play pause skip-back skip-forward playing search check close plus caret-down caret-left caret-right caret-up chevron-down chevron-left chevron-right chevron-up filter menu more-horizontal more-vertical share select star star-block volume-block volume-mute-block volume-mute volume lock settings recording composition repeat-all repeat-one devices laptop speaker
Skip this section
Log in
Cover art for music collection

50 Years Großes Festspielhaus Salzburg

©℗ 2010 Deutsche Grammophon (DG)
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act I • 1. Introduction - "Wie du warst! Wie du bist!"
    Der Rosenkavalier op. 59 TrV 227
    Act I • 1. Introduction - "Wie du warst! Wie du bist!"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act I • 2. Er Katzenkopf, Er Unvorsichtiger!
    Der Rosenkavalier op. 59 TrV 227
    Act I • 2. Er Katzenkopf, Er Unvorsichtiger!    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act I • 3. "Selbstverständlich empfängt mich Ihre Gnaden"
    Der Rosenkavalier op. 59 TrV 227
    Act I • 3. "Selbstverständlich empfängt mich Ihre Gnaden"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act I • 4. "Hat Sie schon einmal mit einem Kavalier"
    Der Rosenkavalier op. 59 TrV 227
    Act I • 4. "Hat Sie schon einmal mit einem Kavalier"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act I • 5. "I komm' glei..." - "Drei arme adelige Waisen"
    Der Rosenkavalier op. 59 TrV 227
    Act I • 5. "I komm' glei..." - "Drei arme adelige Waisen"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act I • 6. "Di rigori armato il seno"
    Der Rosenkavalier op. 59 TrV 227
    Act I • 6. "Di rigori armato il seno"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act I • 7. "Als Morgengabe"
    Der Rosenkavalier op. 59 TrV 227
    Act I • 7. "Als Morgengabe"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act I • 8. "Da geht er hin"
    Der Rosenkavalier op. 59 TrV 227
    Act I • 8. "Da geht er hin"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act I • 9. "Ach! Du bist wieder da!"
    Der Rosenkavalier op. 59 TrV 227
    Act I • 9. "Ach! Du bist wieder da!"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act I • 10. "Die Zeit, die ist ein sonderbar Ding"
    Der Rosenkavalier op. 59 TrV 227
    Act I • 10. "Die Zeit, die ist ein sonderbar Ding"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act II • 1. Introduction - "Ein ernster Tag"
    Der Rosenkavalier op. 59 TrV 227
    Act II • 1. Introduction - "Ein ernster Tag"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act II • 2. "Mir ist die Ehre widerfahren"
    Der Rosenkavalier op. 59 TrV 227
    Act II • 2. "Mir ist die Ehre widerfahren"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act II • 3. "Ich kenn' Ihn schon recht wohl"
    Der Rosenkavalier op. 59 TrV 227
    Act II • 3. "Ich kenn' Ihn schon recht wohl"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act II • 4. "Jetzt aber kommt mein Herr Zukünftiger"
    Der Rosenkavalier op. 59 TrV 227
    Act II • 4. "Jetzt aber kommt mein Herr Zukünftiger"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act II • 5. "Wird Sie das Mannsbild da heiraten"
    Der Rosenkavalier op. 59 TrV 227
    Act II • 5. "Wird Sie das Mannsbild da heiraten"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act II • 6. "Herr Baron von Lerchenau!"
    Der Rosenkavalier op. 59 TrV 227
    Act II • 6. "Herr Baron von Lerchenau!"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act II • 7. "Da lieg' ich!"
    Der Rosenkavalier op. 59 TrV 227
    Act II • 7. "Da lieg' ich!"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act III • 1. Introduction und Pantomime
    Der Rosenkavalier op. 59 TrV 227
    Act III • 1. Introduction und Pantomime    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act III • 2. "Hab'n Euer Gnaden noch weitre Befehle?"
    Der Rosenkavalier op. 59 TrV 227
    Act III • 2. "Hab'n Euer Gnaden noch weitre Befehle?"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act III • 3. "Die schöne Musi!"
    Der Rosenkavalier op. 59 TrV 227
    Act III • 3. "Die schöne Musi!"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act III • 4. "Er ist es! Es ist mein Mann!"
    Der Rosenkavalier op. 59 TrV 227
    Act III • 4. "Er ist es! Es ist mein Mann!"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act III • 5. "Bin glücklich über Massen"
    Der Rosenkavalier op. 59 TrV 227
    Act III • 5. "Bin glücklich über Massen"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act III • 6. "Leopold, wir gehn!"
    Der Rosenkavalier op. 59 TrV 227
    Act III • 6. "Leopold, wir gehn!"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act III • 7. "Mein Gott, es war nicht mehr als eine Farce"
    Der Rosenkavalier op. 59 TrV 227
    Act III • 7. "Mein Gott, es war nicht mehr als eine Farce"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act III • 8. "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben"
    Der Rosenkavalier op. 59 TrV 227
    Act III • 8. "Marie Theres'!" - "Hab mir's gelobt, Ihn lieb zu haben"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Strauss • Der Rosenkavalier op. 59 TrV 227 • Act III • 9. "Ist ein Traum, kann nicht wirklich sein"
    Der Rosenkavalier op. 59 TrV 227
    Act III • 9. "Ist ein Traum, kann nicht wirklich sein"    Libretto: Hugo von Hofmannsthal
    Alois Pernerstorfer (Bass), Erich Kunz (Baritone), Erich Majkut (Tenor), Fritz Sperlbauer (Tenor), Giuseppe Zampieri (Tenor), Hilde Gueden (Soprano), Hilde Rössel-Majdan (Alto), Josef Knapp (Baritone), Judith Hellwig (Soprano), Lisa della Casa (Soprano), Otto Edelmann (Bass), Renato Ercolani (Tenor), Sena Jurinac (Soprano), Siegfried Rudolf Frese (Bass), Herbert von Karajan
    Chor der Wiener Staatsoper, Wiener Philharmoniker
    1960, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 1. Ouverture
    Idomeneo, re di Creta KV 366
    1. Ouverture    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 2. "Quando avran fine omai"
    Idomeneo, re di Creta KV 366
    2. "Quando avran fine omai"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 3. "Padre, germani, addio!"
    Idomeneo, re di Creta KV 366
    3. "Padre, germani, addio!"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 4. "Radunate i Troiani"
    Idomeneo, re di Creta KV 366
    4. "Radunate i Troiani"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 5. "Non ho colpa"
    Idomeneo, re di Creta KV 366
    5. "Non ho colpa"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 6. Allegro
    Idomeneo, re di Creta KV 366
    6. Allegro    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 7. "Ecco il misero resto de' Troiani"
    Idomeneo, re di Creta KV 366
    7. "Ecco il misero resto de' Troiani"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 8. "Godiam la pace"
    Idomeneo, re di Creta KV 366
    8. "Godiam la pace"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 9. Recitativo "Mio signore, de'mali il più terribil..."
    Idomeneo, re di Creta KV 366
    9. Recitativo "Mio signore, de'mali il più terribil..."    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 10. Ciaconna. Allegro
    Idomeneo, re di Creta KV 366
    10. Ciaconna. Allegro    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 11. "Estinto è Idomeneo?"
    Idomeneo, re di Creta KV 366
    11. "Estinto è Idomeneo?"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 12. "Tutte nel cor vi sento"
    Idomeneo, re di Creta KV 366
    12. "Tutte nel cor vi sento"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 13. "Pietà! Numi, pietà!"
    Idomeneo, re di Creta KV 366
    13. "Pietà! Numi, pietà!"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 14. "Eccoci salvi alfin"
    Idomeneo, re di Creta KV 366
    14. "Eccoci salvi alfin"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 15. Recitativo "A qual gelido orror"
    Idomeneo, re di Creta KV 366
    15. Recitativo "A qual gelido orror"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 16. Marcia
    Idomeneo, re di Creta KV 366
    16. Marcia    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 17. "Nettuno s'onori"
    Idomeneo, re di Creta KV 366
    17. "Nettuno s'onori"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 18. Ciaconna-Pas de deux/Balletto
    Idomeneo, re di Creta KV 366
    18. Ciaconna-Pas de deux/Balletto    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 19. Larghetto
    Idomeneo, re di Creta KV 366
    19. Larghetto    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 20. Ciaconna
    Idomeneo, re di Creta KV 366
    20. Ciaconna    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • 21. Tempo primo "Nettuno s'onori"
    Idomeneo, re di Creta KV 366
    21. Tempo primo "Nettuno s'onori"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 1. Intermezzo. Andante
    Idomeneo, re di Creta KV 366
    Act II • 1. Intermezzo. Andante    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 2. Recitativo "Siam soli"
    Idomeneo, re di Creta KV 366
    Act II • 2. Recitativo "Siam soli"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 3. "Se mai pomposo apparse"
    Idomeneo, re di Creta KV 366
    Act II • 3. "Se mai pomposo apparse"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 4. "Se il padre perdei"
    Idomeneo, re di Creta KV 366
    Act II • 4. "Se il padre perdei"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 5. "Qual mi conturba i sensi"
    Idomeneo, re di Creta KV 366
    Act II • 5. "Qual mi conturba i sensi"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 6. "Fuor del mar"
    Idomeneo, re di Creta KV 366
    Act II • 6. "Fuor del mar"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 7. Recitativo "Sire, quanto la tua clemenza"
    Idomeneo, re di Creta KV 366
    Act II • 7. Recitativo "Sire, quanto la tua clemenza"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 8. Recitativo Andante "Parto, e l'unico oggetto"
    Idomeneo, re di Creta KV 366
    Act II • 8. Recitativo Andante "Parto, e l'unico oggetto"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 9. "Idol mio, se ritroso"
    Idomeneo, re di Creta KV 366
    Act II • 9. "Idol mio, se ritroso"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 10. "Odo da lunge armonioso suono"
    Idomeneo, re di Creta KV 366
    Act II • 10. "Odo da lunge armonioso suono"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 11. "Sidonie sponde!"
    Idomeneo, re di Creta KV 366
    Act II • 11. "Sidonie sponde!"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 12. "Placido è il mar"
    Idomeneo, re di Creta KV 366
    Act II • 12. "Placido è il mar"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 13. "Vattene prence"
    Idomeneo, re di Creta KV 366
    Act II • 13. "Vattene prence"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 14. "Pria di partir, oh Dio!"
    Idomeneo, re di Creta KV 366
    Act II • 14. "Pria di partir, oh Dio!"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 15. "Qual nuovo terrore!
    Idomeneo, re di Creta KV 366
    Act II • 15. "Qual nuovo terrore!    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 16. "Eccoti in me, barbaro Nume!"
    Idomeneo, re di Creta KV 366
    Act II • 16. "Eccoti in me, barbaro Nume!"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act II • 17. "Corriamo, fuggiamo"
    Idomeneo, re di Creta KV 366
    Act II • 17. "Corriamo, fuggiamo"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 1. "Zefiretti lusinghieri"
    Idomeneo, re di Creta KV 366
    Act III • 1. "Zefiretti lusinghieri"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 2. "Ei stesso vien"
    Idomeneo, re di Creta KV 366
    Act III • 2. "Ei stesso vien"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 3. "Principessa, a' tuoi sguardi"
    Idomeneo, re di Creta KV 366
    Act III • 3. "Principessa, a' tuoi sguardi"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 4. Recitativo Andante (quasi Adagio) "Odo? o sol quel che brama"
    Idomeneo, re di Creta KV 366
    Act III • 4. Recitativo Andante (quasi Adagio) "Odo? o sol quel che brama"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 5. "Spiegarti non poss'io"
    Idomeneo, re di Creta KV 366
    Act III • 5. "Spiegarti non poss'io"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 6. "Cieli! che vedo?"
    Idomeneo, re di Creta KV 366
    Act III • 6. "Cieli! che vedo?"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 7. "Andrò ramingo e solo"
    Idomeneo, re di Creta KV 366
    Act III • 7. "Andrò ramingo e solo"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 8. "Sire, alla reggia tua"
    Idomeneo, re di Creta KV 366
    Act III • 8. "Sire, alla reggia tua"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 9. Recitativo "Ahimè! Tutto perdei"
    Idomeneo, re di Creta KV 366
    Act III • 9. Recitativo "Ahimè! Tutto perdei"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 10. "D'Oreste, d'Aiace"
    Idomeneo, re di Creta KV 366
    Act III • 10. "D'Oreste, d'Aiace"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 11. Marcia
    Idomeneo, re di Creta KV 366
    Act III • 11. Marcia    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 12. "Accogli, o rè del mar"
    Idomeneo, re di Creta KV 366
    Act III • 12. "Accogli, o rè del mar"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 13. Recitativo Andante "Non più! Sacro ministro"
    Idomeneo, re di Creta KV 366
    Act III • 13. Recitativo Andante "Non più! Sacro ministro"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 14. "O voto tremendo"
    Idomeneo, re di Creta KV 366
    Act III • 14. "O voto tremendo"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 15. Coro e Recitativo Allegro vivace "Stupenda vittoria" - Sire! Il prence"
    Idomeneo, re di Creta KV 366
    Act III • 15. Coro e Recitativo Allegro vivace "Stupenda vittoria" - Sire! Il prence"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 16. Recitativo Largo "Padre, mio caro padre!" Recitativo Presto "Ferma, o Sire, che fai?" Recitativo "O ciel pietoso!"
    Idomeneo, re di Creta KV 366
    Act III • 16. Recitativo Largo "Padre, mio caro padre!" Recitativo Presto "Ferma, o Sire, che fai?" Recitativo "O ciel pietoso!"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 17. "Popoli, a voi l'ultima legge"
    Idomeneo, re di Creta KV 366
    Act III • 17. "Popoli, a voi l'ultima legge"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Mozart • Idomeneo, re di Creta KV 366 • Act III • 18. "Scenda Amor, scenda Imeneo"
    Idomeneo, re di Creta KV 366
    Act III • 18. "Scenda Amor, scenda Imeneo"    Libretto: Giambattista Varesco
    Eberhard Waechter (Baritone), Elisabeth Grümmer (Soprano), Ernst Haefliger (Tenor), Pilar Lorengar (Soprano), Renato Capecchi (Tenor), Waldemar Kmentt (Tenor), Ferenc Fricsay
    Chor der Wiener Staatsoper, Chor der Wiener Staatsoper, Wiener Philharmoniker
    2961, Salzburg, Grosses Festspielhaus
  • Janáček • Z mrtvého domu (From the House of the Dead) JW 1/11 • Act I • 1. Prelude. Moderato
    Z mrtvého domu (From the House of the Dead) JW 1/11
    Act I • 1. Prelude. Moderato    Libretto: Leoš Janáček, Text: Fyodor Mikhailovich Dostoyevsky
    Alexander Oliver (Tenor), Andrea Rost (Mezzo-soprano), Barry McCauley (Tenor), Bojidar Nikolov (Tenor), Christiane Young (Mezzo-soprano), Elzbieta Szmytka (Mezzo-soprano), Franz Wimmer (Baritone), Harry Peeters (Bass), Heinz Zednik (Tenor), Josef Stangl (Baritone), Josef Veverka (Tenor), Miroslav Kopp (Tenor), Monte Pederson (Baritone), Nicolai Ghiaurov (Baritone), Nikolaus Simkovsky (Bass), Pavel Kamas (Bass), Peter Fraiss (Tenor), Philip Langridge (Tenor), Richard Haan (Bass), Richard Novák (Baritone), Štefan Margita (Tenor), Ulrich Großrubatscher (Tenor), Walter Zeh (Baritone), Claudio Abbado
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    1992, Salzburg, Grosses Festspielhaus
  • Janáček • Z mrtvého domu (From the House of the Dead) JW 1/11 • Act I • 2. Moderato
    Z mrtvého domu (From the House of the Dead) JW 1/11
    Act I • 2. Moderato    Libretto: Leoš Janáček, Text: Fyodor Mikhailovich Dostoyevsky
    Alexander Oliver (Tenor), Andrea Rost (Mezzo-soprano), Barry McCauley (Tenor), Bojidar Nikolov (Tenor), Christiane Young (Mezzo-soprano), Elzbieta Szmytka (Mezzo-soprano), Franz Wimmer (Baritone), Harry Peeters (Bass), Heinz Zednik (Tenor), Josef Stangl (Baritone), Josef Veverka (Tenor), Miroslav Kopp (Tenor), Monte Pederson (Baritone), Nicolai Ghiaurov (Baritone), Nikolaus Simkovsky (Bass), Pavel Kamas (Bass), Peter Fraiss (Tenor), Philip Langridge (Tenor), Richard Haan (Bass), Richard Novák (Baritone), Štefan Margita (Tenor), Ulrich Großrubatscher (Tenor), Walter Zeh (Baritone), Claudio Abbado
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    1992, Salzburg, Grosses Festspielhaus
  • Janáček • Z mrtvého domu (From the House of the Dead) JW 1/11 • Act I • 3. 'Privedou dnes pána!' (Tall Prisoner, Commandant, Old Prisonerm, Alexandr Petrovič Gorjančikov, Guard 1, Short Prisoner, Chorus)
    Z mrtvého domu (From the House of the Dead) JW 1/11
    Act I • 3. 'Privedou dnes pána!' (Tall Prisoner, Commandant, Old Prisonerm, Alexandr Petrovič Gorjančikov, Guard 1, Short Prisoner, Chorus)    Libretto: Leoš Janáček, Text: Fyodor Mikhailovich Dostoyevsky
    Alexander Oliver (Tenor), Andrea Rost (Mezzo-soprano), Barry McCauley (Tenor), Bojidar Nikolov (Tenor), Christiane Young (Mezzo-soprano), Elzbieta Szmytka (Mezzo-soprano), Franz Wimmer (Baritone), Harry Peeters (Bass), Heinz Zednik (Tenor), Josef Stangl (Baritone), Josef Veverka (Tenor), Miroslav Kopp (Tenor), Monte Pederson (Baritone), Nicolai Ghiaurov (Baritone), Nikolaus Simkovsky (Bass), Pavel Kamas (Bass), Peter Fraiss (Tenor), Philip Langridge (Tenor), Richard Haan (Bass), Richard Novák (Baritone), Štefan Margita (Tenor), Ulrich Großrubatscher (Tenor), Walter Zeh (Baritone), Claudio Abbado
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    1992, Salzburg, Grosses Festspielhaus
  • Janáček • Z mrtvého domu (From the House of the Dead) JW 1/11 • Act I • 4. 'Neuvidi oko jiz kraju' (Luka Kuzmič (Filka Morozov), Skuratov, Chorus)
    Z mrtvého domu (From the House of the Dead) JW 1/11
    Act I • 4. 'Neuvidi oko jiz kraju' (Luka Kuzmič (Filka Morozov), Skuratov, Chorus)    Libretto: Leoš Janáček, Text: Fyodor Mikhailovich Dostoyevsky
    Alexander Oliver (Tenor), Andrea Rost (Mezzo-soprano), Barry McCauley (Tenor), Bojidar Nikolov (Tenor), Christiane Young (Mezzo-soprano), Elzbieta Szmytka (Mezzo-soprano), Franz Wimmer (Baritone), Harry Peeters (Bass), Heinz Zednik (Tenor), Josef Stangl (Baritone), Josef Veverka (Tenor), Miroslav Kopp (Tenor), Monte Pederson (Baritone), Nicolai Ghiaurov (Baritone), Nikolaus Simkovsky (Bass), Pavel Kamas (Bass), Peter Fraiss (Tenor), Philip Langridge (Tenor), Richard Haan (Bass), Richard Novák (Baritone), Štefan Margita (Tenor), Ulrich Großrubatscher (Tenor), Walter Zeh (Baritone), Claudio Abbado
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    1992, Salzburg, Grosses Festspielhaus
  • Janáček • Z mrtvého domu (From the House of the Dead) JW 1/11 • Act I • 5. 'Aljejo, podavej nitku!' (Aljeja, Old Prisoner, Chorus)
    Z mrtvého domu (From the House of the Dead) JW 1/11
    Act I • 5. 'Aljejo, podavej nitku!' (Aljeja, Old Prisoner, Chorus)    Libretto: Leoš Janáček, Text: Fyodor Mikhailovich Dostoyevsky
    Alexander Oliver (Tenor), Andrea Rost (Mezzo-soprano), Barry McCauley (Tenor), Bojidar Nikolov (Tenor), Christiane Young (Mezzo-soprano), Elzbieta Szmytka (Mezzo-soprano), Franz Wimmer (Baritone), Harry Peeters (Bass), Heinz Zednik (Tenor), Josef Stangl (Baritone), Josef Veverka (Tenor), Miroslav Kopp (Tenor), Monte Pederson (Baritone), Nicolai Ghiaurov (Baritone), Nikolaus Simkovsky (Bass), Pavel Kamas (Bass), Peter Fraiss (Tenor), Philip Langridge (Tenor), Richard Haan (Bass), Richard Novák (Baritone), Štefan Margita (Tenor), Ulrich Großrubatscher (Tenor), Walter Zeh (Baritone), Claudio Abbado
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    1992, Salzburg, Grosses Festspielhaus
  • Janáček • Z mrtvého domu (From the House of the Dead) JW 1/11 • Act II • 1. 'A... A...' (Voice)
    Z mrtvého domu (From the House of the Dead) JW 1/11
    Act II • 1. 'A... A...' (Voice)    Libretto: Leoš Janáček, Text: Fyodor Mikhailovich Dostoyevsky
    Alexander Oliver (Tenor), Andrea Rost (Mezzo-soprano), Barry McCauley (Tenor), Bojidar Nikolov (Tenor), Christiane Young (Mezzo-soprano), Elzbieta Szmytka (Mezzo-soprano), Franz Wimmer (Baritone), Harry Peeters (Bass), Heinz Zednik (Tenor), Josef Stangl (Baritone), Josef Veverka (Tenor), Miroslav Kopp (Tenor), Monte Pederson (Baritone), Nicolai Ghiaurov (Baritone), Nikolaus Simkovsky (Bass), Pavel Kamas (Bass), Peter Fraiss (Tenor), Philip Langridge (Tenor), Richard Haan (Bass), Richard Novák (Baritone), Štefan Margita (Tenor), Ulrich Großrubatscher (Tenor), Walter Zeh (Baritone), Claudio Abbado
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    1992, Salzburg, Grosses Festspielhaus
  • Janáček • Z mrtvého domu (From the House of the Dead) JW 1/11 • Act II • 2. 'Milý, Milý Aljejo!' (Aljeja, Priest, Alexandr Petrovič Gorjančikov, Čekunov, Skuratov, Short Prisoner, Drunken Prisoner, Cook, Chorus)
    Z mrtvého domu (From the House of the Dead) JW 1/11
    Act II • 2. 'Milý, Milý Aljejo!' (Aljeja, Priest, Alexandr Petrovič Gorjančikov, Čekunov, Skuratov, Short Prisoner, Drunken Prisoner, Cook, Chorus)    Libretto: Leoš Janáček, Text: Fyodor Mikhailovich Dostoyevsky
    Alexander Oliver (Tenor), Andrea Rost (Mezzo-soprano), Barry McCauley (Tenor), Bojidar Nikolov (Tenor), Christiane Young (Mezzo-soprano), Elzbieta Szmytka (Mezzo-soprano), Franz Wimmer (Baritone), Harry Peeters (Bass), Heinz Zednik (Tenor), Josef Stangl (Baritone), Josef Veverka (Tenor), Miroslav Kopp (Tenor), Monte Pederson (Baritone), Nicolai Ghiaurov (Baritone), Nikolaus Simkovsky (Bass), Pavel Kamas (Bass), Peter Fraiss (Tenor), Philip Langridge (Tenor), Richard Haan (Bass), Richard Novák (Baritone), Štefan Margita (Tenor), Ulrich Großrubatscher (Tenor), Walter Zeh (Baritone), Claudio Abbado
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    1992, Salzburg, Grosses Festspielhaus
  • Janáček • Z mrtvého domu (From the House of the Dead) JW 1/11 • Act II • 3. 'Poslali mne v Jurjea' (Kedril, Luka Kuzmič (Filka Morozov), Šapkin, Smith, Skuratov, Drunken Prisoner, Chorus)
    Z mrtvého domu (From the House of the Dead) JW 1/11
    Act II • 3. 'Poslali mne v Jurjea' (Kedril, Luka Kuzmič (Filka Morozov), Šapkin, Smith, Skuratov, Drunken Prisoner, Chorus)    Libretto: Leoš Janáček, Text: Fyodor Mikhailovich Dostoyevsky
    Alexander Oliver (Tenor), Andrea Rost (Mezzo-soprano), Barry McCauley (Tenor), Bojidar Nikolov (Tenor), Christiane Young (Mezzo-soprano), Elzbieta Szmytka (Mezzo-soprano), Franz Wimmer (Baritone), Harry Peeters (Bass), Heinz Zednik (Tenor), Josef Stangl (Baritone), Josef Veverka (Tenor), Miroslav Kopp (Tenor), Monte Pederson (Baritone), Nicolai Ghiaurov (Baritone), Nikolaus Simkovsky (Bass), Pavel Kamas (Bass), Peter Fraiss (Tenor), Philip Langridge (Tenor), Richard Haan (Bass), Richard Novák (Baritone), Štefan Margita (Tenor), Ulrich Großrubatscher (Tenor), Walter Zeh (Baritone), Claudio Abbado
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    1992, Salzburg, Grosses Festspielhaus
  • Janáček • Z mrtvého domu (From the House of the Dead) JW 1/11 • Act II • 4. 'Hra o Kedrilovi a Juanovi' (Tall Prisoner, Aljeja, Chorus, Čekunov, Don Juan, Cook)
    Z mrtvého domu (From the House of the Dead) JW 1/11
    Act II • 4. 'Hra o Kedrilovi a Juanovi' (Tall Prisoner, Aljeja, Chorus, Čekunov, Don Juan, Cook)    Libretto: Leoš Janáček, Text: Fyodor Mikhailovich Dostoyevsky
    Alexander Oliver (Tenor), Andrea Rost (Mezzo-soprano), Barry McCauley (Tenor), Bojidar Nikolov (Tenor), Christiane Young (Mezzo-soprano), Elzbieta Szmytka (Mezzo-soprano), Franz Wimmer (Baritone), Harry Peeters (Bass), Heinz Zednik (Tenor), Josef Stangl (Baritone), Josef Veverka (Tenor), Miroslav Kopp (Tenor), Monte Pederson (Baritone), Nicolai Ghiaurov (Baritone), Nikolaus Simkovsky (Bass), Pavel Kamas (Bass), Peter Fraiss (Tenor), Philip Langridge (Tenor), Richard Haan (Bass), Richard Novák (Baritone), Štefan Margita (Tenor), Ulrich Großrubatscher (Tenor), Walter Zeh (Baritone), Claudio Abbado
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    1992, Salzburg, Grosses Festspielhaus
  • Janáček • Z mrtvého domu (From the House of the Dead) JW 1/11 • Act II • 5. 'Pantomima o Pekne mlyánrce'
    Z mrtvého domu (From the House of the Dead) JW 1/11
    Act II • 5. 'Pantomima o Pekne mlyánrce'    Libretto: Leoš Janáček, Text: Fyodor Mikhailovich Dostoyevsky
    Alexander Oliver (Tenor), Andrea Rost (Mezzo-soprano), Barry McCauley (Tenor), Bojidar Nikolov (Tenor), Christiane Young (Mezzo-soprano), Elzbieta Szmytka (Mezzo-soprano), Franz Wimmer (Baritone), Harry Peeters (Bass), Heinz Zednik (Tenor), Josef Stangl (Baritone), Josef Veverka (Tenor), Miroslav Kopp (Tenor), Monte Pederson (Baritone), Nicolai Ghiaurov (Baritone), Nikolaus Simkovsky (Bass), Pavel Kamas (Bass), Peter Fraiss (Tenor), Philip Langridge (Tenor), Richard Haan (Bass), Richard Novák (Baritone), Štefan Margita (Tenor), Ulrich Großrubatscher (Tenor), Walter Zeh (Baritone), Claudio Abbado
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    1992, Salzburg, Grosses Festspielhaus
  • Janáček • Z mrtvého domu (From the House of the Dead) JW 1/11 • Act II • 6. 'Pekne hrali, co?' (Luka Kuzmič (Filka Morozov), Prostitute, Aljeja, Šapkin, Old Prisoner, Chorus, Alexandr Petrovič Gorjančikov, Čekunov, Short Prisoner, Young Prisoner)
    Z mrtvého domu (From the House of the Dead) JW 1/11
    Act II • 6. 'Pekne hrali, co?' (Luka Kuzmič (Filka Morozov), Prostitute, Aljeja, Šapkin, Old Prisoner, Chorus, Alexandr Petrovič Gorjančikov, Čekunov, Short Prisoner, Young Prisoner)    Libretto: Leoš Janáček, Text: Fyodor Mikhailovich Dostoyevsky
    Alexander Oliver (Tenor), Andrea Rost (Mezzo-soprano), Barry McCauley (Tenor), Bojidar Nikolov (Tenor), Christiane Young (Mezzo-soprano), Elzbieta Szmytka (Mezzo-soprano), Franz Wimmer (Baritone), Harry Peeters (Bass), Heinz Zednik (Tenor), Josef Stangl (Baritone), Josef Veverka (Tenor), Miroslav Kopp (Tenor), Monte Pederson (Baritone), Nicolai Ghiaurov (Baritone), Nikolaus Simkovsky (Bass), Pavel Kamas (Bass), Peter Fraiss (Tenor), Philip Langridge (Tenor), Richard Haan (Bass), Richard Novák (Baritone), Štefan Margita (Tenor), Ulrich Großrubatscher (Tenor), Walter Zeh (Baritone), Claudio Abbado
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    1992, Salzburg, Grosses Festspielhaus
  • Janáček • Z mrtvého domu (From the House of the Dead) JW 1/11 • Act III • 1. Moderato
    Z mrtvého domu (From the House of the Dead) JW 1/11
    Act III • 1. Moderato    Libretto: Leoš Janáček, Text: Fyodor Mikhailovich Dostoyevsky
    Alexander Oliver (Tenor), Andrea Rost (Mezzo-soprano), Barry McCauley (Tenor), Bojidar Nikolov (Tenor), Christiane Young (Mezzo-soprano), Elzbieta Szmytka (Mezzo-soprano), Franz Wimmer (Baritone), Harry Peeters (Bass), Heinz Zednik (Tenor), Josef Stangl (Baritone), Josef Veverka (Tenor), Miroslav Kopp (Tenor), Monte Pederson (Baritone), Nicolai Ghiaurov (Baritone), Nikolaus Simkovsky (Bass), Pavel Kamas (Bass), Peter Fraiss (Tenor), Philip Langridge (Tenor), Richard Haan (Bass), Richard Novák (Baritone), Štefan Margita (Tenor), Ulrich Großrubatscher (Tenor), Walter Zeh (Baritone), Claudio Abbado
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    1992, Salzburg, Grosses Festspielhaus
  • Janáček • Z mrtvého domu (From the House of the Dead) JW 1/11 • Act III • 2. 'Isaj, prorok bozi!' (Luka Kuzmič (Filka Morozov), Tall Prisoner, Aljeja, Šapkin, Old Prisoner, Chorus, Alexandr Petrovič Gorjančikov, Čekunov, Skuratov)
    Z mrtvého domu (From the House of the Dead) JW 1/11
    Act III • 2. 'Isaj, prorok bozi!' (Luka Kuzmič (Filka Morozov), Tall Prisoner, Aljeja, Šapkin, Old Prisoner, Chorus, Alexandr Petrovič Gorjančikov, Čekunov, Skuratov)    Libretto: Leoš Janáček, Text: Fyodor Mikhailovich Dostoyevsky
    Alexander Oliver (Tenor), Andrea Rost (Mezzo-soprano), Barry McCauley (Tenor), Bojidar Nikolov (Tenor), Christiane Young (Mezzo-soprano), Elzbieta Szmytka (Mezzo-soprano), Franz Wimmer (Baritone), Harry Peeters (Bass), Heinz Zednik (Tenor), Josef Stangl (Baritone), Josef Veverka (Tenor), Miroslav Kopp (Tenor), Monte Pederson (Baritone), Nicolai Ghiaurov (Baritone), Nikolaus Simkovsky (Bass), Pavel Kamas (Bass), Peter Fraiss (Tenor), Philip Langridge (Tenor), Richard Haan (Bass), Richard Novák (Baritone), Štefan Margita (Tenor), Ulrich Großrubatscher (Tenor), Walter Zeh (Baritone), Claudio Abbado
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    1992, Salzburg, Grosses Festspielhaus
  • Janáček • Z mrtvého domu (From the House of the Dead) JW 1/11 • Act III • 3. 'Má detátka milá' (Luka Kuzmič (Filka Morozov), Old Prisoner, Chorus, Čerevin, Šiškov, Guard 2, Guard 1)
    Z mrtvého domu (From the House of the Dead) JW 1/11
    Act III • 3. 'Má detátka milá' (Luka Kuzmič (Filka Morozov), Old Prisoner, Chorus, Čerevin, Šiškov, Guard 2, Guard 1)    Libretto: Leoš Janáček, Text: Fyodor Mikhailovich Dostoyevsky
    Alexander Oliver (Tenor), Andrea Rost (Mezzo-soprano), Barry McCauley (Tenor), Bojidar Nikolov (Tenor), Christiane Young (Mezzo-soprano), Elzbieta Szmytka (Mezzo-soprano), Franz Wimmer (Baritone), Harry Peeters (Bass), Heinz Zednik (Tenor), Josef Stangl (Baritone), Josef Veverka (Tenor), Miroslav Kopp (Tenor), Monte Pederson (Baritone), Nicolai Ghiaurov (Baritone), Nikolaus Simkovsky (Bass), Pavel Kamas (Bass), Peter Fraiss (Tenor), Philip Langridge (Tenor), Richard Haan (Bass), Richard Novák (Baritone), Štefan Margita (Tenor), Ulrich Großrubatscher (Tenor), Walter Zeh (Baritone), Claudio Abbado
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    1992, Salzburg, Grosses Festspielhaus
  • Janáček • Z mrtvého domu (From the House of the Dead) JW 1/11 • Act III • 4. 'Promena. Allegro. Hou, hou!' (Aljeja, Commandant, Smith, Chorus, Alexandr Petrovič Gorjančikov)
    Z mrtvého domu (From the House of the Dead) JW 1/11
    Act III • 4. 'Promena. Allegro. Hou, hou!' (Aljeja, Commandant, Smith, Chorus, Alexandr Petrovič Gorjančikov)    Libretto: Leoš Janáček, Text: Fyodor Mikhailovich Dostoyevsky
    Alexander Oliver (Tenor), Andrea Rost (Mezzo-soprano), Barry McCauley (Tenor), Bojidar Nikolov (Tenor), Christiane Young (Mezzo-soprano), Elzbieta Szmytka (Mezzo-soprano), Franz Wimmer (Baritone), Harry Peeters (Bass), Heinz Zednik (Tenor), Josef Stangl (Baritone), Josef Veverka (Tenor), Miroslav Kopp (Tenor), Monte Pederson (Baritone), Nicolai Ghiaurov (Baritone), Nikolaus Simkovsky (Bass), Pavel Kamas (Bass), Peter Fraiss (Tenor), Philip Langridge (Tenor), Richard Haan (Bass), Richard Novák (Baritone), Štefan Margita (Tenor), Ulrich Großrubatscher (Tenor), Walter Zeh (Baritone), Claudio Abbado
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    1992, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act I • 1. Prelude
    La traviata
    Act I • 1. Prelude    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act I • 2. "Dell'invito trascorsa è già l'ora"
    La traviata
    Act I • 2. "Dell'invito trascorsa è già l'ora"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act I • 3. "Libiamo ne' lieti calici"
    La traviata
    Act I • 3. "Libiamo ne' lieti calici"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act I • 4. "Che è ciò?"
    La traviata
    Act I • 4. "Che è ciò?"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act I • 5. "Un dì felice, eterea"
    La traviata
    Act I • 5. "Un dì felice, eterea"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act I • 6. "Ebben? che diavol fate?"
    La traviata
    Act I • 6. "Ebben? che diavol fate?"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act I • 7. "Si ridesta in ciel l'aurora"
    La traviata
    Act I • 7. "Si ridesta in ciel l'aurora"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act I • 8. "È strano!" - "Ah, fors'è lui"
    La traviata
    Act I • 8. "È strano!" - "Ah, fors'è lui"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 1. "Follie! Delirio vano è questo!" - "Sempre libera"
    La traviata
    Act II • 1. "Follie! Delirio vano è questo!" - "Sempre libera"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 2. "Lunge da lei" - "De' miei bollenti spiriti"
    La traviata
    Act II • 2. "Lunge da lei" - "De' miei bollenti spiriti"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 3. "Annina, donde vieni?" - "Oh mio rimorso!"
    La traviata
    Act II • 3. "Annina, donde vieni?" - "Oh mio rimorso!"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 4. "Alfredo?" "Per Parigi or or partiva"
    La traviata
    Act II • 4. "Alfredo?" "Per Parigi or or partiva"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 5. "Pura siccome un angelo"
    La traviata
    Act II • 5. "Pura siccome un angelo"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 6. "Non sapete quale affetto"
    La traviata
    Act II • 6. "Non sapete quale affetto"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 7. "Un dì, quando le veneri"
    La traviata
    Act II • 7. "Un dì, quando le veneri"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 8. "Ah! Dite alla giovine"
    La traviata
    Act II • 8. "Ah! Dite alla giovine"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 9. "Imponete" "Non amarlo ditegli"
    La traviata
    Act II • 9. "Imponete" "Non amarlo ditegli"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 10. "Dammi tu forza, o cielo!"
    La traviata
    Act II • 10. "Dammi tu forza, o cielo!"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 11. "Che fai?" "Nulla"
    La traviata
    Act II • 11. "Che fai?" "Nulla"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 12. "Ah, vive sol quel core"
    La traviata
    Act II • 12. "Ah, vive sol quel core"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 13. "Di Provenza il mar, il suol"
    La traviata
    Act II • 13. "Di Provenza il mar, il suol"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 14. "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri"
    La traviata
    Act II • 14. "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 15. "Avrem lieta di maschere la notte"
    La traviata
    Act II • 15. "Avrem lieta di maschere la notte"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 16. "Noi siamo zingarelle"
    La traviata
    Act II • 16. "Noi siamo zingarelle"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 17. "Di Madride noi siam mattadori"
    La traviata
    Act II • 17. "Di Madride noi siam mattadori"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 18. "Alfredo! Voi!"
    La traviata
    Act II • 18. "Alfredo! Voi!"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 19. "Invitato a qui seguirmi"
    La traviata
    Act II • 19. "Invitato a qui seguirmi"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 20. "Ogni suo aver tal femmina"
    La traviata
    Act II • 20. "Ogni suo aver tal femmina"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 21. "Di sprezzo degno se stesso rende"
    La traviata
    Act II • 21. "Di sprezzo degno se stesso rende"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act II • 22. "Alfredo, Alfredo, di questo core"
    La traviata
    Act II • 22. "Alfredo, Alfredo, di questo core"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act III • 1. Prelude
    La traviata
    Act III • 1. Prelude    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act III • 2. "Annina?" "Comandate?"
    La traviata
    Act III • 2. "Annina?" "Comandate?"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act III • 3. "Teneste la promessa...Addio del passato"
    La traviata
    Act III • 3. "Teneste la promessa...Addio del passato"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act III • 4. "Largo a quadrupede"
    La traviata
    Act III • 4. "Largo a quadrupede"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act III • 5. "Signora...Che t'accadde...Parigi, o cara"
    La traviata
    Act III • 5. "Signora...Che t'accadde...Parigi, o cara"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act III • 6. "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine"
    La traviata
    Act III • 6. "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act III • 7. "Ah, Violetta!" "Voi? Signor?"
    La traviata
    Act III • 7. "Ah, Violetta!" "Voi? Signor?"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Verdi • La traviata • Act III • 8. "Prendi, quest'è l'immagine"
    La traviata
    Act III • 8. "Prendi, quest'è l'immagine"    Libretto: Francesco Maria Piave
    Anna Netrebko (Soprano), Diane Pilcher (Soprano), Dritan Luca (Tenor), Helene Schneiderman (Mezzo-soprano), Herman Wallén (Bass), Luigi Roni (Bass), Paul Gay (Baritone), Rolando Villazón (Tenor), Salvatore Cordella (Tenor), Thomas Hampson (Baritone), Wilhelm Schwinghammer (Bass), Carlo Rizzi
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2005, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act I • 1. (Scene 1) Introduction
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act I • 1. (Scene 1) Introduction    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act I • 2. Duet and Quartet. "Slikhali l vi za roschei glas nochnoi"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act I • 2. Duet and Quartet. "Slikhali l vi za roschei glas nochnoi"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act I • 3. Peasants' Chorus and Dance. "Bolyat moyi skori nozhenki so pokhodushki" - "Uzh kak po mostu, mostochku"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act I • 3. Peasants' Chorus and Dance. "Bolyat moyi skori nozhenki so pokhodushki" - "Uzh kak po mostu, mostochku"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act I • 4. Scene and Aria. "Kak ya lyublyu pod zvuki pesen etikh" - "Uzh kak po mostu, mostochku"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act I • 4. Scene and Aria. "Kak ya lyublyu pod zvuki pesen etikh" - "Uzh kak po mostu, mostochku"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act I • 5. Scene. "Nu ti, moya vostrushka"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act I • 5. Scene. "Nu ti, moya vostrushka"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act I • 6. "Mesdames! Ya na sebya vzyal smyelost" / "Skazhi, kotoraya Tatyana"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act I • 6. "Mesdames! Ya na sebya vzyal smyelost" / "Skazhi, kotoraya Tatyana"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act I • 7. Scene and Arioso. "Kak shchastliv, kak shchastliv ya!"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act I • 7. Scene and Arioso. "Kak shchastliv, kak shchastliv ya!"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act I • 8. "Ya lyublyu vas"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act I • 8. "Ya lyublyu vas"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act I • 9. Closing scene. "A, vot i vi!"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act I • 9. Closing scene. "A, vot i vi!"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act I • 10. (Scene 2) Introduction and Scene. "Nu, zaboltalas ya!"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act I • 10. (Scene 2) Introduction and Scene. "Nu, zaboltalas ya!"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act I • 11. Letter scene. "Puskai pogilabnu ya, no pryezhde"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act I • 11. Letter scene. "Puskai pogilabnu ya, no pryezhde"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act I • 12. Scene and Duet. "Akh, noch minula"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act I • 12. Scene and Duet. "Akh, noch minula"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act I • 13. (Scene 3) Servant Girls' Chorus. "Dyevitsi, krasavitsi"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act I • 13. (Scene 3) Servant Girls' Chorus. "Dyevitsi, krasavitsi"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act I • 14. Scene and Aria. "Zdyes on, zdyes on, Yevgeni!"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act I • 14. Scene and Aria. "Zdyes on, zdyes on, Yevgeni!"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act I • 15. "Kogda bi zhizn domashnim krugom"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act I • 15. "Kogda bi zhizn domashnim krugom"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act II • 1. (Scene 1) Entr'acte and Waltz with Chorus. "Vot tak syurpriz!"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act II • 1. (Scene 1) Entr'acte and Waltz with Chorus. "Vot tak syurpriz!"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act II • 2. Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act II • 2. Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act II • 3. "Kakoy prekrasny etot den"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act II • 3. "Kakoy prekrasny etot den"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act II • 4. Mazurka and Scene. "Messieurs, mesdames, mesta zanyat izvolte" - "Ti ne tantsuyesh, Lenski?"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act II • 4. Mazurka and Scene. "Messieurs, mesdames, mesta zanyat izvolte" - "Ti ne tantsuyesh, Lenski?"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act II • 5. Finale. "V vashem dome! V vashem dome!"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act II • 5. Finale. "V vashem dome! V vashem dome!"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act II • 6. (Scene 2) Introduction, Scene and Aria. "Nu, shto zhe?"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act II • 6. (Scene 2) Introduction, Scene and Aria. "Nu, shto zhe?"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act II • 7. "Kuda, kuda, kuda vi udalilis"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act II • 7. "Kuda, kuda, kuda vi udalilis"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act II • 8. Duel Scene. "A, vot oni!"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act II • 8. Duel Scene. "A, vot oni!"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act III • 1. (Scene 1) Polonaise
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act III • 1. (Scene 1) Polonaise    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act III • 2. Scene and Aria. "I zdyes mnye skuchno!"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act III • 2. Scene and Aria. "I zdyes mnye skuchno!"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act III • 3. "Knyaginya Gremina! Smotrite!"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act III • 3. "Knyaginya Gremina! Smotrite!"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act III • 4. "Lyubvi vsye vozrasti pokorni"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act III • 4. "Lyubvi vsye vozrasti pokorni"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act III • 5. Scene and Arioso. "Itak, poidyom, tebya predstavlyu ya" - "Uzhel ta samaya Tatyana"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act III • 5. Scene and Arioso. "Itak, poidyom, tebya predstavlyu ya" - "Uzhel ta samaya Tatyana"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Tchaikovsky • Evgenii Onegin (Eugene Onegin) op. 24 TH 5 • Act III • 6. "O! Kak mnye tyazhelo!" / "Onegin! Ya togda molozhe"
    Evgenii Onegin (Eugene Onegin) op. 24 TH 5
    Act III • 6. "O! Kak mnye tyazhelo!" / "Onegin! Ya togda molozhe"    Libretto: Pyotr Ilyich Tchaikovsky, Konstantin Stepanovich Shilovsky
    Anna Samuil (Soprano), Ekaterina Gubanova (Alto), Emma Sarkisyan (Mezzo-soprano), Joseph Kaiser (Tenor), Peter Mattei (Baritone), Renée Morloc (Mezzo-soprano), Ferruccio Furlanetto (Bass), Georg Nigl (Bass), Ryland Davies (Tenor), Sergej Kownir (Bass), Daniel Barenboim
    Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker
    2007, Salzburg, Grosses Festspielhaus
  • Mozart • Symphony No. 40 in G minor KV 550 • I. Molto Allegro
  • Mozart • Symphony No. 40 in G minor KV 550 • II. Andante
  • Mozart • Symphony No. 40 in G minor KV 550 • III. Menuetto. Allegretto
  • Mozart • Symphony No. 40 in G minor KV 550 • IV. Allegro assai
  • Mozart • Symphony No. 41 in C major KV 551 “Jupiter” • I. Allegro vivace
  • Mozart • Symphony No. 41 in C major KV 551 “Jupiter” • II. Andante cantabile con moto
  • Mozart • Symphony No. 41 in C major KV 551 “Jupiter” • IV. Molto allegro
  • Mozart • Symphony No. 41 in C major KV 551 “Jupiter” • III. Menuetto. Allegretto – Trio
  • Schubert • Symphony No. 3 in D major D 200 • II. Adagio maestoso – Allegro con brio
  • Schubert • Symphony No. 3 in D major D 200 • III. Allegretto
    Symphony No. 3 in D major D 200
    III. Allegretto
    Zubin Mehta, Wiener Philharmoniker
    ℗ 2010
  • Schubert • Symphony No. 3 in D major D 200 • IV. Menuetto. Vivace – Trio
  • Schubert • Symphony No. 3 in D major D 200 • V. Presto vivace
    Symphony No. 3 in D major D 200
    V. Presto vivace
    Zubin Mehta, Wiener Philharmoniker
    ℗ 2010
  • Strauss • Ein Heldenleben op. 40 TrV 190
    Ein Heldenleben op. 40 TrV 190
    Zubin Mehta, Wiener Philharmoniker
    August 1967, Salzburg, Großes Festspielhaus
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Hymnus • Veni, creator spiritus
    Symphony No. 8 in E flat major
    Hymnus • Veni, creator spiritus
    Margaret Price (Soprano), Judith Blegen (Soprano), Gerti Zeumer (Soprano), Kenneth Riegel (Tenor), Hermann Prey (Baritone), José van Dam (Bass), Rudolf Scholz (Organ), Leonard Bernstein
    Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein, Wiener Sängerknaben
    August 1975, Salzburg, Großes Festspielhaus
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Poco adagio
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Poco adagio
    Margaret Price (Soprano), Judith Blegen (Soprano), Gerti Zeumer (Soprano), Kenneth Riegel (Tenor), Hermann Prey (Baritone), José van Dam (Bass), Rudolf Scholz (Organ), Leonard Bernstein
    Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein, Wiener Sängerknaben
    August 1975, Salzburg, Großes Festspielhaus
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Waldung, sie schwankt heran
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Waldung, sie schwankt heran
    Margaret Price (Soprano), Judith Blegen (Soprano), Gerti Zeumer (Soprano), Kenneth Riegel (Tenor), Hermann Prey (Baritone), José van Dam (Bass), Rudolf Scholz (Organ), Leonard Bernstein
    Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein, Wiener Sängerknaben
    August 1975, Salzburg, Großes Festspielhaus
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Ewiger Wonnebrand
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Ewiger Wonnebrand
    Margaret Price (Soprano), Judith Blegen (Soprano), Gerti Zeumer (Soprano), Kenneth Riegel (Tenor), Hermann Prey (Baritone), José van Dam (Bass), Rudolf Scholz (Organ), Leonard Bernstein
    Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein, Wiener Sängerknaben
    August 1975, Salzburg, Großes Festspielhaus
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Wie Felsenabgrund mir zu Füßen
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Wie Felsenabgrund mir zu Füßen
    Margaret Price (Soprano), Judith Blegen (Soprano), Gerti Zeumer (Soprano), Kenneth Riegel (Tenor), Hermann Prey (Baritone), José van Dam (Bass), Rudolf Scholz (Organ), Leonard Bernstein
    Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein, Wiener Sängerknaben
    August 1975, Salzburg, Großes Festspielhaus
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Gerettet ist das edle Glied
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Gerettet ist das edle Glied
    Margaret Price (Soprano), Judith Blegen (Soprano), Gerti Zeumer (Soprano), Kenneth Riegel (Tenor), Hermann Prey (Baritone), José van Dam (Bass), Rudolf Scholz (Organ), Leonard Bernstein
    Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein, Wiener Sängerknaben
    August 1975, Salzburg, Großes Festspielhaus
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Dir, der Unberührbaren
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Dir, der Unberührbaren
    Margaret Price (Soprano), Judith Blegen (Soprano), Gerti Zeumer (Soprano), Kenneth Riegel (Tenor), Hermann Prey (Baritone), José van Dam (Bass), Rudolf Scholz (Organ), Leonard Bernstein
    Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein, Wiener Sängerknaben
    August 1975, Salzburg, Großes Festspielhaus
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Bei der Liebe, die den Füßen
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Bei der Liebe, die den Füßen
    Margaret Price (Soprano), Judith Blegen (Soprano), Gerti Zeumer (Soprano), Kenneth Riegel (Tenor), Hermann Prey (Baritone), José van Dam (Bass), Rudolf Scholz (Organ), Leonard Bernstein
    Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein, Wiener Sängerknaben
    August 1975, Salzburg, Großes Festspielhaus
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Komm! Hebe dich zu höhern Sphären
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Komm! Hebe dich zu höhern Sphären
    Margaret Price (Soprano), Judith Blegen (Soprano), Gerti Zeumer (Soprano), Kenneth Riegel (Tenor), Hermann Prey (Baritone), José van Dam (Bass), Rudolf Scholz (Organ), Leonard Bernstein
    Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein, Wiener Sängerknaben
    August 1975, Salzburg, Großes Festspielhaus
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Alles Vergängliche ist nur ein Gleichnis
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Alles Vergängliche ist nur ein Gleichnis
    Margaret Price (Soprano), Judith Blegen (Soprano), Gerti Zeumer (Soprano), Kenneth Riegel (Tenor), Hermann Prey (Baritone), José van Dam (Bass), Rudolf Scholz (Organ), Leonard Bernstein
    Wiener Philharmoniker, Konzertvereinigung Wiener Staatsopernchor, Wiener Singverein, Wiener Sängerknaben
    August 1975, Salzburg, Großes Festspielhaus
  • Haydn • The Seven Last Words of Our Saviour On the Cross, String Quartets op. 51 Hob. III:50-56 (Version for String Orchestra) • Introduzione. Maestoso ed adagio
  • Haydn • The Seven Last Words of Our Saviour On the Cross, String Quartets op. 51 Hob. III:50-56 (Version for String Orchestra) • Sonata I 'Pater, dimitte illis, quia nesciunt, quid faciunt'. Largo
  • Haydn • The Seven Last Words of Our Saviour On the Cross, String Quartets op. 51 Hob. III:50-56 (Version for String Orchestra) • Sonata II 'Hodie mecum eris in paradiso'. Grave e cantabile
  • Haydn • The Seven Last Words of Our Saviour On the Cross, String Quartets op. 51 Hob. III:50-56 (Version for String Orchestra) • Sonata III 'Mulier ecce filius tuus'. Grave
  • Haydn • The Seven Last Words of Our Saviour On the Cross, String Quartets op. 51 Hob. III:50-56 (Version for String Orchestra) • Sonata IV 'Deus meus, Deus meus, utquid dereliquisti me?'. Largo
  • Haydn • The Seven Last Words of Our Saviour On the Cross, String Quartets op. 51 Hob. III:50-56 (Version for String Orchestra) • Sonata V 'Sitio'. Adagio
  • Haydn • The Seven Last Words of Our Saviour On the Cross, String Quartets op. 51 Hob. III:50-56 (Version for String Orchestra) • Sonata VI 'Consumatum est!'. Lento
  • Haydn • The Seven Last Words of Our Saviour On the Cross, String Quartets op. 51 Hob. III:50-56 (Version for String Orchestra) • Sonata VII 'In Manus tuas Domine, commendo Spiritum meum'. Largo
  • Wagner • Tannhäuser WWV 70: Overture • Andante maestoso - Allegro - Tempo I - Molto vivace - Assai stretto
  • Wagner • Siegfried-Idyll WWV 103 • Ruhig bewegt
    Siegfried-Idyll WWV 103
    Ruhig bewegt
    Herbert von Karajan, Wiener Philharmoniker
    ℗ 1988
  • Wagner • Tristan und Isolde WWV 90: Prelude (Act I) • Langsam und schmachtend
    Tristan und Isolde WWV 90: Prelude (Act I)
    Langsam und schmachtend    Libretto: Richard Wagner
    Herbert von Karajan, Wiener Philharmoniker
    ℗ 1988
  • Wagner • Tristan und Isolde WWV 90: 'Mild und leise wie er lächelt' (Isolde's Love-Death) (Isolde, Act III) • Mild und leise wie er lächelt
    Tristan und Isolde WWV 90: 'Mild und leise wie er lächelt' (Isolde's Love-Death) (Isolde, Act III)
    Mild und leise wie er lächelt    Libretto: Richard Wagner
    Jessye Norman (Soprano), Herbert von Karajan
    Wiener Philharmoniker
    ℗ 1988
  • Miscellaneous • Applause
    Audience
    ℗ 2010
    Applause
    Audience
    ℗ 2010
  • Tchaikovsky • Concerto for Violin and Orchestra in D major op. 35 TH 59 • I. Allegro moderato
    Concerto for Violin and Orchestra in D major op. 35 TH 59
    I. Allegro moderato
    Anne-Sophie Mutter (Violin), Herbert von Karajan
    Wiener Philharmoniker
    August 1988, Salzburg, Großes Festspielhaus
  • Tchaikovsky • Concerto for Violin and Orchestra in D major op. 35 TH 59 • II. Canzonetta. Andante
    Concerto for Violin and Orchestra in D major op. 35 TH 59
    II. Canzonetta. Andante
    Anne-Sophie Mutter (Violin), Herbert von Karajan
    Wiener Philharmoniker
    August 1988, Salzburg, Großes Festspielhaus
  • Tchaikovsky • Concerto for Violin and Orchestra in D major op. 35 TH 59 • III. Finale. Allegro vivacissimo
    Concerto for Violin and Orchestra in D major op. 35 TH 59
    III. Finale. Allegro vivacissimo
    Anne-Sophie Mutter (Violin), Herbert von Karajan
    Wiener Philharmoniker
    August 1988, Salzburg, Großes Festspielhaus
  • Miscellaneous • Applause
    Audience
    ℗ 2010
    Applause
    Audience
    ℗ 2010
  • Beethoven • Missa solemnis op. 123 • 1. Kyrie
    Missa solemnis op. 123
    1. Kyrie
    Cheryl Studer (Soprano), Jessye Norman (Soprano), Plácido Domingo (Tenor), Kurt Moll (Bass), James Levine
    Wiener Philharmoniker, Rundfunkchor Leipzig, Radiokören, Eric Ericson Chamber Choir
    ℗ 1992
  • Beethoven • Missa solemnis op. 123 • 2. Gloria
    Missa solemnis op. 123
    2. Gloria
    Cheryl Studer (Soprano), Jessye Norman (Soprano), Plácido Domingo (Tenor), Kurt Moll (Bass), James Levine
    Wiener Philharmoniker, Rundfunkchor Leipzig, Radiokören, Eric Ericson Chamber Choir
    ℗ 1992
  • Beethoven • Missa solemnis op. 123 • 3. Credo
    Missa solemnis op. 123
    3. Credo
    Cheryl Studer (Soprano), Jessye Norman (Soprano), Plácido Domingo (Tenor), Kurt Moll (Bass), James Levine
    Wiener Philharmoniker, Rundfunkchor Leipzig, Radiokören, Eric Ericson Chamber Choir
    ℗ 1992
  • Beethoven • Missa solemnis op. 123 • 4. Sanctus –
    Missa solemnis op. 123
    4. Sanctus –
    Cheryl Studer (Soprano), Jessye Norman (Soprano), Plácido Domingo (Tenor), Kurt Moll (Bass), James Levine
    Wiener Philharmoniker, Rundfunkchor Leipzig, Radiokören, Eric Ericson Chamber Choir
    ℗ 1992
  • Beethoven • Missa solemnis op. 123 • Benedictus
    Missa solemnis op. 123
    Benedictus
    Cheryl Studer (Soprano), Jessye Norman (Soprano), Plácido Domingo (Tenor), Kurt Moll (Bass), James Levine
    Wiener Philharmoniker, Rundfunkchor Leipzig, Radiokören, Eric Ericson Chamber Choir
    ℗ 1992
  • Beethoven • Missa solemnis op. 123 • 5. Agnus Dei
    Missa solemnis op. 123
    5. Agnus Dei
    Cheryl Studer (Soprano), Jessye Norman (Soprano), Plácido Domingo (Tenor), Kurt Moll (Bass), James Levine
    Wiener Philharmoniker, Rundfunkchor Leipzig, Radiokören, Eric Ericson Chamber Choir
    ℗ 1992
  • Berlioz • Symphonie fantastique op. 14 H 48 • I. Rêveries, passions
    Symphonie fantastique op. 14 H 48
    I. Rêveries, passions
    Sir Georg Solti, Chicago Symphony Orchestra
    ℗ 1993
  • Berlioz • Symphonie fantastique op. 14 H 48 • II. Un bal
    Symphonie fantastique op. 14 H 48
    II. Un bal
    Sir Georg Solti, Chicago Symphony Orchestra
    ℗ 1993
  • Berlioz • Symphonie fantastique op. 14 H 48 • III. Scène aux champs
    Symphonie fantastique op. 14 H 48
    III. Scène aux champs
    Sir Georg Solti, Chicago Symphony Orchestra
    ℗ 1993
  • Berlioz • Symphonie fantastique op. 14 H 48 • IV. Marche au supplice
    Symphonie fantastique op. 14 H 48
    IV. Marche au supplice
    Sir Georg Solti, Chicago Symphony Orchestra
    ℗ 1993
  • Berlioz • Symphonie fantastique op. 14 H 48 • V. Songe d'une nuit de Sabbat
    Symphonie fantastique op. 14 H 48
    V. Songe d'une nuit de Sabbat
    Sir Georg Solti, Chicago Symphony Orchestra
    ℗ 1993
  • Liszt • Les Préludes, Symphonic Poem S 97
    Les Préludes, Symphonic Poem S 97
    Sir Georg Solti, Chicago Symphony Orchestra
    ℗ 1993
  • Tchaikovsky • Groza (The Storm) op. 76 • Andante misterioso ‒ Allegro vivo
  • Tchaikovsky • Symphony No. 6 in B minor op. 74 TH 30 “Pathétique” • I. Adagio - Allegro non troppo
  • Tchaikovsky • Symphony No. 6 in B minor op. 74 TH 30 “Pathétique” • II. Allegro con grazia
  • Tchaikovsky • Symphony No. 6 in B minor op. 74 TH 30 “Pathétique” • III. Allegro molto vivace