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The COE celebrates Beethoven!

  • Ludwig van Beethoven
    Symphony No. 2 in D major op. 36
    I. Adagio molto – Allegro con brio
    Claudio Abbado, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 2 in D major op. 36
    II. Larghetto
    Claudio Abbado, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 2 in D major op. 36
    III. Scherzo. Allegro
    Claudio Abbado, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 2 in D major op. 36
    IV. Allegro molto
    Claudio Abbado, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Concerto for Piano, Violin, Violoncello and Orchestra in C major op. 56 (Triple Concerto)
    I. Allegro
    Thomas Zehetmair (Violin), Clemens Hagen (Violoncello), Pierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
    Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Concerto for Piano, Violin, Violoncello and Orchestra in C major op. 56 (Triple Concerto)
    II. Largo
    Thomas Zehetmair (Violin), Clemens Hagen (Violoncello), Pierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
    Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Concerto for Piano, Violin, Violoncello and Orchestra in C major op. 56 (Triple Concerto)
    III. Rondo alla Polacca
    Thomas Zehetmair (Violin), Clemens Hagen (Violoncello), Pierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
    Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Rondo for Piano and Orchestra in B flat major WoO 6
    Allegro – Andante – (Tempo I)
    Pierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
    Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Fantasy for Piano, Chorus and Orchestra in C minor op. 80 “Choral Fantasy”
    Fantasy for Piano, Chorus and Orchestra in C minor op. 80 "Choral Fantasy"
    Pierre-Laurent Aimard (Piano), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    Ouvertüre
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 1 Duett 'Jetzt, Schätzchen, jetzt sind wir allein' (Jaquino, Marzelline)
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 2 Arie 'O wär' ich schon mit dir vereint' (Marzelline)
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 3 Quartett 'Mir ist so wunderbar!' (Marzelline, Leonore, Rocco, Jaquino)
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 4 Arie 'Hat man nicht auch Gold beineben' (Rocco)
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 5 Terzett 'Gut, Söhnchen, gut' (Rocco, Leonore, Marzelline)
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 6 Marsch
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 7 Arie mit Chor 'Ha! Welch ein Augenblick' (Pizarro, Chor der Wache)
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 8 Duett 'Jetzt, Alter, jetzt hat es Eile' (Pizarro, Rocco)
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 9 Rezitativ und Arie 'Abscheulicher! Wo eilst du hin?' – 'Komm, Hoffnung' (Leonore)
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 10.1 Finale 'O welche Lust, in freier Luft' (Erster Gefangener, Zweiter Gefangener, Chor der Gefangenen) –
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 10.2 Finale 'Nun sprecht, wie ging's' (Leonore, Rocco) –
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 10.3 Finale 'Ach! Vater, eilt!' (Marzelline, Rocco, Jaquino, Leonore, Pizarro, Chor der Gefangenen)
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 11.1 Introduktion und Arie 'Gott! Welch Dunkel hier!' (Florestan) –
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 11.2 Introduktion und Arie 'In des Lebens Frühlingstagen' (Florestan)
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 12.1 Melodram und Duett 'Wie kalt ist es in diesem unterirdischen Gewölbe' (Leonore, Rocco) –
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 12.2 Melodram und Duett 'Nur hurtig fort, nur frisch gegraben!' (Rocco, Leonore)
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 13 Terzett 'Euch werde Lohn in bessern Welten' (Florestan, Rocco, Leonore)
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 14 Quartett 'Er sterbe!' (Pizarro, Florestan, Leonore, Rocco)
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 15 Duett 'O namen-, namenlose Freude!' (Leonore, Florestan)
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 16.1 Finale 'Heil sei dem Tag' (Chor der Gefangenen und des Volkes) –
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 16.2 Finale 'Des besten Königs Wink und Wille' (Fernando, Rocco, Pizarro, Leonore, Marzelline, Florestan, Chor der Gefangenen und des Volkes) –
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Fidelio op. 72 (Vienna 1814)
    No. 16.3 Finale 'Wer ein holdes Weib errungen' (Florestan, Leonore, Marzelline, Jaquino, Fernando, Rocco, Chor der Gefangenen und des Volkes)
    Barbara Bonney (Soprano), Bo Skovhus (Baritone), Charlotte Margiono (Soprano), László Polgár (Bass), Peter Seiffert (Tenor), Sergei Leiferkus (Baritone), Deon van der Walt (Tenor), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Concerto for Violin and Orchestra in D major op. 61
    I. Allegro ma non troppo
    Gidon Kremer (Violin), Nikolaus Harnoncourt
    Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Concerto for Violin and Orchestra in D major op. 61
    II. Larghetto
    Gidon Kremer (Violin), Nikolaus Harnoncourt
    Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Concerto for Violin and Orchestra in D major op. 61
    III. Rondo
    Gidon Kremer (Violin), Nikolaus Harnoncourt
    Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Romance for Violin and Orchestra No. 1 in G major op. 40
    (No tempo indication)
    Gidon Kremer (Violin), Nikolaus Harnoncourt
    Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Romance for Violin and Orchestra No. 2 in F major op. 50
    Adagio cantabile
    Gidon Kremer (Violin), Nikolaus Harnoncourt
    Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 6 in F major op. 68 “Pastoral”
    I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 6 in F major op. 68 “Pastoral”
    II. Szene am Bach. Andante molto mosso
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 6 in F major op. 68 “Pastoral”
    III. Lustiges Zusammensein der Landleute. Allegro
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 6 in F major op. 68 “Pastoral”
    IV. Donner, Sturm. Allegro
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 6 in F major op. 68 “Pastoral”
    V. Hirtengesang, frohe und dankbare Gefühle nach dem Sturm. Allegretto
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 8 in F major op. 93
    I. Allegro vivace e con brio
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 8 in F major op. 93
    II. Allegretto scherzando
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 8 in F major op. 93
    III. Tempo di Menuetto
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 8 in F major op. 93
    IV. Allegro vivace
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 1 in C major op. 21
    I. Adagio molto – Allegro con brio
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 1 in C major op. 21
    II. Andante cantabile con moto
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 1 in C major op. 21
    III. Menuetto. Allegro molto e vivace
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 1 in C major op. 21
    IV. Finale. Adagio – Allegro molto e vivace
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 3 in E flat major op. 55 “Eroica”
    I. Allegro con brio
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 3 in E flat major op. 55 “Eroica”
    II. Marcia funebre. Adagio assai
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 3 in E flat major op. 55 “Eroica”
    III. Scherzo. Allegro vivace
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 3 in E flat major op. 55 “Eroica”
    IV. Finale. Allegro molto
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 5 in C minor op. 67
    I. Allegro con brio
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 5 in C minor op. 67
    II. Andante con moto
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 5 in C minor op. 67
    III. Allegro
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 5 in C minor op. 67
    IV. Allegro
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 2 in D major op. 36
    I. Adagio molto – Allegro con brio
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 2 in D major op. 36
    II. Larghetto
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 2 in D major op. 36
    III. Scherzo. Allegro
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 2 in D major op. 36
    IV. Allegro molto
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Leonore Overture No. 3 op. 72b
    Adagio – Allegro
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Die Geschöpfe des Prometheus (The Creatures of Prometheus) op. 43: Overture
    Adagio – Allegro molto e con brio
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 4 in B flat major op. 60
    I. Adagio – Allegro vivace
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 4 in B flat major op. 60
    II. Adagio
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 4 in B flat major op. 60
    III. Allegro molto e vivace
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 4 in B flat major op. 60
    IV. Allegro ma non troppo
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Egmont, Incidental Music op. 84: Overture
    Sostenuto, ma non troppo – Allegro
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 7 in A major op. 92
    I. Poco sostenuto – Vivace
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 7 in A major op. 92
    II. Allegretto
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 7 in A major op. 92
    III. Presto
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 7 in A major op. 92
    IV. Allegro con brio
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Symphony No. 9 in D minor op. 125 “Choral”
    I. Allegro ma non troppo, un poco maestoso
    Charlotte Margiono (Soprano), Birgit Remmert (Alto), Rudolf Schasching (Tenor), Robert Holl (Bass), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Symphony No. 9 in D minor op. 125 “Choral”
    II. Molto vivace – Presto
    Charlotte Margiono (Soprano), Birgit Remmert (Alto), Rudolf Schasching (Tenor), Robert Holl (Bass), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Symphony No. 9 in D minor op. 125 “Choral”
    III. Adagio molto e cantabile – Andante moderato
    Charlotte Margiono (Soprano), Birgit Remmert (Alto), Rudolf Schasching (Tenor), Robert Holl (Bass), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Symphony No. 9 in D minor op. 125 “Choral”
    IV. Finale. Presto 'Ode to Joy'
    Charlotte Margiono (Soprano), Birgit Remmert (Alto), Rudolf Schasching (Tenor), Robert Holl (Bass), Nikolaus Harnoncourt
    Chamber Orchestra of Europe, Arnold Schoenberg Chor
  • Ludwig van Beethoven
    Leonore Overture No. 2 op. 72a
    Adagio – Allegro
    Nikolaus Harnoncourt, Chamber Orchestra of Europe
  • Ludwig van Beethoven
    Coriolan Overture op. 62
    Allegro con brio
    Nikolaus Harnoncourt, Chamber Orchestra of Europe