' (1960) • 6. Meeting Scene. Meno mossoSymphonic Dances from 'West Side Story' (1960)
6. Meeting Scene. Meno mossoSeiji Ozawa, San Francisco Symphony℗ 1973 - Bernstein • Symphonic Dances from 'West Side Story' (1960) • 7. Cool Fugue. AllegrettoSymphonic Dances from 'West Side Story' (1960)
7. Cool Fugue. AllegrettoSeiji Ozawa, San Francisco Symphony℗ 1973 - Bernstein • Symphonic Dances from 'West Side Story' (1960) • 8. Rumble. Molto allegroSymphonic Dances from 'West Side Story' (1960)
8. Rumble. Molto allegroSeiji Ozawa, San Francisco Symphony℗ 1973 - Bernstein • Symphonic Dances from 'West Side Story' (1960) • 9. Finale. AdagioSymphonic Dances from 'West Side Story' (1960)
9. Finale. AdagioSeiji Ozawa, San Francisco Symphony℗ 1973