play pause radio-play skip-back skip-forward playing search check close plus caret-down caret-left caret-right caret-up chevron-down chevron-left chevron-right chevron-up filter menu more-horizontal more-vertical share share-android select star star-block volume-block volume-mute-block volume-mute volume lock settings recording composition devices laptop speaker arrow down
Create accountShare

C(h)orona Musikquiz 22. Mai 2020

  • Alexander Scriabin
    Prométhée: Le poème du feu op. 60
    Lento. Brumeux
    Martha Argerich (Piano), Claudio Abbado
    Berliner Philharmoniker, Berliner Singakademie
  • Alfred Reed
    Symphony No. 4
    III. Tarantella
    Alfred Reed, Senzoku Gakuen Symphonic Wind Orchestra
  • Alfred Reed
    Symphony No. 4
    I. Elegy
    Alfred Reed, Senzoku Gakuen Symphonic Wind Orchestra
  • Luis Bacalov
    Misa Tango (1997)
    Kyrie "Señor, ten piedad de nosotros!"
    Ana Maria Martinez (Mezzo-soprano), Plácido Domingo (Tenor), Héctor Ulises Passarella (Bandura), Myung-Whun Chung
    Orchestra dell'Accademia Nazionale di Santa Cecilia, Coro dell'Accademia Nazionale di Santa Cecilia
  • Luis Bacalov
    Misa Tango (1997)
    Gloria "Gloria a Dios en las alturas "
    Ana Maria Martinez (Mezzo-soprano), Plácido Domingo (Tenor), Héctor Ulises Passarella (Bandura), Myung-Whun Chung
    Orchestra dell'Accademia Nazionale di Santa Cecilia, Coro dell'Accademia Nazionale di Santa Cecilia
  • Luis Bacalov
    Misa Tango (1997)
    Credo "Yo creo en un único Dios todo poderoso"
    Ana Maria Martinez (Mezzo-soprano), Plácido Domingo (Tenor), Héctor Ulises Passarella (Bandura), Myung-Whun Chung
    Orchestra dell'Accademia Nazionale di Santa Cecilia, Coro dell'Accademia Nazionale di Santa Cecilia
  • Luis Bacalov
    Misa Tango (1997)
    Sanctus "Santo, santo, santo, Señor Dios del universo"
    Ana Maria Martinez (Mezzo-soprano), Plácido Domingo (Tenor), Héctor Ulises Passarella (Bandura), Myung-Whun Chung
    Orchestra dell'Accademia Nazionale di Santa Cecilia, Coro dell'Accademia Nazionale di Santa Cecilia
  • Luis Bacalov
    Misa Tango (1997)
    Agnus Dei "Cordero de Dios, que quitas los pecados del mundo"
    Ana Maria Martinez (Mezzo-soprano), Plácido Domingo (Tenor), Héctor Ulises Passarella (Bandura), Myung-Whun Chung
    Orchestra dell'Accademia Nazionale di Santa Cecilia, Coro dell'Accademia Nazionale di Santa Cecilia
  • Paul Hindemith
    Symphony in B flat major for Concert Band (1951)
    I. Moderately fast, with vigour
    John Raymond Bell, Southern Illinois University Edwardsville Wind Symphony
  • Paul Hindemith
    Symphony in B flat major for Concert Band (1951)
    II. Andantino grazioso (Fast and gay)
    John Raymond Bell, Southern Illinois University Edwardsville Wind Symphony
  • Paul Hindemith
    Symphony in B flat major for Concert Band (1951)
    III. Fugue. Rather broad (Fast, energetic)
    John Raymond Bell, Southern Illinois University Edwardsville Wind Symphony
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    6. Vstaváy! Po mestám! Zívo!
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    3. Interlude
    Galina Vishnevskaya (Soprano), Dimiter Petkov (Bass), Colin Appleton (Tenor), Leslie Fyson (Baritone), Nicolai Gedda (Tenor), Taru Valjakka (Soprano), Werner Krenn (Tenor), John Noble (Baritone), Robert Tear (Tenor), Steven Emmerson (Bass), Alan Byers (Tenor), James Lewington (Tenor), Leonard Andrzej Mróz (Bass), Aage Haugland (Bass), Martyn Hill (Tenor), Oliver Broome (Bass), Edgar Fleet (Tenor), Alexander Malta (Bass), David Beavan (Bass), Birgit Finnilä (Alto), Linda Richardson (Soprano), Mstislav Rostropovich
    London Philharmonic Orchestra, Ambrosian Singers
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    12. Interlude
    Galina Vishnevskaya (Soprano), Dimiter Petkov (Bass), Colin Appleton (Tenor), Leslie Fyson (Baritone), Nicolai Gedda (Tenor), Taru Valjakka (Soprano), Werner Krenn (Tenor), John Noble (Baritone), Robert Tear (Tenor), Steven Emmerson (Bass), Alan Byers (Tenor), James Lewington (Tenor), Leonard Andrzej Mróz (Bass), Aage Haugland (Bass), Martyn Hill (Tenor), Oliver Broome (Bass), Edgar Fleet (Tenor), Alexander Malta (Bass), David Beavan (Bass), Birgit Finnilä (Alto), Linda Richardson (Soprano), Mstislav Rostropovich
    London Philharmonic Orchestra, Ambrosian Singers
  • Benjamin Britten
    Sacred and Profane, Eight Medieval Lyrics op. 91
    1. St. Godric's Hymn
    Marcus Creed, RIAS Kammerchor
  • Benjamin Britten
    Sacred and Profane, Eight Medieval Lyrics op. 91
    2. I mon waxe wod
    Marcus Creed, RIAS Kammerchor
  • Benjamin Britten
    Sacred and Profane, Eight Medieval Lyrics op. 91
    3. Lenten is come
    Marcus Creed, RIAS Kammerchor
  • Benjamin Britten
    Sacred and Profane, Eight Medieval Lyrics op. 91
    4. The long night
    Marcus Creed, RIAS Kammerchor
  • Benjamin Britten
    Sacred and Profane, Eight Medieval Lyrics op. 91
    5. Yif ic of luve can
    Marcus Creed, RIAS Kammerchor
  • Benjamin Britten
    Sacred and Profane, Eight Medieval Lyrics op. 91
    6. Carol
    Marcus Creed, RIAS Kammerchor
  • Benjamin Britten
    Sacred and Profane, Eight Medieval Lyrics op. 91
    7. Ye that pasen by
    Marcus Creed, RIAS Kammerchor
  • Benjamin Britten
    Sacred and Profane, Eight Medieval Lyrics op. 91
    8. A death
    Marcus Creed, RIAS Kammerchor
  • Adam de la Halle
    Tant con je vivrai
    I. Tant con je vivrai
    Barbara Thornton, Sequentia
  • Oswald von Wolkenstein
    Geistliche und weltliche Lieder
    XVI. Es seusst dort her
    Barbara Thornton, Sequentia
  • Conon de Béthune
    Tant ai amé c'or me convient hair (Chanson)
    I. Tant ai amé c'or me convient hair (Chanson)
    Barbara Thornton, Sequentia
  • Oswald von Wolkenstein
    Geistliche und weltliche Lieder
    XVII. Wes mich mein bül
    Barbara Thornton, Sequentia
  • Oswald von Wolkenstein
    Geistliche und weltliche Lieder
    XVI. Es seusst dort her
    Barbara Thornton, Sequentia
  • George Frideric Handel
    Aci, Galatea e Polifemo HWV 72
    Terzetto. Chi ben ama ha per oggetti (Aci, Galatea, Polifemo)
    Luciana Mancini (Mezzo-soprano), Mitchell Sandler (Baritone), Stefanie True (Soprano), Marco Vitale
    Contrasto Armonico
  • Benjamin Britten
    Sacred and Profane, Eight Medieval Lyrics op. 91
    6. Carol
    Marcus Creed, RIAS Kammerchor
  • Ludwig van Beethoven
    Fantasy for Piano, Chorus and Orchestra in C minor op. 80 “Choral Fantasy”
    Fantasia. Adagio –
    Andrea Bönig (Mezzo-soprano), Carola Höhn (Soprano), Endrik Wottrich (Tenor), Katharina Kammerloher (Soprano), Pär Lindskog (Tenor), René Pape (Baritone), Daniel Barenboim
    Berliner Philharmoniker
  • Ludwig van Beethoven
    Fantasy for Piano, Chorus and Orchestra in C minor op. 80 “Choral Fantasy”
    Finale. Allegro –
    Andrea Bönig (Mezzo-soprano), Carola Höhn (Soprano), Endrik Wottrich (Tenor), Katharina Kammerloher (Soprano), Pär Lindskog (Tenor), René Pape (Baritone), Daniel Barenboim
    Berliner Philharmoniker
  • Ludwig van Beethoven
    Fantasy for Piano, Chorus and Orchestra in C minor op. 80 “Choral Fantasy”
    Allegro molto –
    Andrea Bönig (Mezzo-soprano), Carola Höhn (Soprano), Endrik Wottrich (Tenor), Katharina Kammerloher (Soprano), Pär Lindskog (Tenor), René Pape (Baritone), Daniel Barenboim
    Berliner Philharmoniker
  • Ludwig van Beethoven
    Fantasy for Piano, Chorus and Orchestra in C minor op. 80 “Choral Fantasy”
    Adagio ma non troppo –
    Andrea Bönig (Mezzo-soprano), Carola Höhn (Soprano), Endrik Wottrich (Tenor), Katharina Kammerloher (Soprano), Pär Lindskog (Tenor), René Pape (Baritone), Daniel Barenboim
    Berliner Philharmoniker
  • Ludwig van Beethoven
    Fantasy for Piano, Chorus and Orchestra in C minor op. 80 “Choral Fantasy”
    Marcia, assai vivace –
    Andrea Bönig (Mezzo-soprano), Carola Höhn (Soprano), Endrik Wottrich (Tenor), Katharina Kammerloher (Soprano), Pär Lindskog (Tenor), René Pape (Baritone), Daniel Barenboim
    Berliner Philharmoniker
  • Ludwig van Beethoven
    Fantasy for Piano, Chorus and Orchestra in C minor op. 80 “Choral Fantasy”
    Allegretto, ma non troppo – Presto
    Andrea Bönig (Mezzo-soprano), Carola Höhn (Soprano), Endrik Wottrich (Tenor), Katharina Kammerloher (Soprano), Pär Lindskog (Tenor), René Pape (Baritone), Daniel Barenboim
    Berliner Philharmoniker
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    1. Overture (Orchestra)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    2. Nineteen ninety: Oo, aa! ha ha ha ha ha (Maid/Electrician)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    3. Nineteen ninety: I see. This is what it has come to (Duchess/Electrician/Maid)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    4. Nineteen ninety: Take it from me (Duchess/Electrician/Maid)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    5. Nineteen ninety: Interlude (Orchestra)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    6. Nineteen thirty-four: Of course she's done well (Confidante/Lounge Lizard/Duchess)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    7. Nineteen thirty-four: I could never grow bored of dukedoms (Confidante/Lounge Lizard/Duchess)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    8. Nineteen thirty-four: I hear him coming (Pantomime) (Duchess/Confidante/Lounge Lizard/Duke)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    9. Nineteen thirty-four: Interlude (Orchestra)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    10. Nineteen thirty-six: Fancy, fancy being rich (Waitress)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    11. Nineteen thirty-six: Interlude – Nineteen fifty-three: ...mm...ah!... How may I help you? (Duchess/Laundryman/Other Guest)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    12. Nineteen thirty-six: ...mm..ah!... Room service? (Duchess/Waiter)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    13. Nineteen thirty-six: What have you got there? (Duchess/Waiter)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    14. Nineteen thirty-six: Come here (Duchess/Waiter)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    15. Nineteen thirty-six: Interlude (Orchestra)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    16. Nineteen fifty-three: Is Daddy squiffy? (Mistress/Duke)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    17. Nineteen fifty-three: Are you saying the Duchess is a whore? (Mistress/Duke)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    18. Nineteen fifty-three: Ha ha ha ha... (Paper chase) (Mistress/Duke)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    1. Nineteen fifty-five: Did she? ... Of course she did (Rubberneckers)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    2. Nineteen fifty-five: Order. Silence (Judge)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    3. Nineteen fifty-five: But now I have heard something new (Judge)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    4. Nineteen fifty-five: Did you hear— ... What he said? (Rubberneckers)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    5. Nineteen fifty-five: So that is all (Duchess/Rubberneckers)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    6. Nineteen fifty-five: Interlude (Orchestra)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    7. Nineteen seventy: I'd like to make one thing entirely clear (Duchess/Society Journalist/Delivery Boy)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    8. Nineteen seventy: Ah! None left (Duchess/Society Journalist/Delivery Boy)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    9. Nineteen seventy: Interlude – Fifty-eight, seventy-nine (Duchess)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    10. Nineteen ninety: Agh—Who are you? (Duchess/Hotel Manager)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    11. Nineteen ninety: That will do. You may go (Duchess)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    12. Nineteen ninety: Broken. It's broken (Duchess/Hotel Manager)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Thomas Adès
    Powder Her Face op. 14 (1995)
    13. Ghost Epilogue: Enough. ... Or too much! (Maid/Electrician)
    Jill Gomez (Soprano), Valdine Anderson (Soprano), Roger Bryson (Bass), Niall Morris (Tenor), Thomas Adès
    Almeida Ensemble
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    1. Akh, ne spítsya ból'se, popróbuyu
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    2. Gribkí segódnya búdut?
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    3. Govorí - ... - Cegó vstal?
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    4. Interlude
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    5. Ay! Ay! Ay! - Otpustíte bábu
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    6. Mnógo vï - Cto ego?
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    7. Interlude
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    8. Spat' porá. Den' prosól
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    9. Zerebyónok k kobïlke torópitsya
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    10. Kto eto - ... - Uydí tï
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    1. Cto znácit stárost': Ne spítsya
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    2. Proskáy - ... - Smotrí, Katerína
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    3. Ustál - ... - Progolodálsya ya
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    4. Vídno - ... - Akh, Borís Timoféyevic
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    5. Interlude
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    6. Sergéy, Seryóza! Vsyo spit
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    7. Opyát' usnúl - ... - [Andante] (Orchestra)
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    8. Slúsay, Sergéy - ... - Tepér' sabás
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    1. Cto tï - ... - Interlude (Orchestra)
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    2. Sózdan policéyskiy - ... - Skóro
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    3. Interlude
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    4. Sláva suprúgam - ... - Cto takóye?
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    1. Vyórstï odná za drugóy dlínnoy polzút verenícey
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    2. Stepánïc! Propustí menyá
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    3. Ne legkó pósle pocóta da poklónov péred sudóm stoyát'!
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    4. Moyó poctén'ye! - ... - [Adagio] (Orchestra)
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    5. V lesú - Znáyes' li
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille
  • Dmitri Shostakovich
    Ledi Makbet Mtsenskogo uyezda (Lady Macbeth of the Mtsensk District) op. 29 (1934)
    6. Vstaváy! Po mestám! Zívo!
    Aage Haugland (Bass), Philip Langridge (Tenor), Maria Ewing (Soprano), Sergei Larin (Tenor), Katherine Ciesinski (Soprano), Heinz Zednik (Tenor), Jean-Pierre Mazaloubaud (Bass), Guillaume Petitot-Bellavene (Bass), Jean-Claude Costa (Tenor), Jean Savignol (Tenor), José Ochagavia (Tenor), Grigory Gritziuk (Baritone), Alan Woodrow (Tenor), Romuald Tesarowicz (Bass), Anatoli Kotscherga (Bass), Philippe Duminy (Bass), Ilya Levinsky (Tenor), Mario Agnetti (Tenor), Carlos Álvarez (Bass), Johann Tilli (Bass), Elena Zaremba (Mezzo-soprano), Kurt Moll (Bass), Margaret Jane Wray (Soprano), Myung-Whun Chung
    Choeurs de l'Opera Bastille, Orchestre de l'Opéra Bastille