play pause radio-play skip-back skip-forward playing search check close plus caret-down caret-left caret-right caret-up chevron-down chevron-left chevron-right chevron-up filter menu more-horizontal more-vertical share select star star-block volume-block volume-mute-block volume-mute volume lock settings recording composition devices laptop speaker
Skip this section
Log in

Simon Rattle Edition: Beethoven

©℗ 2010 Warner Classics
  • Beethoven • Symphony No. 1 in C major op. 21 • I. Adagio molto – Allegro con brio
  • Beethoven • Symphony No. 1 in C major op. 21 • II. Andante cantabile con moto
  • Beethoven • Symphony No. 1 in C major op. 21 • III. Menuetto. Allegro molto e vivace
  • Beethoven • Symphony No. 1 in C major op. 21 • IV. Finale. Adagio – Allegro molto e vivace
  • Beethoven • Symphony No. 3 in E flat major op. 55 “Eroica” • I. Allegro con brio
  • Beethoven • Symphony No. 3 in E flat major op. 55 “Eroica” • II. Marcia funebre. Adagio assai
  • Beethoven • Symphony No. 3 in E flat major op. 55 “Eroica” • III. Scherzo. Allegro vivace
  • Beethoven • Symphony No. 3 in E flat major op. 55 “Eroica” • IV. Finale. Allegro molto
  • Beethoven • Symphony No. 2 in D major op. 36 • I. Adagio molto – Allegro con brio
  • Beethoven • Symphony No. 2 in D major op. 36 • II. Larghetto
  • Beethoven • Symphony No. 2 in D major op. 36 • III. Scherzo. Allegro
  • Beethoven • Symphony No. 2 in D major op. 36 • IV. Allegro molto
  • Beethoven • Symphony No. 5 in C minor op. 67 • I. Allegro con brio
    Sir Simon Rattle, Wiener Philharmoniker
    ℗ 2003
  • Beethoven • Symphony No. 5 in C minor op. 67 • II. Andante con moto
    Sir Simon Rattle, Wiener Philharmoniker
    ℗ 2003
  • Beethoven • Symphony No. 5 in C minor op. 67 • III. Allegro –
    Sir Simon Rattle, Wiener Philharmoniker
    ℗ 2003
  • Beethoven • Symphony No. 5 in C minor op. 67 • IV. Allegro
    Sir Simon Rattle, Wiener Philharmoniker
    ℗ 2003
  • Beethoven • Symphony No. 4 in B flat major op. 60 • I. Adagio – Allegro vivace
  • Beethoven • Symphony No. 4 in B flat major op. 60 • II. Adagio
  • Beethoven • Symphony No. 4 in B flat major op. 60 • III. Allegro molto e vivace
  • Beethoven • Symphony No. 4 in B flat major op. 60 • IV. Allegro ma non troppo
  • Beethoven • Symphony No. 6 in F major op. 68 “Pastoral” • I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
  • Beethoven • Symphony No. 6 in F major op. 68 “Pastoral” • II. Szene am Bach. Andante molto mosso
  • Beethoven • Symphony No. 6 in F major op. 68 “Pastoral” • III. Lustiges Zusammensein der Landleute. Allegro
  • Beethoven • Symphony No. 6 in F major op. 68 “Pastoral” • IV. Donner, Sturm. Allegro
  • Beethoven • Symphony No. 6 in F major op. 68 “Pastoral” • V. Hirtengesang, frohe und dankbare Gefühle nach dem Sturm. Allegretto
  • Beethoven • Symphony No. 7 in A major op. 92 • I. Poco sostenuto – Vivace
  • Beethoven • Symphony No. 7 in A major op. 92 • II. Allegretto
  • Beethoven • Symphony No. 7 in A major op. 92 • III. Presto
  • Beethoven • Symphony No. 7 in A major op. 92 • IV. Allegro con brio
  • Beethoven • Symphony No. 8 in F major op. 93 • I. Allegro vivace e con brio
  • Beethoven • Symphony No. 8 in F major op. 93 • II. Allegretto scherzando
  • Beethoven • Symphony No. 8 in F major op. 93 • III. Tempo di Menuetto
  • Beethoven • Symphony No. 8 in F major op. 93 • IV. Allegro vivace
  • Beethoven • Symphony No. 9 in D minor op. 125 “Choral” • I. Allegro ma non troppo, un poco maestoso
  • Beethoven • Symphony No. 9 in D minor op. 125 “Choral” • II. Molto vivace – Presto
  • Beethoven • Symphony No. 9 in D minor op. 125 “Choral” • III. Adagio molto e cantabile – Andante moderato
  • Beethoven • Symphony No. 9 in D minor op. 125 “Choral” • IV. Finale. Presto – Allegro assai –
  • Beethoven • Symphony No. 9 in D minor op. 125 “Choral” • Presto (O Freunde, nicht diese Töne!) – Allegro assai vivace (Freude schöner Götterfunken)
  • Beethoven • Concerto for Piano and Orchestra No. 1 in C major op. 15 • I. Allegro con brio
    Lars Vogt (Piano), Sir Simon Rattle
    City of Birmingham Symphony Orchestra
    ℗ 1996
  • Beethoven • Concerto for Piano and Orchestra No. 1 in C major op. 15 • II. Largo
    Lars Vogt (Piano), Sir Simon Rattle
    City of Birmingham Symphony Orchestra
    ℗ 1996
  • Beethoven • Concerto for Piano and Orchestra No. 1 in C major op. 15 • III. Rondo. Allegro scherzando
    Lars Vogt (Piano), Sir Simon Rattle
    City of Birmingham Symphony Orchestra
    ℗ 1996
  • Beethoven • Concerto for Piano and Orchestra No. 2 in B flat major op. 19 • I. Allegro con brio
  • Beethoven • Concerto for Piano and Orchestra No. 2 in B flat major op. 19 • II. Adagio
  • Beethoven • Concerto for Piano and Orchestra No. 2 in B flat major op. 19 • III. Rondo. Allegro molto
  • Beethoven • Symphony No. 5 in C minor op. 67 • I. Allegro con brio
    Sir Simon Rattle, Wiener Philharmoniker
    ℗ 2001
  • Beethoven • Symphony No. 5 in C minor op. 67 • II. Andante con moto
    Sir Simon Rattle, Wiener Philharmoniker
    ℗ 2001
  • Beethoven • Symphony No. 5 in C minor op. 67 • III. Allegro –
    Sir Simon Rattle, Wiener Philharmoniker
    ℗ 2001
  • Beethoven • Symphony No. 5 in C minor op. 67 • IV. Allegro
    Sir Simon Rattle, Wiener Philharmoniker
    ℗ 2001
  • Beethoven • Concerto for Piano and Orchestra No. 1 in C major op. 15 • I. Allegro con brio
    Lars Vogt (Piano), Sir Simon Rattle
    City of Birmingham Symphony Orchestra
    ℗ 1996
  • Beethoven • Concerto for Piano and Orchestra No. 1 in C major op. 15 • II. Largo
    Lars Vogt (Piano), Sir Simon Rattle
    City of Birmingham Symphony Orchestra
    ℗ 1996
  • Beethoven • Concerto for Piano and Orchestra No. 1 in C major op. 15 • III. Rondo. Allegro scherzando
    Lars Vogt (Piano), Sir Simon Rattle
    City of Birmingham Symphony Orchestra
    ℗ 1996
  • Beethoven • Fidelio op. 72: Overture • Allegro
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • No. 1 Duett 'Jetzt, Schätzchen, jetzt sind wir allein' (Jaquino, Marzelline)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • 'Armer Jaquino' (Marzelline)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • No. 2 Arie 'O wär' ich schon mit dir vereint' (Marzelline)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • 'Guten Tag, Marzelline! Ist Fidelio noch nicht zurückgekommen?' (Rocco, Marzelline, Leonore)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • No. 3 Quartett 'Mir ist so wunderbar!' (Marzelline, Leonore, Rocco, Jaquino)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • 'Höre Fidelio!' (Rocco)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • No. 4 Arie 'Hat man nicht auch Gold beineben' (Rocco)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • 'Ihr könnt das leicht sagen' (Leonore, Rocco, Marzelline)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • No. 5.1 Terzett 'Gut, Söhnchen, gut' (Rocco, Leonore, Marzelline) –
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • No. 5.2 Terzett 'Nur auf der Hut, dann geht es gut' (Rocco, Leonore, Marzelline)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • No. 6 Marsch
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • 'Wo sind die Depeschen?' (Pizarro, Rocco)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • No. 7 Arie mit Chor 'Ha! Welch ein Augenblick' (Pizarro, Chor der Wache)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • 'Hauptmann! Besteigen Sie mit einem Trompeter' (Pizarro, Rocco)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • No. 8 Duett 'Jetzt, Alter, jetzt hat es Eile' (Pizarro, Rocco)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • No. 9.1 Rezitativ und Arie 'Abscheulicher! Wo eilst du hin?' (Leonore) –
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • No. 9.2 Rezitativ und Arie 'Komm, Hoffnung' (Leonore)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • 'Meister Rocco, ihr verspracht so oft' (Leonore, Rocco, Marzelline)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • No. 10.1 Finale 'O welche Lust, in freier Luft' (Erster Gefangener, Zweiter Gefangener, Chor der Gefangenen) –
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • No. 10.2 Finale 'Nun sprecht, wie ging's' (Leonore, Rocco) –
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • No. 10.3 Finale 'Ach! Vater, eilt!' (Marzelline, Rocco, Jaquino, Leonore, Pizarro) –
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act I • No. 10.4 Finale 'Leb' wohl, du warmes Sonnenlicht' (Marzelline, Leonore, Jaquino, Rocco, Chor der Gefangenen)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act II • No. 11.1 Introduktion und Arie 'Gott! Welch Dunkel hier!' (Florestan) –
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act II • No. 11.2 Introduktion und Arie 'In des Lebens Frühlingstagen' (Florestan)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act II • No. 12.1 Melodram und Duett 'Wie kalt ist es in diesem unterirdischen Gewölbe' (Leonore, Rocco) –
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act II • No. 12.2 Melodram und Duett 'Nur hurtig fort, nur frisch gegraben!' (Rocco, Leonore)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act II • 'Er erwacht!' (Leonore, Rocco, Florestan)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act II • No. 13 Terzett 'Euch werde Lohn in bessern Welten' (Florestan, Rocco, Leonore)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act II • 'Alles ist bereit' (Rocco, Florestan, Leonore, Pizarro)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act II • No. 14.1 Quartett 'Er sterbe!' (Pizarro, Florestan, Leonore, Rocco) –
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act II • No. 14.2 Quartett 'Es schlägt der Rache Stunde' (Leonore, Florestan, Pizarro, Rocco)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act II • No. 15 Duett 'O namen-, namenlose Freude!' (Leonore, Florestan)
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act II • No. 16.1 Finale 'Heil sei dem Tag' (Chor der Gefangenen und des Volkes) –
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act II • No. 16.2 Finale 'Des besten Königs Wink und Wille' (Fernando, Rocco, Pizarro, Leonore, Marzelline, Chor der Gefangenen und des Volkes) –
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act II • No. 16.3 Finale 'O Gott! Welch ein Augenblick!' (Leonore, Marzelline, Florestan, Fernando, Rocco, Chor der Gefangenen und des Volkes) –
  • Beethoven • Fidelio op. 72 (Vienna 1814) • Act II • No. 16.4 Finale 'Wer ein holdes Weib errungen' (Florestan, Leonore, Marzelline, Jaquino, Fernando, Rocco, Chor der Gefangenen und des Volkes)