Mahler: Symphony No.8
©℗ 1972 Decca Music Group Limited
- Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Hymnus • Veni, creator spiritusSymphony No. 8 in E flat major
Hymnus • Veni, creator spiritusHeather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener StaatsoperSeptember 1971, Wien, Sofiensaal - Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Poco adagioSymphony No. 8 in E flat major
Closing scene from Goethe's Faust, Part II • Poco adagioHeather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener StaatsoperSeptember 1971, Wien, Sofiensaal - Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Waldung, sie schwankt heranSymphony No. 8 in E flat major
Closing scene from Goethe's Faust, Part II • Waldung, sie schwankt heranHeather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener StaatsoperSeptember 1971, Wien, Sofiensaal - Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Ewiger WonnebrandSymphony No. 8 in E flat major
Closing scene from Goethe's Faust, Part II • Ewiger WonnebrandHeather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener StaatsoperSeptember 1971, Wien, Sofiensaal - Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Wie Felsenabgrund mir zu FüßenSymphony No. 8 in E flat major
Closing scene from Goethe's Faust, Part II • Wie Felsenabgrund mir zu FüßenHeather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener StaatsoperSeptember 1971, Wien, Sofiensaal - Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Gerettet ist das edle GliedSymphony No. 8 in E flat major
Closing scene from Goethe's Faust, Part II • Gerettet ist das edle GliedHeather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener StaatsoperSeptember 1971, Wien, Sofiensaal - Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Dir, der UnberührbarenSymphony No. 8 in E flat major
Closing scene from Goethe's Faust, Part II • Dir, der UnberührbarenHeather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener StaatsoperSeptember 1971, Wien, Sofiensaal - Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Bei der Liebe, die den FüßenSymphony No. 8 in E flat major
Closing scene from Goethe's Faust, Part II • Bei der Liebe, die den FüßenHeather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener StaatsoperSeptember 1971, Wien, Sofiensaal - Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Komm! Hebe dich zu höhern SphärenSymphony No. 8 in E flat major
Closing scene from Goethe's Faust, Part II • Komm! Hebe dich zu höhern SphärenHeather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener StaatsoperSeptember 1971, Wien, Sofiensaal - Mahler • Symphony No. 8 in E flat major “Symphony of a Thousand” • Closing scene from Goethe's Faust, Part II • Alles Vergängliche ist nur ein GleichnisSymphony No. 8 in E flat major
Closing scene from Goethe's Faust, Part II • Alles Vergängliche ist nur ein GleichnisHeather Harper (Soprano), Lucia Popp (Soprano), Arleen Augér (Soprano), Yvonne Minton (Mezzo-soprano), Helen Watts (Alto), René Kollo (Tenor), John Shirley-Quirk (Baritone), Martti Talvela (Bass), Sir Georg Solti
Chicago Symphony Orchestra, Wiener Sängerknaben, Wiener Singverein, Chor der Wiener StaatsoperSeptember 1971, Wien, Sofiensaal