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Moriae Encomium, sive Stultitiae Laus (Praise of Folly)

Jordi Savall, La Capella Reial de Catalunya, Hespèrion XXI, Hespèrion XXI, Hespèrion XXI, Andrew Lawrence-King (Harp), Louise Moaty (Speaker), Montserrat Figueras (Soprano), Pedro Estevan (Percussion), Rolf Lislevand (Lute), Thor-Harald Johnsen (Baroque Guitar), Michael Behringer (Harpsichord), Fahmi Alqhai (Viola da Gamba), Philippe Pierlot (Viola da Gamba), Rafael Bonavita (Archlute), Enrique Solinis (Guitar), Arianna Savall (Lute), Laurence Bonnal (Countertenor), John Cabero (Voice), Jordi Ricart (Baritone), Xavier Puertas (Double Bass), Carlos García-Bernalt (Organ), David Mayoral (Percussion), Sergi Casademunt (Viola da Gamba), Xavier Díaz-Latorre (Theorbo), Dimitri Psonis (Santur), Eunice Brandão (Viola da Gamba), Lorenz Duftschmid (Viola da Gamba), Sophie Watillon (Viola da Gamba), Roberto Gini (Fortepiano), Christophe Coin (Viola da Gamba), Robert Clancy (Theorbo), Daniele Carnovich (Bass), Marc Mauillon (Speaker), Jean-Pierre Canihac (Cornet), Béatrice Delpierre (Bassoon), Daniel Lasalle (Trombone), René Zosso (Speaker), Pascal Bertin (Countertenor), Lluís Vilamajó (Tenor), Furio Zanasi (Baritone), Francesc Garrigosa (Tenor), Nedyalko Nedyalkov (Flute), Driss El Maloumi (Guitar), Dimitri Psonis (Strings), Imke David (Viola da Gamba), Lambert Ciment (Voice), Luca Guglielmi (Organ), David Sagastume (Countertenor), Johanna Valencia (Lyra Viol), Gürsoy Dinçer (Voice), Derya Türkan (Kemenche), Yurdal Tokcan (Oud), Murat Salim Tokaç (Tambura), Fahrettin Yarkin (Percussion)
℗ 2012

  • Part I (in French)

    • 1. Folias (Imperfectas)
      01:44
    • 2. Recitat I (after Només aparèixer, La Folie, par sa seule présence, dirige les soucis de ses auditeurs)
      01:46
    • 3. La Folia (after Henry du Bailly: Yo Soy la Locura)
      02:38
    • 4. Recitat III (after Diego Ortiz: Passamezzo Antico)
      00:54
    • 5. Recitat VII (after Orígens de la Follia)
      02:11
    • 6. Recercada quarta sobre la Folia (after Diego Ortiz)
      01:28
    • 7. Recitat VIII (after Folías de la costa)
      01:38
    • 8. Recitat IX (after Folías de la costa)
      01:22
    • 9. La Gamba in Basso, e Soprano (1564) (after Vincenzo Ruffo)
      01:57
    • 10. Recitat X (after Alonso Mudarra: Romanesca)
      00:53
    • M. de Palacio No. 2]
      03:10
    • M. de Palacio No. 2]
      01:45
    • M. de Palacio No. 2]
      00:51
    • M. Palacio No. 179]
      01:28
    • 15. Recitat XIII (after 'Las Vacas' Improvisació Arpa)
      01:56
    • M. Medinaceli]
      01:57
    • M. Palacio No. 121]
      01:43
    • 18. Recitat XVI (after Tobias Hume: Harke, harke)
      02:03
    • 19. Browning My Dear (after Clement Woodcock)
      02:24
    • 20. Recitat XIX (after Thoinot Arbeau: 'Belle qui tiens ma vie' Improvisació Arpa)
      01:30
    • 21. Recitat XX (after Thoinot Arbeau: 'Belle qui tiens ma vie' Improvisació Arpa)
      00:51
    • 22. Cucú, cucú, cucucú! (after Juan del Enzina) [C.M. Palacio No. 94]
      00:56
    • 23. Recitat XXI (after Paduana del Re) [Mss Venezia]
      01:41
    • 24. Todos los Buenos Soldados (La Guerra) (after Mateo Flecha)
      01:44
    • 25. Recitat XXIII (after Clément Janequin: Pavana La Battaglia)
      01:48
    • 26. Recitat XXV (after 'Vederlo' Improvisació)
      02:03
    • 27. Recitat XXVIII (after 'My Lady Carey’s Dompe' Dansa Tradicional Anglesa)
      03:01
    • 28. Saltarello [Mss. Venezia]
      01:06
    • 29. Recitat XXIX (after Las Vacas Tylman Susato)
      03:43
    • 30. Recitat XXX (after Antonio de Cabezón: Pavana con su Glosa)
      02:07
    • 31. Recitat XXXII (after Desperada)
      01:47
    • 32. La Spagna (XV Segle)
      01:38
    • 33. Recitat LV (after Las Vacas) (Romanesca)
      03:47
    • M. Calabria No. 26]
      04:55
    • M. Montecassino No. 2]
      03:15
    • M. Palacio No. 434]
      02:37
    • 37. Diferencias Sobre 'Las Vacas' (after Antonio de Cabezón)
      02:34
    • 38. Recitat LXVIII (after Folias Portuguesas)
      01:27
    • M. Palacio No. 174]
      02:31

  • Part II (in French)

    • 1. Makam 'Muhayyer pesrev' (Marxa guerrera otomana) (XV Segle)
      03:28
    • 2. Narration 1 (after 'Taksim' Improvisació santur)
      01:28
    • 3. Saltarello 'Une musque de Buscaye' (after Josquin des Prez)
      02:58
    • M. Montecassino No. 6]
      02:00
    • 5. Narration 2 (after Josquin des Prez: Fortuna desperata)
      02:10
    • M. Montecassino No. 40]
      03:47
    • 7. Taskim & Dansa (after Anònim Otomà)
      02:55
    • 8. Narration 3 (after Las estrellas de los cielos) (Sefardita)
      01:53
    • 9. Lavava y suspirava (Romanç sefardita)
      05:25
    • 10. Malor me bat (Malheur me bat) (after Jean d’Ockeghem) [Odhecaton, No. 63]
      04:22
    • 11. Benedic anima mea (Ps. 103, 1-3) (after Claude de Sermisy)
      03:10
    • 12. Narration 4 (after Johannes Vincenet: Fortune, par ta cruaulté)
      02:07
    • 13. La déploration sur la mort d’Ockeghem (after Josquin des Prez)
      03:54
    • 14. Latura tu (after Antoine Bruhier) [Odhecaton No. 94]
      02:21
    • 15. Narration 5 (after Panegíric de Felip el Bell)
      01:23
    • 16. Hélas madame, passamezzo [Henry VIII mss. 10]
      02:28
    • M. Montecassino No. 85]
      02:09
    • M. Palacio No. 84]
      03:50
    • M. Montecassino No. 76]
      01:46
    • 20. Puzzle-Canon II [Henry VIII mss.]
      01:39
    • 21. Scaramella va alla guerra (after Josquin des Prez)
      01:57
    • M. Montecassino No. 106]
      06:20
    • M. Palacio No. 321]
      02:05
    • 24. Narration 9. Lettre d’Érasme de Rotterdam à son cher Thomas More sur la publication de L’Éloge de la Folie
      02:07
    • 25. Home Again, Market Is Done [Margaret Board Lute Book]
      01:54

  • Part III (in French)

    • 1. Paduana del Re [Mss. Venezia]
      03:00
    • 2. Narration 10 (after Carlo Gesualdo: Gallarda di Venosa)
      02:25
    • 3. La Spagna, à 5 (after Josquin des Prez)
      03:08
    • 4. Narration 11 (after Antonio de Cabezon: Himno XVI)
      02:13
    • 5. Taksim & Makam 'Rast Murass’a' (after Dimitri Cantemir) [Mss. No. 214]
      07:20
    • 6. Narration 12 (after John Lloyd: Puzzle-canon I)
      02:38
    • M. Montecassino No. 4]
      01:20
    • 8. Narration 13 (after Josquin des Prez: Mille regrets)
      02:42
    • 9. Romance Ya es tiempo de recoger
      04:39
    • 10. Narration 14 (after A solis ortus cardine)
      02:14
    • 11. Benedictus à 3 (after Heinrich Isaac)
      02:29
    • 12. Narration 15 (after In Nomine à 5)
      02:23
    • 13. Vingtcinquiesme Fantasie. A Quatre (sur le Seigneur dès qu’on nous offense) (after Eustache Du Caurroy)
      01:47
    • 14. Narration 16 (after Hans Leo Hassler: Christ ist erstanden)
      03:04
    • 15. Narration 17 (after Christopher Tye: In Nomine a 5 Free from all)
      02:19
    • 16. Pavane 'La Bataille'
      02:05
    • 17. Narration 18 (after Pavane 14) Lettre d'Erasme au Roi de France Francois 1er (16 Juin 1526)
      01:46
    • 18. Gazel (Cant Otomà) (after Mehmet bin Süleyman) [Poema de Fuzuli]
      03:56
    • 19. Tu pauperum refugium (after Josquin des Prez)
      03:08
    • 20. Narration 19 (after Martin Luther: Christ lag in Todes) [Publicat per Martin Luther el 1533]
      02:38
    • 21. Christ ist erstanden à 6 votar (after Heinrich Isaac)
      03:18
    • 22. Narration 20 (after John Dowland: Now o now)
      03:42
    • 23. In Nomine a 5 My Death (after Christopher Tye)
      02:18
    • 24. Pie Jesu (Requiem) (after Cristóbal de Morales)
      01:46
    • 25. Narration 21 Erasme mor a Basilea [Stefan Zweig, 1934]
      02:20
    • 26. Plangite Pierides (Plany per la mort d’Erasme) (after Benedictus Appenzeller)
      03:54
    • 27. Narration 22 (after Giovanni Maria Trabaci: Durezze e ligature)
      03:01

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