play pause radio-play skip-back skip-forward playing search check close plus caret-down caret-left caret-right caret-up chevron-down chevron-left chevron-right chevron-up filter menu more-horizontal more-vertical share select star star-block volume-block volume-mute-block volume-mute volume lock settings recording composition devices laptop speaker
Skip this section
Log in

Verdi: Aida (1951 - Mexico City) - Callas Live Remastered

©℗ 2017 Warner Classics
  • Verdi • Aida • Act I • Prelude
    Aida
    Act I • Prelude    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act I • 1. "Sì, corre voce che l'Etiope ardisca" (Ramfis, Radamès)
    Aida
    Act I • 1. "Sì, corre voce che l'Etiope ardisca" (Ramfis, Radamès)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act I • 2. "Se quel guerriero io fossi!" (Radamès)
    Aida
    Act I • 2. "Se quel guerriero io fossi!" (Radamès)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act I • 3. "Celeste Aida" (Radamès)
    Aida
    Act I • 3. "Celeste Aida" (Radamès)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act I • 4. "Quale insolita gioia nel tuo sguardo!" (Amneris, Radamès)
    Aida
    Act I • 4. "Quale insolita gioia nel tuo sguardo!" (Amneris, Radamès)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act I • 5. "Vieni, o diletta, appressati" (Amneris, Aida, Radamès)
    Aida
    Act I • 5. "Vieni, o diletta, appressati" (Amneris, Aida, Radamès)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act I • 6. "Alta cagion v'aduna" (King, Messenger, Aida, Radamès, Amneris, Chorus)
    Aida
    Act I • 6. "Alta cagion v'aduna" (King, Messenger, Aida, Radamès, Amneris, Chorus)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act I • 7. "Su! del Nilo al sacro lido" (King, Ramfis, Chorus, Aida, Radamès, Amneris, Messenger)
    Aida
    Act I • 7. "Su! del Nilo al sacro lido" (King, Ramfis, Chorus, Aida, Radamès, Amneris, Messenger)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act I • 8. "Ritorna vincitor!" (Aida)
    Aida
    Act I • 8. "Ritorna vincitor!" (Aida)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act I • 9. "Possente Fthà" - "Tu che dal nulla hai tratto" (Prietess, Ramfis, Chorus)
    Aida
    Act I • 9. "Possente Fthà" - "Tu che dal nulla hai tratto" (Prietess, Ramfis, Chorus)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act I • 10. "Immenso Fthà!" - "Mortal, diletto ai numi" (Chorus, Ramfis)
    Aida
    Act I • 10. "Immenso Fthà!" - "Mortal, diletto ai numi" (Chorus, Ramfis)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act I • 11. "Nume, custode e vindice" (Ramfis, Radamès, Chorus, Priestess)
    Aida
    Act I • 11. "Nume, custode e vindice" (Ramfis, Radamès, Chorus, Priestess)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act II • 1. "Chi mai fra gl'inni e i plausi" (Chorus, Amneris)
    Aida
    Act II • 1. "Chi mai fra gl'inni e i plausi" (Chorus, Amneris)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act II • 2. Dance of the Moorish slaves
    Aida
    Act II • 2. Dance of the Moorish slaves    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act II • 3. "Vieni, sul crin ti piovano" (Chorus, Amneris)
    Aida
    Act II • 3. "Vieni, sul crin ti piovano" (Chorus, Amneris)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act II • 4. "Fu la sorte dell'armi a' tuoi funesta" (Amneris, Aida)
    Aida
    Act II • 4. "Fu la sorte dell'armi a' tuoi funesta" (Amneris, Aida)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act II • 5. "Pietà ti prenda del mio dolor" (Chorus, Aida, Amneris)
    Aida
    Act II • 5. "Pietà ti prenda del mio dolor" (Chorus, Aida, Amneris)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act II • 6. "Su! del Nilo al sacro lido" - "Numi, pietà" (Chorus, Aida, Amneris)
    Aida
    Act II • 6. "Su! del Nilo al sacro lido" - "Numi, pietà" (Chorus, Aida, Amneris)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act II • 7. "Gloria all'Egitto, ad Iside" (Chorus)
    Aida
    Act II • 7. "Gloria all'Egitto, ad Iside" (Chorus)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act II • 8. Triumphal March
    Aida
    Act II • 8. Triumphal March    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act II • 9. Ballet
    Aida
    Act II • 9. Ballet    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act II • 10. "Vieni, o guerriero vindice" (Chorus)
    Aida
    Act II • 10. "Vieni, o guerriero vindice" (Chorus)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act II • 11. "Salvator della patria" (King, Radamès, Ramfis, Chorus)
    Aida
    Act II • 11. "Salvator della patria" (King, Radamès, Ramfis, Chorus)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act II • 12. "Che veggo! Egli? Mio padre!" - "Anch'io pugnai" - "Ma tu, Re, tu signore possente" (Aida, Amneris, Amonasro, King, Chorus, Ramfis)
    Aida
    Act II • 12. "Che veggo! Egli? Mio padre!" - "Anch'io pugnai" - "Ma tu, Re, tu signore possente" (Aida, Amneris, Amonasro, King, Chorus, Ramfis)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act II • 13. "Il dolor che in quel volto favella" (Radamès, Amneris, Amonasro, King, Aida, Chorus, Ramfis)
    Aida
    Act II • 13. "Il dolor che in quel volto favella" (Radamès, Amneris, Amonasro, King, Aida, Chorus, Ramfis)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act II • 14. "O Re, pei sacri numi" - "Gloria all'Egitto" (Radamès, Amneris, Amonasro, King, Aida, Chorus, Ramfis)
    Aida
    Act II • 14. "O Re, pei sacri numi" - "Gloria all'Egitto" (Radamès, Amneris, Amonasro, King, Aida, Chorus, Ramfis)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act III • 1. "O tu che sei d'Osiride" (Chorus)
    Aida
    Act III • 1. "O tu che sei d'Osiride" (Chorus)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act III • 2. "Vieni d'Iside al tempio" (Chorus, Ramfis, Amneris)
    Aida
    Act III • 2. "Vieni d'Iside al tempio" (Chorus, Ramfis, Amneris)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act III • 3. "Qui Radamès verrà!" (Aida)
    Aida
    Act III • 3. "Qui Radamès verrà!" (Aida)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act III • 4. "O patria mia" (Aida)
    Aida
    Act III • 4. "O patria mia" (Aida)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act III • 5. "Ciel! mio padre!" (Aida, Amonasro)
    Aida
    Act III • 5. "Ciel! mio padre!" (Aida, Amonasro)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act III • 6. "Rivedrai le foreste imbalsamate" (Aida, Amonasro)
    Aida
    Act III • 6. "Rivedrai le foreste imbalsamate" (Aida, Amonasro)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act III • 7. "Pur ti riveggo, mia dolce Aida" (Radamès, Aida)
    Aida
    Act III • 7. "Pur ti riveggo, mia dolce Aida" (Radamès, Aida)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act III • 8. "Nel fiero anelito di nuova guerra" (Radamès, Aida)
    Aida
    Act III • 8. "Nel fiero anelito di nuova guerra" (Radamès, Aida)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act III • 9. "Fuggiam gli ardori inospiti" - "Là, tra foreste vergini" (Radamès, Aida)
    Aida
    Act III • 9. "Fuggiam gli ardori inospiti" - "Là, tra foreste vergini" (Radamès, Aida)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act III • 10. "Ma dimmi, per qual via" (Aida, Radamès, Amonasro, Amneris, Ramfis)
    Aida
    Act III • 10. "Ma dimmi, per qual via" (Aida, Radamès, Amonasro, Amneris, Ramfis)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act IV • 1. "L'aborrita rivale a me sfuggia" (Amneris)
    Aida
    Act IV • 1. "L'aborrita rivale a me sfuggia" (Amneris)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act IV • 2. "Già i sacerdoti adunansi" (Amneris, Radamès)
    Aida
    Act IV • 2. "Già i sacerdoti adunansi" (Amneris, Radamès)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act IV • 3. "Ohimè! morir mi sento!" (Amneris, Ramfis, Chorus)
    Aida
    Act IV • 3. "Ohimè! morir mi sento!" (Amneris, Ramfis, Chorus)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act IV • 4. "Spirto del nume" (Amneris, Ramfis, Chorus)
    Aida
    Act IV • 4. "Spirto del nume" (Amneris, Ramfis, Chorus)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act IV • 5. "A lui vivo, la tomba!" - "Sacerdoti... compiste un delitto!" (Amneris, Ramfis, Chorus)
    Aida
    Act IV • 5. "A lui vivo, la tomba!" - "Sacerdoti... compiste un delitto!" (Amneris, Ramfis, Chorus)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act IV • 6. "La fatal pietra sovra me si chiuse" (Radamès, Aida)
    Aida
    Act IV • 6. "La fatal pietra sovra me si chiuse" (Radamès, Aida)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act IV • 7. "Vedi? Di morte l'angelo" - "Immenso Fthà" (Radamès, Aida, Chorus)
    Aida
    Act IV • 7. "Vedi? Di morte l'angelo" - "Immenso Fthà" (Radamès, Aida, Chorus)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive
  • Verdi • Aida • Act IV • 8. "O terra, addio" (Aida, Radamès, Chorus, Amneris)
    Aida
    Act IV • 8. "O terra, addio" (Aida, Radamès, Chorus, Amneris)    Libretto: Antonio Ghislanzoni
    Mario del Monaco (Tenor), Roberto Silva (Bass), Oralia Domínguez (Mezzo-soprano), Maria Callas (Soprano), Carlos Sagarminaga (Tenor), Ignacio Ruffino (Bass), Rosa Rodriguez (Soprano), Giuseppe Taddei (Baritone), Oliviero de Fabritiis
    Orquesta Sinfónica de México, Coro del Palacio de Bellas Artes, Mexico City
    1951, Mexico City, Palacio de Bellas Artes
    RemasteredLive