NWS Mix Tape - Music of Latin America
NWS Mix Tape - Music of Latin America: New World Symphony Fellows, under the direction of Michael Tilson Thomas, are preparing for leadership roles in orchestras and ensembles by studying with and performing alongside the world’s finest musicians. Here they share their favorite music of Latin America.
Read more…- Mignone • Valsas for Bassoon • I. Aquela modinha que o villa não escreveuValsas for Bassoon
I. Aquela modinha que o villa não escreveuCarmen Mainer Martín (Bassoon)℗ 2018 - Mignone • Valsas for Bassoon • II. Mistério
- Mignone • Valsas for Bassoon • III. Valsa improvisada
- Villa-Lobos • Wind Quintet em forma de chôros (1928)Wind Quintet em forma de chôros (1928)Berlin Philharmonic Wind Quintet
Nigel Shore (Cor Anglais), Michael Hasel (Flute), Andreas Wittmann (Oboe), Fergus McWilliam (Horn), Marion Reinhard (Bassoon), Walter Seyfarth (Clarinet)April 1998, Berlin, Traumton Studios Berlin - Ginastera • Concerto for Harp and Orchestra op. 25 (1956) • I. Allegro giustoConcerto for Harp and Orchestra op. 25 (1956)
I. Allegro giustoNicolas Tulliez (Harp), Marko Letonja
Sinfonieorchester BaselMay 2004, Basel, Casino de Bale Basel - Ginastera • Concerto for Harp and Orchestra op. 25 (1956) • II. Molto moderatoConcerto for Harp and Orchestra op. 25 (1956)
II. Molto moderatoNicolas Tulliez (Harp), Marko Letonja
Sinfonieorchester BaselMay 2004, Basel, Casino de Bale Basel - Ginastera • Concerto for Harp and Orchestra op. 25 (1956) • III. Liberamente capriccioso – VivaceConcerto for Harp and Orchestra op. 25 (1956)
III. Liberamente capriccioso – VivaceNicolas Tulliez (Harp), Marko Letonja
Sinfonieorchester BaselMay 2004, Basel, Casino de Bale Basel - Troilo • Contrabajeando (ca. 1950-1954) (Arr. for Double Bass and Piano)Contrabajeando (ca. 1950-1954) (Arr. for Double Bass and Piano)Hector Console (Double Bass), Daniel Barenboim (Piano)℗ 1996, Buenos Aires, Estudio ION, Buenos Aires
- Gershwin • Cuban Overture in D major
- Chávez • Symphony No. 2 “Sinfonía india” • Vivo - Allegro - Vivo - Allegretto cantabile - Poco lento - Allegro - Vivo - Andante con moto - Vivo - Poco píu vivo, sempre giustoSymphony No. 2
Vivo - Allegro - Vivo - Allegretto cantabile - Poco lento - Allegro - Vivo - Andante con moto - Vivo - Poco píu vivo, sempre giustoLeonard Bernstein, New York Philharmonic℗ 1963 - Sabre Marroquín • De mi patria • I. De mi patriaDe mi patria
I. De mi patriaLuis Samuel Saloma Alcala (Violin), Duane Cochran (Piano)2005
Amelia del Cano, Bassoon:
The Mignone Waltzes and the Villa-Lobos quintet were formative pieces for me as a bassoonist. They were my first introduction to Brazilian classical music and the start of my learning process of how to play in different Latin styles, such as the 'modinha'.
Antonio Escobedo, Bass:
Alberto Ginastera - Concerto for Harp
This was my first introduction to Ginastera; I still remember the high energy this piece brings, as well as some hauntingly beautiful sections. One part that really strikes me when the harp is used percussively, a very unique moment for the Harp repertoire.
Astor Piazzolla - Contrabajeando
This is a great example of Piazzolla's tango music. I happened to find a transcription for double bass and piano which I played in my undergraduate recital. The versions in Idagio, for guitar, or accordion, or saxophone and accordion, all equally evoke the urge to dance with a unique somber energy.
Kelsi Doolittle, Clarinet:
The 'Cuban Overture' by Gershwin was the first Latin inspired piece I played in my music career and I remember how exciting it was to learn and play in an orchestra!
Luis Salazar, Violin:
Carlos Chavez - Symphony no. 2 (Sinfonia India): A colorful depiction of the modern times in Mexico while having grounded roots on our past.
Jose Sabre Marroquin - De Mi Patria: If home-sickness had a theme, this would be it. A yearning melody for remembrance.