Mozart : Operas Vol.3 [La clemenza di Tito, Die Zauberflöte, Idomeneo, Die Entführung aus dem Serail]
©℗ 1994 Warner Classics International
- Mozart • La clemenza di Tito KV 621 • OuvertureLa clemenza di Tito KV 621
OuvertureAnn Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • Recitativo 'Ma chè? sempre l'istesso' (Vitellia, Sesto)La clemenza di Tito KV 621
Act I • Recitativo 'Ma chè? sempre l'istesso' (Vitellia, Sesto)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • No. 1 Duetto 'Come ti piace imponi' (Sesto, Vitellia)La clemenza di Tito KV 621
Act I • No. 1 Duetto 'Come ti piace imponi' (Sesto, Vitellia)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • Recitativo 'Amico, il passo affretta' (Annio, Vitellia, Sesto)La clemenza di Tito KV 621
Act I • Recitativo 'Amico, il passo affretta' (Annio, Vitellia, Sesto)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • No. 2 Aria 'Deh se piacer mi vuoi' (Vitellia)La clemenza di Tito KV 621
Act I • No. 2 Aria 'Deh se piacer mi vuoi' (Vitellia)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • Recitativo 'Amico, ecco il momento' (Annio, Sesto)La clemenza di Tito KV 621
Act I • Recitativo 'Amico, ecco il momento' (Annio, Sesto)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • No. 3 Duettino 'Deh prendi un dolce amplesso' (Annio, Sesto)La clemenza di Tito KV 621
Act I • No. 3 Duettino 'Deh prendi un dolce amplesso' (Annio, Sesto)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • No. 4 Marcia. MaestosoLa clemenza di Tito KV 621
Act I • No. 4 Marcia. MaestosoAnn Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • No. 5 Coro 'Serbate, oh Dei custodi' (Coro)La clemenza di Tito KV 621
Act I • No. 5 Coro 'Serbate, oh Dei custodi' (Coro)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • Recitativo 'Te della patria il Padre' (Publio, Annio, Tito)La clemenza di Tito KV 621
Act I • Recitativo 'Te della patria il Padre' (Publio, Annio, Tito)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • Recitativo 'Adesso, oh Sesto, parla per me' (Annio, Sesto, Tito)La clemenza di Tito KV 621
Act I • Recitativo 'Adesso, oh Sesto, parla per me' (Annio, Sesto, Tito)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • No. 6 Aria 'Del più sublime soglio' (Tito)La clemenza di Tito KV 621
Act I • No. 6 Aria 'Del più sublime soglio' (Tito)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • Recitativo 'Non ci pentiam' (Annio, Servilia)La clemenza di Tito KV 621
Act I • Recitativo 'Non ci pentiam' (Annio, Servilia)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • No. 7 Duetto 'Ah perdona al primo affetto' (Annio, Servilia)La clemenza di Tito KV 621
Act I • No. 7 Duetto 'Ah perdona al primo affetto' (Annio, Servilia)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • Recitativo 'Che mi rechi in quel foglio?' (Tito, Publio)La clemenza di Tito KV 621
Act I • Recitativo 'Che mi rechi in quel foglio?' (Tito, Publio)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • Recitativo 'Di Tito al piè ...' (Servilia, Tito)La clemenza di Tito KV 621
Act I • Recitativo 'Di Tito al piè ...' (Servilia, Tito)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • No. 8 Aria 'Ah, se fosse intorno al trono' (Tito)La clemenza di Tito KV 621
Act I • No. 8 Aria 'Ah, se fosse intorno al trono' (Tito)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • Recitativo 'Felice me!' (Servilia, Vitellia) – Recitativo 'Ancora mi schernisce?' (Vitellia, Sesto)La clemenza di Tito KV 621
Act I • Recitativo 'Felice me!' (Servilia, Vitellia) – Recitativo 'Ancora mi schernisce?' (Vitellia, Sesto)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • No. 9 Aria 'Parto, ma tu ben mio' (Sesto)La clemenza di Tito KV 621
Act I • No. 9 Aria 'Parto, ma tu ben mio' (Sesto)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • Recitativo 'Vedrai, Tito, vedrai' (Vitellia, Publio, Annio)La clemenza di Tito KV 621
Act I • Recitativo 'Vedrai, Tito, vedrai' (Vitellia, Publio, Annio)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • No. 10 Terzetto 'Vengo ... aspettate ...' (Vitellia, Publio, Annio)La clemenza di Tito KV 621
Act I • No. 10 Terzetto 'Vengo ... aspettate ...' (Vitellia, Publio, Annio)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • No. 11 Recitativo accompagnato 'Oh Dei, che smania è questa' (Sesto)La clemenza di Tito KV 621
Act I • No. 11 Recitativo accompagnato 'Oh Dei, che smania è questa' (Sesto)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act I • No. 12 Quintetto con coro 'Deh, conservate, oh Dei' (Sesto, Annio, Servilia, Publio, Vitellia, Coro)La clemenza di Tito KV 621
Act I • No. 12 Quintetto con coro 'Deh, conservate, oh Dei' (Sesto, Annio, Servilia, Publio, Vitellia, Coro)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • Recitativo 'Sesto, come tu credi' (Annio, Sesto)La clemenza di Tito KV 621
Act II • Recitativo 'Sesto, come tu credi' (Annio, Sesto)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • No. 13 Aria 'Torna di Tito a lato' (Annio)La clemenza di Tito KV 621
Act II • No. 13 Aria 'Torna di Tito a lato' (Annio)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • Recitativo 'Partir deggio, o restar?' (Sesto, Vitellia) – Recitativo 'Sesto! ... Che chiedi?' (Publio, Sesto, Vitellia)La clemenza di Tito KV 621
Act II • Recitativo 'Partir deggio, o restar?' (Sesto, Vitellia) – Recitativo 'Sesto! ... Che chiedi?' (Publio, Sesto, Vitellia)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • No. 14 Terzetto 'Se al volto mai ti senti' (Sesto, Vitellia, Publio)La clemenza di Tito KV 621
Act II • No. 14 Terzetto 'Se al volto mai ti senti' (Sesto, Vitellia, Publio)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • No. 15 Coro 'Ah grazie si rendano' (Coro)La clemenza di Tito KV 621
Act II • No. 15 Coro 'Ah grazie si rendano' (Coro)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • Recitativo 'Già de' pubblici giuochi' (Publio, Tito)La clemenza di Tito KV 621
Act II • Recitativo 'Già de' pubblici giuochi' (Publio, Tito)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • No. 16 Aria 'Tardi s'avvede' (Publio)La clemenza di Tito KV 621
Act II • No. 16 Aria 'Tardi s'avvede' (Publio)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • Recitativo 'No, così scellerato' (Tito, Annio) – Recitativo 'Cesare, nol diss'io' (Publio, Tito, Annio)La clemenza di Tito KV 621
Act II • Recitativo 'No, così scellerato' (Tito, Annio) – Recitativo 'Cesare, nol diss'io' (Publio, Tito, Annio)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • No. 17 Aria 'Tu fosti tradito' (Annio)La clemenza di Tito KV 621
Act II • No. 17 Aria 'Tu fosti tradito' (Annio)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • Recitativo accompagnato 'Che orror! che tradimento!' (Tito)La clemenza di Tito KV 621
Act II • Recitativo accompagnato 'Che orror! che tradimento!' (Tito)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • No. 18 Terzetto 'Quello di Tito è il volto!' (Sesto, Tito, Publio)La clemenza di Tito KV 621
Act II • No. 18 Terzetto 'Quello di Tito è il volto!' (Sesto, Tito, Publio)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • Recitativo 'Eppur mi fa pietà' (Tito, Sesto)La clemenza di Tito KV 621
Act II • Recitativo 'Eppur mi fa pietà' (Tito, Sesto)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • No. 19 Rondo 'Deh per questo istante solo' (Sesto)La clemenza di Tito KV 621
Act II • No. 19 Rondo 'Deh per questo istante solo' (Sesto)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • Recitativo 'Ove s'intese mai' (Tito)La clemenza di Tito KV 621
Act II • Recitativo 'Ove s'intese mai' (Tito)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • Recitativo 'Publio. ... Cesare. ... Andiamo' (Tito, Publio)La clemenza di Tito KV 621
Act II • Recitativo 'Publio. ... Cesare. ... Andiamo' (Tito, Publio)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • No. 20 Aria 'Se all'impero, amici Dei' (Tito)La clemenza di Tito KV 621
Act II • No. 20 Aria 'Se all'impero, amici Dei' (Tito)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • Recitativo 'Non giova lusingarsi' (Vitellia, Servilia, Annio)La clemenza di Tito KV 621
Act II • Recitativo 'Non giova lusingarsi' (Vitellia, Servilia, Annio)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • No. 21 Aria 'S'altro che lacrime' (Servilia)La clemenza di Tito KV 621
Act II • No. 21 Aria 'S'altro che lacrime' (Servilia)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • No. 22 Recitativo accompagnato 'Ecco il punto, oh Vitellia' (Vitellia)La clemenza di Tito KV 621
Act II • No. 22 Recitativo accompagnato 'Ecco il punto, oh Vitellia' (Vitellia)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • No. 23 Rondo 'Non più di fiori vaghe catene' (Vitellia)La clemenza di Tito KV 621
Act II • No. 23 Rondo 'Non più di fiori vaghe catene' (Vitellia)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • No. 24 Coro 'Che del ciel, che degli Dei' (Coro)La clemenza di Tito KV 621
Act II • No. 24 Coro 'Che del ciel, che degli Dei' (Coro)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • Recitativo 'Sesto, de' tuoi delitti' (Tito, Vitellia, Sesto, Servilia, Annio, Publio)La clemenza di Tito KV 621
Act II • Recitativo 'Sesto, de' tuoi delitti' (Tito, Vitellia, Sesto, Servilia, Annio, Publio)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • No. 25 Recitativo accompagnato 'Ma che giorno è mai questo?' (Tito)La clemenza di Tito KV 621
Act II • No. 25 Recitativo accompagnato 'Ma che giorno è mai questo?' (Tito)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • La clemenza di Tito KV 621 • Act II • No. 26 Sestetto con coro 'Tu, è ver, m'assolvi' (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro)La clemenza di Tito KV 621
Act II • No. 26 Sestetto con coro 'Tu, è ver, m'assolvi' (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro)Ann Murray (Tenor), Delores Ziegler (Tenor), Lucia Popp (Soprano), László Polgár (Bass), Philip Langridge (Tenor), Ruth Ziesak (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1994 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • OvertureDie Zauberflöte (The Magic Flute) KV 620
OvertureDelores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act I • 1. Zu Hilfe! zu Hilfe! sonst bin ich verloren (Three Ladies, Tamino)Die Zauberflöte (The Magic Flute) KV 620
Act I • 1. Zu Hilfe! zu Hilfe! sonst bin ich verloren (Three Ladies, Tamino)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act I • 2. Dialogue (Narrator, Tamino)Die Zauberflöte (The Magic Flute) KV 620
Act I • 2. Dialogue (Narrator, Tamino)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act I • 3. Der Vogelfänger bin ich ja (Papageno)Die Zauberflöte (The Magic Flute) KV 620
Act I • 3. Der Vogelfänger bin ich ja (Papageno)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act I • 4. Dialogue (Narrator, Papageno, Second Lady)Die Zauberflöte (The Magic Flute) KV 620
Act I • 4. Dialogue (Narrator, Papageno, Second Lady)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act I • 5. Dies Bildnis ist bezaubernd schön (Tamino)Die Zauberflöte (The Magic Flute) KV 620
Act I • 5. Dies Bildnis ist bezaubernd schön (Tamino)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act I • 6. Dialogue (Narrator, First Lady)Die Zauberflöte (The Magic Flute) KV 620
Act I • 6. Dialogue (Narrator, First Lady)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act I • 7. O zittre nicht, mein lieber Sohn (The Queen of the Night)Die Zauberflöte (The Magic Flute) KV 620
Act I • 7. O zittre nicht, mein lieber Sohn (The Queen of the Night)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act I • 8. Dialogue (Tamino)Die Zauberflöte (The Magic Flute) KV 620
Act I • 8. Dialogue (Tamino)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act I • 9. Hm! hm! hm! (Three Ladies, Tamino, Papageno)Die Zauberflöte (The Magic Flute) KV 620
Act I • 9. Hm! hm! hm! (Three Ladies, Tamino, Papageno)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act I • 10. Dialogue (Narrator)Die Zauberflöte (The Magic Flute) KV 620
Act I • 10. Dialogue (Narrator)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act I • 11. Du feines Täubchen (Pamina, Monostatos, Papageno)Die Zauberflöte (The Magic Flute) KV 620
Act I • 11. Du feines Täubchen (Pamina, Monostatos, Papageno)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act I • 12. Dialogue (Narrator, Papageno)Die Zauberflöte (The Magic Flute) KV 620
Act I • 12. Dialogue (Narrator, Papageno)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act I • 13. Dialogue: Geduld Freund! – Bei Männern, welche Liebe fühlen (Pamina, Papageno)Die Zauberflöte (The Magic Flute) KV 620
Act I • 13. Dialogue: Geduld Freund! – Bei Männern, welche Liebe fühlen (Pamina, Papageno)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act I • 14. Dialogue (Narrator)Die Zauberflöte (The Magic Flute) KV 620
Act I • 14. Dialogue (Narrator)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act I • 15. Zum Ziele führt dich diese Bahn (Pamina, Three Boys, Tamino, Monostatos, Sarastro, Speaker of the Temple, Papageno, Chorus)Die Zauberflöte (The Magic Flute) KV 620
Act I • 15. Zum Ziele führt dich diese Bahn (Pamina, Three Boys, Tamino, Monostatos, Sarastro, Speaker of the Temple, Papageno, Chorus)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 1. MarciaDie Zauberflöte (The Magic Flute) KV 620
Act II • 1. MarciaDelores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 2. Dialogue (Narrator)Die Zauberflöte (The Magic Flute) KV 620
Act II • 2. Dialogue (Narrator)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 3. O Isis und Osiris (Sarastro, Chorus)Die Zauberflöte (The Magic Flute) KV 620
Act II • 3. O Isis und Osiris (Sarastro, Chorus)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 4. Dialogue (Narrator, Tamino, Papageno)Die Zauberflöte (The Magic Flute) KV 620
Act II • 4. Dialogue (Narrator, Tamino, Papageno)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 5. Bewahret euch vor Weilbertücken (Second Priest, Speaker of the Temple)Die Zauberflöte (The Magic Flute) KV 620
Act II • 5. Bewahret euch vor Weilbertücken (Second Priest, Speaker of the Temple)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 6. Dialogue (Narrator)Die Zauberflöte (The Magic Flute) KV 620
Act II • 6. Dialogue (Narrator)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 7. Wie? Wie? Wie? ihr an diesem Schreckensort? (Three Ladies, Tamino, Papageno)Die Zauberflöte (The Magic Flute) KV 620
Act II • 7. Wie? Wie? Wie? ihr an diesem Schreckensort? (Three Ladies, Tamino, Papageno)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 8. Dialogue (Narrator)Die Zauberflöte (The Magic Flute) KV 620
Act II • 8. Dialogue (Narrator)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 9. Alles fühlt der Liebe Freuden (Monostatos)Die Zauberflöte (The Magic Flute) KV 620
Act II • 9. Alles fühlt der Liebe Freuden (Monostatos)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 10. Dialogue (Narrator)Die Zauberflöte (The Magic Flute) KV 620
Act II • 10. Dialogue (Narrator)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 11. Der Hölle Rache kocht in meinem Herzen (The Queen of the Night)Die Zauberflöte (The Magic Flute) KV 620
Act II • 11. Der Hölle Rache kocht in meinem Herzen (The Queen of the Night)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 12. Dialogue (Narrator, Monostatos, Pamina)Die Zauberflöte (The Magic Flute) KV 620
Act II • 12. Dialogue (Narrator, Monostatos, Pamina)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 13. In diesen heil'gen Hallen kennt man die Rache nicht! (Sarastro)Die Zauberflöte (The Magic Flute) KV 620
Act II • 13. In diesen heil'gen Hallen kennt man die Rache nicht! (Sarastro)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 14. Dialogue (Narrator, Papageno)Die Zauberflöte (The Magic Flute) KV 620
Act II • 14. Dialogue (Narrator, Papageno)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 15. Seid uns zum zweiten Mal willkommen (Three Boys)Die Zauberflöte (The Magic Flute) KV 620
Act II • 15. Seid uns zum zweiten Mal willkommen (Three Boys)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 16. Dialogue (Narrator, Pamina)Die Zauberflöte (The Magic Flute) KV 620
Act II • 16. Dialogue (Narrator, Pamina)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 17. Ach ich fühl's, es ist verschwunden! (Pamina)Die Zauberflöte (The Magic Flute) KV 620
Act II • 17. Ach ich fühl's, es ist verschwunden! (Pamina)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 18. Dialogue (Narrator, Papageno)Die Zauberflöte (The Magic Flute) KV 620
Act II • 18. Dialogue (Narrator, Papageno)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 19. O Isis, und Osiris, welche Wonne! (Chorus, Two Priests)Die Zauberflöte (The Magic Flute) KV 620
Act II • 19. O Isis, und Osiris, welche Wonne! (Chorus, Two Priests)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 20. Dialogue (Narrator, Pamina)Die Zauberflöte (The Magic Flute) KV 620
Act II • 20. Dialogue (Narrator, Pamina)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 21. Soll ich dich Teurer nicht mehr sehn? (Pamina, Tamino, Sarastro)Die Zauberflöte (The Magic Flute) KV 620
Act II • 21. Soll ich dich Teurer nicht mehr sehn? (Pamina, Tamino, Sarastro)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 22. Dialogue (Narrator, Papageno)Die Zauberflöte (The Magic Flute) KV 620
Act II • 22. Dialogue (Narrator, Papageno)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 23. Ein Mädchen oder Weibchen wünscht Papageno sich! (Papageno)Die Zauberflöte (The Magic Flute) KV 620
Act II • 23. Ein Mädchen oder Weibchen wünscht Papageno sich! (Papageno)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 24. Dialogue (Narrator, Papageno)Die Zauberflöte (The Magic Flute) KV 620
Act II • 24. Dialogue (Narrator, Papageno)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Die Zauberflöte (The Magic Flute) KV 620 • Act II • 25. Bald prangt, den Morgen zu verkünden (The Queen of the Night, Pamina, Papagena, Three Boys, Three Ladies, Tamino, Monostatos, First Armoured Man, Second Armoured Man, Sarastro, Papageno, Chorus)Die Zauberflöte (The Magic Flute) KV 620
Act II • 25. Bald prangt, den Morgen zu verkünden (The Queen of the Night, Pamina, Papagena, Three Boys, Three Ladies, Tamino, Monostatos, First Armoured Man, Second Armoured Man, Sarastro, Papageno, Chorus)Delores Ziegler (Tenor), Hans-Peter Blochwitz (Tenor), Marjana Lipovšek (Tenor), Pamela Coburn (Soprano), Gertraud Jesserer (Speaker), Anton Scharinger (Baritone), Edita Gruberová (Soprano), Barbara Bonney (Soprano), Peter Keller (Tenor), Andreas Fischer (Boy Soprano), Markus Baur (Boy Soprano), Matti Salminen (Bass), Stefan Gienger (Boy Soprano), Thomas Hampson (Baritone), Waldemar Kmentt (Tenor), Alexander Maly (Bass), Antti Suhonen (Bass), Edith Schmid (Soprano), Thomas Moser (Tenor), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1987 - Mozart • Idomeneo, re di Creta KV 366 • OvertureIdomeneo, re di Creta KV 366
OvertureRachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act I • 1. Quando avran fine omai (Ilia) – Padre, germani, addio! (Ilia) – Ecco, Idamante, ahimè! (Ilia) – Radunate i Troiani, ite (Idamante, Ilia)Idomeneo, re di Creta KV 366
Act I • 1. Quando avran fine omai (Ilia) – Padre, germani, addio! (Ilia) – Ecco, Idamante, ahimè! (Ilia) – Radunate i Troiani, ite (Idamante, Ilia)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act I • 2. Non ho colpa (Idamante)Idomeneo, re di Creta KV 366
Act I • 2. Non ho colpa (Idamante)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act I • 3. Ecco il misero resto de' Troiani (Ilia, Idamante) – Godiam la pace, trionfi Amore (Chorus)Idomeneo, re di Creta KV 366
Act I • 3. Ecco il misero resto de' Troiani (Ilia, Idamante) – Godiam la pace, trionfi Amore (Chorus)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act I • 4. Prence, signor (Electra, Idamante, Arbace, Ilia) – Tutte nel cor (Electra) – Pietà! Numi, pietà (Chorus) – Pantomima (Idomeneo) – Oh voi, di Marte (Idomeneo)Idomeneo, re di Creta KV 366
Act I • 4. Prence, signor (Electra, Idamante, Arbace, Ilia) – Tutte nel cor (Electra) – Pietà! Numi, pietà (Chorus) – Pantomima (Idomeneo) – Oh voi, di Marte (Idomeneo)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act I • 5. Vedrommi intorno (Idomeneo) – Cieli! che veggo? (Idomeneo, Idamante)Idomeneo, re di Creta KV 366
Act I • 5. Vedrommi intorno (Idomeneo) – Cieli! che veggo? (Idomeneo, Idamante)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act I • 6. Il padre adorato (Idamante)Idomeneo, re di Creta KV 366
Act I • 6. Il padre adorato (Idamante)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act I • 7. MarciaIdomeneo, re di Creta KV 366
Act I • 7. MarciaRachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act I • 8. Nettuno s'onori, quel nome risuoni (Chorus)Idomeneo, re di Creta KV 366
Act I • 8. Nettuno s'onori, quel nome risuoni (Chorus)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act II • 1. Tutto m'è noto (Arbace, Idomeneo)Idomeneo, re di Creta KV 366
Act II • 1. Tutto m'è noto (Arbace, Idomeneo)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act II • 2. Se il tuo duol (Arbace)Idomeneo, re di Creta KV 366
Act II • 2. Se il tuo duol (Arbace)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act II • 3. Se mai pomposo apparse (Ilia, Idomeneo)Idomeneo, re di Creta KV 366
Act II • 3. Se mai pomposo apparse (Ilia, Idomeneo)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act II • 4. Se il padre perdei (Ilia)Idomeneo, re di Creta KV 366
Act II • 4. Se il padre perdei (Ilia)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act II • 5. Qual mi conturba i sensi (Idomeneo)Idomeneo, re di Creta KV 366
Act II • 5. Qual mi conturba i sensi (Idomeneo)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act II • 6. Fuor del mar (Idomeneo)Idomeneo, re di Creta KV 366
Act II • 6. Fuor del mar (Idomeneo)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act II • 7. Frettolosa e giuliva Elettra vien (Idomeneo, Electra)Idomeneo, re di Creta KV 366
Act II • 7. Frettolosa e giuliva Elettra vien (Idomeneo, Electra)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act II • 8. Idol mio, se ritroso – Odo da lunge armonioso suono (Electra)Idomeneo, re di Creta KV 366
Act II • 8. Idol mio, se ritroso – Odo da lunge armonioso suono (Electra)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act II • 9. Sidome sponde! (Electra, Idamante, Idomeneo, Chorus)Idomeneo, re di Creta KV 366
Act II • 9. Sidome sponde! (Electra, Idamante, Idomeneo, Chorus)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 1. Solitudini amiche (Ilia)Idomeneo, re di Creta KV 366
Act III • 1. Solitudini amiche (Ilia)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 2. Zeffiretti lusinghieri – Ei stesso vien... oh Dei! (Ilia)Idomeneo, re di Creta KV 366
Act III • 2. Zeffiretti lusinghieri – Ei stesso vien... oh Dei! (Ilia)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 3. Principessa, a'tuoi sguardi – S'io non moro a questi accenti (Idamante, Ilia)Idomeneo, re di Creta KV 366
Act III • 3. Principessa, a'tuoi sguardi – S'io non moro a questi accenti (Idamante, Ilia)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 4. Cieli! che vedo? – Andrò ramingo e solo (Idomeneo, Ilia, Idamante, Electra)Idomeneo, re di Creta KV 366
Act III • 4. Cieli! che vedo? – Andrò ramingo e solo (Idomeneo, Ilia, Idamante, Electra)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 5. Sire, alla reggia tua immensa turba (Arbace, Ilia, Idomeneo, Electra) – Sventurata Sidon! (Arbace)Idomeneo, re di Creta KV 366
Act III • 5. Sire, alla reggia tua immensa turba (Arbace, Ilia, Idomeneo, Electra) – Sventurata Sidon! (Arbace)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 6. Se colà ne'fati è scritto (Arbace)Idomeneo, re di Creta KV 366
Act III • 6. Se colà ne'fati è scritto (Arbace)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 7. Volgi intorno lo (High Priest of Neptune, Idomeneo) – Oh voto tremendo! (High Priest of Neptune, Chorus) – MarciaIdomeneo, re di Creta KV 366
Act III • 7. Volgi intorno lo (High Priest of Neptune, Idomeneo) – Oh voto tremendo! (High Priest of Neptune, Chorus) – MarciaRachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 8. Cavantina con coro Accolgi, oh re del mar (Idomeneo, High Priest of Neptune)Idomeneo, re di Creta KV 366
Act III • 8. Cavantina con coro Accolgi, oh re del mar (Idomeneo, High Priest of Neptune)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 9. Stupenda vittoria! – Qual risuona qui intorno (Idomeneo, Arbace)Idomeneo, re di Creta KV 366
Act III • 9. Stupenda vittoria! – Qual risuona qui intorno (Idomeneo, Arbace)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 10. Padre, mio caro padre (Idamante, Idomeneo, Ilia, High Priest of Neptune, Electra) – Ha vinto Amore (The Voice of the Oracle of Neptune)Idomeneo, re di Creta KV 366
Act III • 10. Padre, mio caro padre (Idamante, Idomeneo, Ilia, High Priest of Neptune, Electra) – Ha vinto Amore (The Voice of the Oracle of Neptune)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 11. Oh ciel pietoso! (Idomeneo, Idamante, Ilia, Arbace, Electra)Idomeneo, re di Creta KV 366
Act III • 11. Oh ciel pietoso! (Idomeneo, Idamante, Ilia, Arbace, Electra)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 12. Popoli, a voi l'ultima legge (Idomeneo)Idomeneo, re di Creta KV 366
Act III • 12. Popoli, a voi l'ultima legge (Idomeneo)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 13. Scenda Amor, scenda Imeneo (Chorus)Idomeneo, re di Creta KV 366
Act III • 13. Scenda Amor, scenda Imeneo (Chorus)Rachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 14. ChaconneIdomeneo, re di Creta KV 366
Act III • 14. ChaconneRachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 15. LarghettoIdomeneo, re di Creta KV 366
Act III • 15. LarghettoRachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 16. La Chaconne qui reprendIdomeneo, re di Creta KV 366
Act III • 16. La Chaconne qui reprendRachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Idomeneo, re di Creta KV 366 • Act III • 17. Largo – Allegretto – AllegroIdomeneo, re di Creta KV 366
Act III • 17. Largo – Allegretto – AllegroRachel Yakar (Soprano), Trudeliese Schmidt (Tenor), Felicity Palmer (Soprano), Kurt Equiluz (Tenor), Werner Hollweg (Tenor), Robert Tear (Tenor), Simon Estes (Bass-baritone), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1980 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • OvertureDie Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
OvertureMatti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • 1. Hier soll ich dich denn sehen (Belmonte)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
1. Hier soll ich dich denn sehen (Belmonte)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • 2. Dialogue: Aber wie soll ich in den Palast kommen (Belmonte)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
2. Dialogue: Aber wie soll ich in den Palast kommen (Belmonte)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • 3. Wer ein Liebchen hat gefunden (Osmin, Belmonte)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
3. Wer ein Liebchen hat gefunden (Osmin, Belmonte)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • 4. Dialogue: Könnt' ich mir doch noch so einen Schurken (Osmin, Pedrillo)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
4. Dialogue: Könnt' ich mir doch noch so einen Schurken (Osmin, Pedrillo)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • 5. Solche hergelaufne Laffen (Osmin, Pedrillo)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
5. Solche hergelaufne Laffen (Osmin, Pedrillo)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • 6. Dialogue: Geh nur, verwünschter Aufpasser (Pedrillo, Belmonte)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
6. Dialogue: Geh nur, verwünschter Aufpasser (Pedrillo, Belmonte)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • 7. Konstanze! dich wieder zu sehen! (Belmonte)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
7. Konstanze! dich wieder zu sehen! (Belmonte)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • 8. Dialogue: Geschwind, geschwind auf die Seite (Pedrillo)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
8. Dialogue: Geschwind, geschwind auf die Seite (Pedrillo)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • 9. Singt dem grossen Bassa Lieder (Chorus)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
9. Singt dem grossen Bassa Lieder (Chorus)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • 10. Dialogue: Immer noch traurig, geliebte Konstanze? (Bassa Selim, Konstanze)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
10. Dialogue: Immer noch traurig, geliebte Konstanze? (Bassa Selim, Konstanze)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • 11. Ach ich liebte, war so glücklich! (Konstanze)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
11. Ach ich liebte, war so glücklich! (Konstanze)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • 12. Dialogue: Ihr Schmerz, ihre Tränen, ihre Standhaftigkeit (Bassa Selim, Pedrillo, Belmonte, Osmin)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
12. Dialogue: Ihr Schmerz, ihre Tränen, ihre Standhaftigkeit (Bassa Selim, Pedrillo, Belmonte, Osmin)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • 13. Marsch! Marsch! Marsch! trollt euch fort (Osmin, Belmonte, Pedrillo)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
13. Marsch! Marsch! Marsch! trollt euch fort (Osmin, Belmonte, Pedrillo)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 1. Durch Zärtlichkeit und Schmeicheln (Blonde)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 1. Durch Zärtlichkeit und Schmeicheln (Blonde)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 2. Dialogue: Zärtlichkeit! Schmeicheln! (Osmin, Blonde)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 2. Dialogue: Zärtlichkeit! Schmeicheln! (Osmin, Blonde)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 3. Ich gehe, doch rate ich dir (Blonde, Osmin)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 3. Ich gehe, doch rate ich dir (Blonde, Osmin)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 4. Dialogue: Wie traurig das gute Mädchen daherkommt (Blonde)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 4. Dialogue: Wie traurig das gute Mädchen daherkommt (Blonde)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 5. Welcher Wechsel herrscht in meiner Seele – Traurigkeit ward mir zum Lose (Konstanze)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 5. Welcher Wechsel herrscht in meiner Seele – Traurigkeit ward mir zum Lose (Konstanze)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 6. Dialogue: Ach mein bestes Fräulein! (Blonde, Konstanze, Bassa Selim)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 6. Dialogue: Ach mein bestes Fräulein! (Blonde, Konstanze, Bassa Selim)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 7. Martern aller Arten (Konstanze)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 7. Martern aller Arten (Konstanze)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 8. Dialogue: Ist das ein Traum? (Bassa Selim)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 8. Dialogue: Ist das ein Traum? (Bassa Selim)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 9. Dialogue: Kein Bassa, keine Konstanze mehr da? (Blonde, Pedrillo)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 9. Dialogue: Kein Bassa, keine Konstanze mehr da? (Blonde, Pedrillo)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 10. Welche Wonne, welche Lust (Blonde)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 10. Welche Wonne, welche Lust (Blonde)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 11. Dialogue: Ah, dass es schon vorbei wäre! (Pedrillo)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 11. Dialogue: Ah, dass es schon vorbei wäre! (Pedrillo)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 12. Frisch zum Kampfe! Frisch zum Streite! (Pedrillo)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 12. Frisch zum Kampfe! Frisch zum Streite! (Pedrillo)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 13. Dialogue: Ha! Geht's hier so lustig zu? (Osmin, Pedrillo)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 13. Dialogue: Ha! Geht's hier so lustig zu? (Osmin, Pedrillo)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 14. Vivat Bacchus! Bacchus lebe! (Pedrillo, Osmin)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 14. Vivat Bacchus! Bacchus lebe! (Pedrillo, Osmin)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 15. Dialogue: Wahrhaftig, es geht doch nichts über den Wein! (Pedrillo, Osmin, Belmonte, Konstanze)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 15. Dialogue: Wahrhaftig, es geht doch nichts über den Wein! (Pedrillo, Osmin, Belmonte, Konstanze)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 16. Wenn der Freude Tränen fliessen (Belmonte)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 16. Wenn der Freude Tränen fliessen (Belmonte)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 17. Dialogue: Ich hab' hier ein Schiff in Bereitschaft (Belmonte)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 17. Dialogue: Ich hab' hier ein Schiff in Bereitschaft (Belmonte)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act II • 18. Ach Belmonte! ach mein Leben! (Konstanze, Belmonte, Pedrillo, Blonde)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act II • 18. Ach Belmonte! ach mein Leben! (Konstanze, Belmonte, Pedrillo, Blonde)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act III • 1. Dialogue: O Konstanze! Wie schlägt mir das Herz! (Belmonte)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act III • 1. Dialogue: O Konstanze! Wie schlägt mir das Herz! (Belmonte)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act III • 2. Ich baue ganz auf deine Stärke (Belmonte)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act III • 2. Ich baue ganz auf deine Stärke (Belmonte)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act III • 3. Dialogue: Alles liegt auf dem Ohr (Pedrillo)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act III • 3. Dialogue: Alles liegt auf dem Ohr (Pedrillo)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act III • 4. In Mohrenland gefangen war (Pedrillo, Belmonte)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act III • 4. In Mohrenland gefangen war (Pedrillo, Belmonte)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act III • 5. Dialogue: Sie macht auf Herr! (Pedrillo, Konstanze, Osmin, Blonde)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act III • 5. Dialogue: Sie macht auf Herr! (Pedrillo, Konstanze, Osmin, Blonde)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act III • 6. Dialogue: Schändliche, laßt mich los! (Belmonte, Osmin)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act III • 6. Dialogue: Schändliche, laßt mich los! (Belmonte, Osmin)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act III • 7. O, wie will ich triumphieren (Osmin)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act III • 7. O, wie will ich triumphieren (Osmin)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act III • 8. Dialogue: Was gibt's, Osmin, was gibt's (Bassa Selim, Osmin, Konstanze, Belmonte)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act III • 8. Dialogue: Was gibt's, Osmin, was gibt's (Bassa Selim, Osmin, Konstanze, Belmonte)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act III • 9. Welch ein Geschick! – Meinetwegen sollst du sterben! (Belmonte, Konstanze)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act III • 9. Welch ein Geschick! – Meinetwegen sollst du sterben! (Belmonte, Konstanze)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act III • 10. Dialogue: Zitterst du? (Bassa Selim, Belmonte, Konstanze, Pedrillo, Osmin)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act III • 10. Dialogue: Zitterst du? (Bassa Selim, Belmonte, Konstanze, Pedrillo, Osmin)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985 - Mozart • Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384 • Act III • 11. Nie werd' ich deine Huld verkennen (Belmonte, Konstanze, Blonde, Pedrillo, Osmin) – Bassa Selim lebe lange! (Chorus)Die Entführung aus dem Serail (The Abduction from the Seraglio) KV 384
Act III • 11. Nie werd' ich deine Huld verkennen (Belmonte, Konstanze, Blonde, Pedrillo, Osmin) – Bassa Selim lebe lange! (Chorus)Matti Salminen (Bass), Peter Schreier (Tenor), Wilfried Gahmlich (Tenor), Wolfgang Reichmann (Speaker), Yvonne Kenny (Soprano), Lillian Watson (Soprano), Nikolaus Harnoncourt
Philharmonia Zürich, Chor der Oper Zürich℗ 1985