Essential Monk
Her vocal music is redolent of Hildegard von Bingen, performance artist Laurie Anderson and Liz Fraser of The Cocteau Twins, all rolled into one. Her piano music contains the meditative repetitions, loops and pulsations of minimalism, while her chamber music reveals striking dissonances and unusual instrumentation. Her musical roots lie in folk and rock music, whose idioms subtly infiltrate her oeuvre. One of America's coolest composers, Meredith Monk defies categorisation.
Read more…- Monk • Ellis Island für 2 Klaviere (1981)Ellis Island für 2 Klaviere (1981)Bruce Brubaker (Klavier), Ursula Oppens (Klavier)℗ 2014
- Monk • Book of Days (1985) • 1. Early Morning MelodyBook of Days (1985)
1. Early Morning MelodyMeredith Monk and Vocal Ensemble
Wayne Hankin (Bass-blockflöte), Wayne Hankin (Dudelsack), Naaz Hosseini (Violine), Robert Een (Violoncello), Meredith Monk (Keyboards), Nurit Tilles (Keyboards), Nurit Tilles (Dulcimer)℗ 1990, New York, Clinton Recording Studio - Monk • Book of Days (1985) • 3. DawnBook of Days (1985)
3. DawnMeredith Monk and Vocal Ensemble
Wayne Hankin (Bass-blockflöte), Wayne Hankin (Dudelsack), Naaz Hosseini (Violine), Robert Een (Violoncello), Meredith Monk (Keyboards), Nurit Tilles (Keyboards), Nurit Tilles (Dulcimer)℗ 1990, New York, Clinton Recording Studio - Monk • Book of Days (1985) • 6. Fields/cloudsBook of Days (1985)
6. Fields/cloudsMeredith Monk and Vocal Ensemble
Wayne Hankin (Bass-blockflöte), Wayne Hankin (Dudelsack), Naaz Hosseini (Violine), Robert Een (Violoncello), Meredith Monk (Keyboards), Nurit Tilles (Keyboards), Nurit Tilles (Dulcimer)℗ 1990, New York, Clinton Recording Studio - Monk • Book of Days (1985) • 11. Jewish storyteller/Dance/DreamBook of Days (1985)
11. Jewish storyteller/Dance/DreamMeredith Monk and Vocal Ensemble
Wayne Hankin (Bass-blockflöte), Wayne Hankin (Dudelsack), Naaz Hosseini (Violine), Robert Een (Violoncello), Meredith Monk (Keyboards), Nurit Tilles (Keyboards), Nurit Tilles (Dulcimer)℗ 1990, New York, Clinton Recording Studio - Monk • Paris für Klavier (1972)
- Monk • Between Song für 3 Singstimmen, Klarinette, Bassklarinette, Klavier, Glocken und Vibraphon • Between the paint and the woodBetween Song für 3 Singstimmen, Klarinette, Bassklarinette, Klavier, Glocken und Vibraphon
Between the paint and the woodAllison Sniffin (Gesang), Kate Geissinger (Gesang), Meredith Monk (Gesang), Bohdan Hilash (Bassklarinette), Allison Sniffin (Klavier), John Hollenbeck (Glocken)℗ 2008 - Monk • St. Petersburg Waltz (1994) (Fassung für Solo-Klavier)
- Monk • Acts From Under And Above (1986): "Scared Song"Acts From Under And Above (1986): "Scared Song"Meredith Monk (Gesang), Meredith Monk (Synthesizer), Nurit Tilles (Klavier)℗ 1987
- Monk • Obsolete Objects für Klavier
- Monk • Education of the Girlchild (1973): Biography • BiographyEducation of the Girlchild (1973): Biography
BiographyMeredith Monk (Klavier), Meredith Monk (Gesang)Januar 1981, Tonstudio Bauer - Monk • Engine Steps, Tonbandcollage (1983)
- Monk • Railroad (Travel Song) für Klavier (1981)
- Monk • Acts From Under And Above (1986): "I Don't Know"Acts From Under And Above (1986): "I Don't Know"Meredith Monk (Gesang), Meredith Monk (Klavier)℗ 1987
- Monk • Tower für 2 Klaviere
- Monk • Book of Days (1985) • 14. Cave songBook of Days (1985)
14. Cave songMeredith Monk and Vocal Ensemble
Wayne Hankin (Bass-blockflöte), Wayne Hankin (Dudelsack), Naaz Hosseini (Violine), Robert Een (Violoncello), Meredith Monk (Keyboards), Nurit Tilles (Keyboards), Nurit Tilles (Dulcimer)℗ 1990, New York, Clinton Recording Studio - Monk • Gotham Lullaby für Singstimme und Klavier (1975)Gotham Lullaby für Singstimme und Klavier (1975)Meredith Monk (Klavier), Meredith Monk (Gesang)Januar 1981, Tonstudio Bauer
Her pioneering interest in the range and capabilities of the human voice led her to develop what is now called "extended vocal technique", which uses the voice as an instrument rather than the conveyor of words, and gives her music a universality which makes it sound both arcane and contemporary. She combines Medieval plainchant and oriental melodies with drones, wordless incantations, ululations and chattering murmurs. It's direct yet lyrical, accessible yet otherworldly, serene yet challenging. Essentially tonal, her wordless music is powerfully communicative, arresting and transporting. As a cross-disciplinary artist who uses music, dance, film and performance, Monk has always taken on themes that can't always be expressed but can be suggested through her work. Her distinctive music is just one fascinating facet of a much greater whole.