- Ludwig van BeethovenSymphony No. 2 in D major op. 36
I. Adagio molto – Allegro con brioClaudio Abbado, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 2 in D major op. 36
II. LarghettoClaudio Abbado, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 2 in D major op. 36
III. Scherzo. AllegroClaudio Abbado, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 2 in D major op. 36
IV. Allegro moltoClaudio Abbado, Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano, Violin, Violoncello and Orchestra in C major op. 56 (Triple Concerto)
I. AllegroThomas Zehetmair (Violin), Clemens Hagen (Violoncello), Pierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano, Violin, Violoncello and Orchestra in C major op. 56 (Triple Concerto)
II. LargoThomas Zehetmair (Violin), Clemens Hagen (Violoncello), Pierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano, Violin, Violoncello and Orchestra in C major op. 56 (Triple Concerto)
III. Rondo alla PolaccaThomas Zehetmair (Violin), Clemens Hagen (Violoncello), Pierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenRondo for Piano and Orchestra in B flat major WoO 6
Allegro – Andante – (Tempo I)Pierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenFantasy for Piano, Chorus and Orchestra in C minor op. 80 “Choral Fantasy”
Fantasy for Piano, Chorus and Orchestra in C minor op. 80 "Choral Fantasy"Pierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenConcerto for Piano and Orchestra No. 2 in B flat major op. 19
I. Allegro con brioPierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano and Orchestra No. 2 in B flat major op. 19
II. AdagioPierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano and Orchestra No. 2 in B flat major op. 19
III. Rondo. Allegro moltoPierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano and Orchestra No. 1 in C major op. 15
I. Allegro con brioPierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano and Orchestra No. 1 in C major op. 15
II. LargoPierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano and Orchestra No. 1 in C major op. 15
III. Rondo. Allegro scherzandoPierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano and Orchestra No. 3 in C minor op. 37
I. Allegro con brioPierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano and Orchestra No. 3 in C minor op. 37
II. LargoPierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano and Orchestra No. 3 in C minor op. 37
III. Rondo. AllegroPierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano and Orchestra No. 4 in G major op. 58
I. Allegro moderatoPierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano and Orchestra No. 4 in G major op. 58
II. Andante con motoPierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano and Orchestra No. 4 in G major op. 58
III. Rondo. VivacePierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano and Orchestra No. 5 in E flat major op. 73 “Emperor”
I. AllegroPierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano and Orchestra No. 5 in E flat major op. 73 “Emperor”
II. Adagio un poco motoPierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Piano and Orchestra No. 5 in E flat major op. 73 “Emperor”
III. Rondo. Allegro, ma non troppoPierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
OuvertüreBarbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 1 Duett 'Jetzt, Schätzchen, jetzt sind wir allein' (Jaquino, Marzelline)Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 2 Arie 'O wär' ich schon mit dir vereint' (Marzelline)Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 3 Quartett 'Mir ist so wunderbar!' (Marzelline, Leonore, Rocco, Jaquino)Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 4 Arie 'Hat man nicht auch Gold beineben' (Rocco)Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 5 Terzett 'Gut, Söhnchen, gut' (Rocco, Leonore, Marzelline)Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 6 MarschBarbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 7 Arie mit Chor 'Ha! Welch ein Augenblick' (Pizarro, Chor der Wache)Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 8 Duett 'Jetzt, Alter, jetzt hat es Eile' (Pizarro, Rocco)Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 9 Rezitativ und Arie 'Abscheulicher! Wo eilst du hin?' – 'Komm, Hoffnung' (Leonore)Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 10.1 Finale 'O welche Lust, in freier Luft' (Erster Gefangener, Zweiter Gefangener, Chor der Gefangenen) –Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 10.2 Finale 'Nun sprecht, wie ging's' (Leonore, Rocco) –Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 10.3 Finale 'Ach! Vater, eilt!' (Marzelline, Rocco, Jaquino, Leonore, Pizarro, Chor der Gefangenen)Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 11.1 Introduktion und Arie 'Gott! Welch Dunkel hier!' (Florestan) –Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 11.2 Introduktion und Arie 'In des Lebens Frühlingstagen' (Florestan)Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 12.1 Melodram und Duett 'Wie kalt ist es in diesem unterirdischen Gewölbe' (Leonore, Rocco) –Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 12.2 Melodram und Duett 'Nur hurtig fort, nur frisch gegraben!' (Rocco, Leonore)Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 13 Terzett 'Euch werde Lohn in bessern Welten' (Florestan, Rocco, Leonore)Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 14 Quartett 'Er sterbe!' (Pizarro, Florestan, Leonore, Rocco)Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 15 Duett 'O namen-, namenlose Freude!' (Leonore, Florestan)Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 16.1 Finale 'Heil sei dem Tag' (Chor der Gefangenen und des Volkes) –Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 16.2 Finale 'Des besten Königs Wink und Wille' (Fernando, Rocco, Pizarro, Leonore, Marzelline, Florestan, Chor der Gefangenen und des Volkes) –Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenFidelio op. 72 (Vienna 1814)
No. 16.3 Finale 'Wer ein holdes Weib errungen' (Florestan, Leonore, Marzelline, Jaquino, Fernando, Rocco, Chor der Gefangenen und des Volkes)Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenConcerto for Violin and Orchestra in D major op. 61
I. Allegro ma non troppoGidon Kremer (Violin), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Violin and Orchestra in D major op. 61
II. Larghetto –Gidon Kremer (Violin), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenConcerto for Violin and Orchestra in D major op. 61
III. RondoGidon Kremer (Violin), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenRomance for Violin and Orchestra No. 1 in G major op. 40
(No tempo indication)Gidon Kremer (Violin), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenRomance for Violin and Orchestra No. 2 in F major op. 50
Adagio cantabileGidon Kremer (Violin), Nikolaus Harnoncourt
Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 6 in F major op. 68 “Pastoral”
I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppoNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 6 in F major op. 68 “Pastoral”
II. Szene am Bach. Andante molto mossoNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 6 in F major op. 68 “Pastoral”
III. Lustiges Zusammensein der Landleute. AllegroNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 6 in F major op. 68 “Pastoral”
IV. Donner, Sturm. AllegroNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 6 in F major op. 68 “Pastoral”
V. Hirtengesang, frohe und dankbare Gefühle nach dem Sturm. AllegrettoNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 8 in F major op. 93
I. Allegro vivace e con brioNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 8 in F major op. 93
II. Allegretto scherzandoNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 8 in F major op. 93
III. Tempo di MenuettoNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 8 in F major op. 93
IV. Allegro vivaceNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 1 in C major op. 21
I. Adagio molto – Allegro con brioNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 1 in C major op. 21
II. Andante cantabile con motoNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 1 in C major op. 21
III. Menuetto. Allegro molto e vivaceNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 1 in C major op. 21
IV. Finale. Adagio – Allegro molto e vivaceNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 3 in E flat major op. 55 “Eroica”
I. Allegro con brioNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 3 in E flat major op. 55 “Eroica”
II. Marcia funebre. Adagio assaiNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 3 in E flat major op. 55 “Eroica”
III. Scherzo. Allegro vivaceNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 3 in E flat major op. 55 “Eroica”
IV. Finale. Allegro moltoNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 5 in C minor op. 67
I. Allegro con brioNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 5 in C minor op. 67
II. Andante con motoNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 5 in C minor op. 67
III. Allegro –Nikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 5 in C minor op. 67
IV. AllegroNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 2 in D major op. 36
I. Adagio molto – Allegro con brioNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 2 in D major op. 36
II. LarghettoNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 2 in D major op. 36
III. Scherzo. AllegroNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 2 in D major op. 36
IV. Allegro moltoNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenLeonore Overture No. 3 op. 72b
Adagio – AllegroNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenDie Geschöpfe des Prometheus (The Creatures of Prometheus) op. 43: Overture
Adagio – Allegro molto e con brioNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 4 in B flat major op. 60
I. Adagio – Allegro vivaceNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 4 in B flat major op. 60
II. AdagioNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 4 in B flat major op. 60
III. Allegro molto e vivaceNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 4 in B flat major op. 60
IV. Allegro ma non troppoNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenEgmont, Incidental Music op. 84: Overture
Sostenuto, ma non troppo – AllegroNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 7 in A major op. 92
I. Poco sostenuto – VivaceNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 7 in A major op. 92
II. AllegrettoNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 7 in A major op. 92
III. PrestoNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 7 in A major op. 92
IV. Allegro con brioNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenSymphony No. 9 in D minor op. 125 “Choral”
I. Allegro ma non troppo, un poco maestosoCharlotte Margiono (Soprano), Birgit Remmert (Alto), Rudolf Schasching (Tenor), Robert Holl (Bass), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenSymphony No. 9 in D minor op. 125 “Choral”
II. Molto vivace – PrestoCharlotte Margiono (Soprano), Birgit Remmert (Alto), Rudolf Schasching (Tenor), Robert Holl (Bass), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenSymphony No. 9 in D minor op. 125 “Choral”
III. Adagio molto e cantabile – Andante moderatoCharlotte Margiono (Soprano), Birgit Remmert (Alto), Rudolf Schasching (Tenor), Robert Holl (Bass), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenSymphony No. 9 in D minor op. 125 “Choral”
IV. Finale. Presto "Ode to Joy"Charlotte Margiono (Soprano), Birgit Remmert (Alto), Rudolf Schasching (Tenor), Robert Holl (Bass), Nikolaus Harnoncourt
Chamber Orchestra of Europe, Arnold Schoenberg Chor - Ludwig van BeethovenLeonore Overture No. 2 op. 72a
Adagio – AllegroNikolaus Harnoncourt, Chamber Orchestra of Europe - Ludwig van BeethovenCoriolan Overture op. 62
Allegro con brioNikolaus Harnoncourt, Chamber Orchestra of Europe