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Mahler: Symphony No.8

©℗ 1972 Decca Music Group Limited
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Hymnus • Veni, creator spiritus
    Symphony No. 8 in E flat major
    Hymnus • Veni, creator spiritus
    Heather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
    Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener Staatsoper
    September 1971, Wien, Sofiensaal
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Poco adagio
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Poco adagio
    Heather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
    Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener Staatsoper
    September 1971, Wien, Sofiensaal
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Waldung, sie schwankt heran
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Waldung, sie schwankt heran
    Heather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
    Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener Staatsoper
    September 1971, Wien, Sofiensaal
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Ewiger Wonnebrand
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Ewiger Wonnebrand
    Heather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
    Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener Staatsoper
    September 1971, Wien, Sofiensaal
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Wie Felsenabgrund mir zu Füßen
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Wie Felsenabgrund mir zu Füßen
    Heather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
    Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener Staatsoper
    September 1971, Wien, Sofiensaal
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Gerettet ist das edle Glied
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Gerettet ist das edle Glied
    Heather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
    Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener Staatsoper
    September 1971, Wien, Sofiensaal
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Dir, der Unberührbaren
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Dir, der Unberührbaren
    Heather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
    Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener Staatsoper
    September 1971, Wien, Sofiensaal
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Bei der Liebe, die den Füßen
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Bei der Liebe, die den Füßen
    Heather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
    Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener Staatsoper
    September 1971, Wien, Sofiensaal
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Komm! Hebe dich zu höhern Sphären
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Komm! Hebe dich zu höhern Sphären
    Heather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
    Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener Staatsoper
    September 1971, Wien, Sofiensaal
  • Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Alles Vergängliche ist nur ein Gleichnis
    Symphony No. 8 in E flat major
    Closing scene from Goethe's Faust, Part II • Alles Vergängliche ist nur ein Gleichnis
    Heather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
    Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener Staatsoper
    September 1971, Wien, Sofiensaal