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The John Eliot Gardiner Collection

©℗ 2013 Deutsche Grammophon (DG)
  • Monteverdi • Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206 • 1. Versiculum. Deus in adiutorium – Domine ad adiuvandum
    Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206
    1. Versiculum. Deus in adiutorium – Domine ad adiuvandum
    Ann Monoyios (Soprano), Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor), Nigel Robson (Tenor), Sandro Naglia (Tenor), Alastair Miles (Bass), Bryn Terfel (Bass), Christopher Wilson (Chitarrone), Jakob Lindberg (Chitarrone), David Miller (Chitarrone), Ian Watson (Organ), Sir John Eliot Gardiner
    Monteverdi Choir, The London Oratory Junior Choir, His Majestys Sagbutts and Cornetts, English Baroque Soloists
    1989, Venice, Basilica di San Marco
  • Monteverdi • Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206 • 2. Psalmus 109. Dixit Dominus
    Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206
    2. Psalmus 109. Dixit Dominus
    Ann Monoyios (Soprano), Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor), Nigel Robson (Tenor), Sandro Naglia (Tenor), Alastair Miles (Bass), Bryn Terfel (Bass), Christopher Wilson (Chitarrone), Jakob Lindberg (Chitarrone), David Miller (Chitarrone), Ian Watson (Organ), Sir John Eliot Gardiner
    Monteverdi Choir, The London Oratory Junior Choir, His Majestys Sagbutts and Cornetts, English Baroque Soloists
    1989, Venice, Basilica di San Marco
  • Monteverdi • Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206 • 3. Concerto. Nigra sum
    Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206
    3. Concerto. Nigra sum
    Ann Monoyios (Soprano), Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor), Nigel Robson (Tenor), Sandro Naglia (Tenor), Alastair Miles (Bass), Bryn Terfel (Bass), Christopher Wilson (Chitarrone), Jakob Lindberg (Chitarrone), David Miller (Chitarrone), Ian Watson (Organ), Sir John Eliot Gardiner
    Monteverdi Choir, The London Oratory Junior Choir, His Majestys Sagbutts and Cornetts, English Baroque Soloists
    1989, Venice, Basilica di San Marco
  • Monteverdi • Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206 • 4. Psalmus 112. Laudate pueri dominum
    Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206
    4. Psalmus 112. Laudate pueri dominum
    Ann Monoyios (Soprano), Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor), Nigel Robson (Tenor), Sandro Naglia (Tenor), Alastair Miles (Bass), Bryn Terfel (Bass), Christopher Wilson (Chitarrone), Jakob Lindberg (Chitarrone), David Miller (Chitarrone), Ian Watson (Organ), Sir John Eliot Gardiner
    Monteverdi Choir, The London Oratory Junior Choir, His Majestys Sagbutts and Cornetts, English Baroque Soloists
    1989, Venice, Basilica di San Marco
  • Monteverdi • Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206 • 5. Concerto. Pulchra es amica mea
    Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206
    5. Concerto. Pulchra es amica mea
    Ann Monoyios (Soprano), Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor), Nigel Robson (Tenor), Sandro Naglia (Tenor), Alastair Miles (Bass), Bryn Terfel (Bass), Christopher Wilson (Chitarrone), Jakob Lindberg (Chitarrone), David Miller (Chitarrone), Ian Watson (Organ), Sir John Eliot Gardiner
    Monteverdi Choir, The London Oratory Junior Choir, His Majestys Sagbutts and Cornetts, English Baroque Soloists
    1989, Venice, Basilica di San Marco
  • Monteverdi • Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206 • 6. Psalmus 121. Laetatus sum
    Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206
    6. Psalmus 121. Laetatus sum
    Ann Monoyios (Soprano), Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor), Nigel Robson (Tenor), Sandro Naglia (Tenor), Alastair Miles (Bass), Bryn Terfel (Bass), Christopher Wilson (Chitarrone), Jakob Lindberg (Chitarrone), David Miller (Chitarrone), Ian Watson (Organ), Sir John Eliot Gardiner
    Monteverdi Choir, The London Oratory Junior Choir, His Majestys Sagbutts and Cornetts, English Baroque Soloists
    1989, Venice, Basilica di San Marco
  • Monteverdi • Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206 • 7. Concerto. Duo Seraphim
    Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206
    7. Concerto. Duo Seraphim
    Ann Monoyios (Soprano), Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor), Nigel Robson (Tenor), Sandro Naglia (Tenor), Alastair Miles (Bass), Bryn Terfel (Bass), Christopher Wilson (Chitarrone), Jakob Lindberg (Chitarrone), David Miller (Chitarrone), Ian Watson (Organ), Sir John Eliot Gardiner
    Monteverdi Choir, The London Oratory Junior Choir, His Majestys Sagbutts and Cornetts, English Baroque Soloists
    1989, Venice, Basilica di San Marco
  • Monteverdi • Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206 • 8. Psalmus 126. Nisi Dominus
    Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206
    8. Psalmus 126. Nisi Dominus
    Ann Monoyios (Soprano), Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor), Nigel Robson (Tenor), Sandro Naglia (Tenor), Alastair Miles (Bass), Bryn Terfel (Bass), Christopher Wilson (Chitarrone), Jakob Lindberg (Chitarrone), David Miller (Chitarrone), Ian Watson (Organ), Sir John Eliot Gardiner
    Monteverdi Choir, The London Oratory Junior Choir, His Majestys Sagbutts and Cornetts, English Baroque Soloists
    1989, Venice, Basilica di San Marco
  • Monteverdi • Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206 • 9. Concerto. Audi coelum
    Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206
    9. Concerto. Audi coelum
    Ann Monoyios (Soprano), Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor), Nigel Robson (Tenor), Sandro Naglia (Tenor), Alastair Miles (Bass), Bryn Terfel (Bass), Christopher Wilson (Chitarrone), Jakob Lindberg (Chitarrone), David Miller (Chitarrone), Ian Watson (Organ), Sir John Eliot Gardiner
    Monteverdi Choir, The London Oratory Junior Choir, His Majestys Sagbutts and Cornetts, English Baroque Soloists
    1989, Venice, Basilica di San Marco
  • Monteverdi • Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206 • 10. Psalmus 147. Lauda, Jerusalem
    Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206
    10. Psalmus 147. Lauda, Jerusalem
    Ann Monoyios (Soprano), Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor), Nigel Robson (Tenor), Sandro Naglia (Tenor), Alastair Miles (Bass), Bryn Terfel (Bass), Christopher Wilson (Chitarrone), Jakob Lindberg (Chitarrone), David Miller (Chitarrone), Ian Watson (Organ), Sir John Eliot Gardiner
    Monteverdi Choir, The London Oratory Junior Choir, His Majestys Sagbutts and Cornetts, English Baroque Soloists
    1989, Venice, Basilica di San Marco
  • Monteverdi • Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206 • 11. Sonata sopra 'Sancta Maria, ora pro nobis'
    Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206
    11. Sonata sopra 'Sancta Maria, ora pro nobis'
    Ann Monoyios (Soprano), Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor), Nigel Robson (Tenor), Sandro Naglia (Tenor), Alastair Miles (Bass), Bryn Terfel (Bass), Christopher Wilson (Chitarrone), Jakob Lindberg (Chitarrone), David Miller (Chitarrone), Ian Watson (Organ), Sir John Eliot Gardiner
    Monteverdi Choir, The London Oratory Junior Choir, His Majestys Sagbutts and Cornetts, English Baroque Soloists
    1989, Venice, Basilica di San Marco
  • Monteverdi • Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206 • 12. Hymnus. Ave maris stella
    Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206
    12. Hymnus. Ave maris stella
    Ann Monoyios (Soprano), Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor), Nigel Robson (Tenor), Sandro Naglia (Tenor), Alastair Miles (Bass), Bryn Terfel (Bass), Christopher Wilson (Chitarrone), Jakob Lindberg (Chitarrone), David Miller (Chitarrone), Ian Watson (Organ), Sir John Eliot Gardiner
    Monteverdi Choir, The London Oratory Junior Choir, His Majestys Sagbutts and Cornetts, English Baroque Soloists
    1989, Venice, Basilica di San Marco
  • Monteverdi • Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206 • 13. Magnificat
    Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206
    13. Magnificat
    Ann Monoyios (Soprano), Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor), Nigel Robson (Tenor), Sandro Naglia (Tenor), Alastair Miles (Bass), Bryn Terfel (Bass), Christopher Wilson (Chitarrone), Jakob Lindberg (Chitarrone), David Miller (Chitarrone), Ian Watson (Organ), Sir John Eliot Gardiner
    Monteverdi Choir, The London Oratory Junior Choir, His Majestys Sagbutts and Cornetts, English Baroque Soloists
    1989, Venice, Basilica di San Marco
  • Monteverdi • Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206 • 14. Magnificat II
    Vespro della Beata Vergine (Vespers for the Virgin Mary) SV 206
    14. Magnificat II
    Ann Monoyios (Soprano), Marinella Pennicchi (Soprano), Michael Chance (Countertenor), Mark Tucker (Tenor), Nigel Robson (Tenor), Sandro Naglia (Tenor), Alastair Miles (Bass), Bryn Terfel (Bass), Christopher Wilson (Chitarrone), Jakob Lindberg (Chitarrone), David Miller (Chitarrone), Ian Watson (Organ), Sir John Eliot Gardiner
    Monteverdi Choir, The London Oratory Junior Choir, His Majestys Sagbutts and Cornetts, English Baroque Soloists
    1989, Venice, Basilica di San Marco
  • Purcell • The Fairy Queen Z 629 • Curtain Music and Overture • 1. Prelude
    The Fairy Queen Z 629
    Curtain Music and Overture • 1. Prelude    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Curtain Music and Overture • 2. Hornpipe
    The Fairy Queen Z 629
    Curtain Music and Overture • 2. Hornpipe    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Curtain Music and Overture • 3. Air
    The Fairy Queen Z 629
    Curtain Music and Overture • 3. Air    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Curtain Music and Overture • 4. Rondeau
    The Fairy Queen Z 629
    Curtain Music and Overture • 4. Rondeau    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Curtain Music and Overture • 5. Overture
    The Fairy Queen Z 629
    Curtain Music and Overture • 5. Overture    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act I • 1. "Come, come, come, let us leave"
    The Fairy Queen Z 629
    Act I • 1. "Come, come, come, let us leave"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act I • 2. "Fill up the Bowl"
    The Fairy Queen Z 629
    Act I • 2. "Fill up the Bowl"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act I • 3. Jig
    The Fairy Queen Z 629
    Act I • 3. Jig    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act II • 1. Prelude..."Come, All Ye Songsters Of The Sky"
    The Fairy Queen Z 629
    Act II • 1. Prelude..."Come, All Ye Songsters Of The Sky"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act II • 2. Prelude
    The Fairy Queen Z 629
    Act II • 2. Prelude    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act II • 3. "May the God of Wit inspire"
    The Fairy Queen Z 629
    Act II • 3. "May the God of Wit inspire"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act II • 4. Echo
    The Fairy Queen Z 629
    Act II • 4. Echo    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act II • 5. "Now Joyn your Warbling Voices all"
    The Fairy Queen Z 629
    Act II • 5. "Now Joyn your Warbling Voices all"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act II • 6. A Dance Of Fairies
    The Fairy Queen Z 629
    Act II • 6. A Dance Of Fairies    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act II • 7. "Sing while we trip it on the Green"
    The Fairy Queen Z 629
    Act II • 7. "Sing while we trip it on the Green"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act II • 8. "See, even Night herself is here"
    The Fairy Queen Z 629
    Act II • 8. "See, even Night herself is here"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act II • 9. "I am come to lock all fast"
    The Fairy Queen Z 629
    Act II • 9. "I am come to lock all fast"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act II • 10. "One charming night"
    The Fairy Queen Z 629
    Act II • 10. "One charming night"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act II • 11. "Hush, no more"
    The Fairy Queen Z 629
    Act II • 11. "Hush, no more"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act II • 12. Dance For The Followers Of Night
    The Fairy Queen Z 629
    Act II • 12. Dance For The Followers Of Night    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act II • 13. Air
    The Fairy Queen Z 629
    Act II • 13. Air    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act III • 1. "If Love's a Sweet Passion"
    The Fairy Queen Z 629
    Act III • 1. "If Love's a Sweet Passion"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act III • 2. Symphony While The Swans Come Forward
    The Fairy Queen Z 629
    Act III • 2. Symphony While The Swans Come Forward    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act III • 3. Dance For The Fairies
    The Fairy Queen Z 629
    Act III • 3. Dance For The Fairies    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act III • 4. Dance For The Green Men
    The Fairy Queen Z 629
    Act III • 4. Dance For The Green Men    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act III • 5. "Ye Gentle Spirits of the Air, appear"
    The Fairy Queen Z 629
    Act III • 5. "Ye Gentle Spirits of the Air, appear"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act III • 6. "Now the Maids and the Men"
    The Fairy Queen Z 629
    Act III • 6. "Now the Maids and the Men"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act III • 7. "When I have often heard"
    The Fairy Queen Z 629
    Act III • 7. "When I have often heard"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act III • 8. A Dance Of Haymakers
    The Fairy Queen Z 629
    Act III • 8. A Dance Of Haymakers    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act III • 9. "A Thousand Thousand ways we'll find"
    The Fairy Queen Z 629
    Act III • 9. "A Thousand Thousand ways we'll find"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act III • 10. Hornpipe
    The Fairy Queen Z 629
    Act III • 10. Hornpipe    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act IV • 1. Symphony
    The Fairy Queen Z 629
    Act IV • 1. Symphony    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act IV • 2. "Now the night"
    The Fairy Queen Z 629
    Act IV • 2. "Now the night"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act IV • 3. "Let the fifes, and the Clarions"
    The Fairy Queen Z 629
    Act IV • 3. "Let the fifes, and the Clarions"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act IV • 4. Entry Of Phoebus
    The Fairy Queen Z 629
    Act IV • 4. Entry Of Phoebus    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act IV • 5. "Hail! Great Parent of us all"
    The Fairy Queen Z 629
    Act IV • 5. "Hail! Great Parent of us all"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act IV • 6. "Thus the ever Grateful Spring"
    The Fairy Queen Z 629
    Act IV • 6. "Thus the ever Grateful Spring"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act IV • 7. "Here's the Summer, Sprightly, Gay"
    The Fairy Queen Z 629
    Act IV • 7. "Here's the Summer, Sprightly, Gay"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act IV • 8. "See my many Colour'd Fields"
    The Fairy Queen Z 629
    Act IV • 8. "See my many Colour'd Fields"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act IV • 9. "Now Winter comes Slowly"
    The Fairy Queen Z 629
    Act IV • 9. "Now Winter comes Slowly"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act IV • 10. Air
    The Fairy Queen Z 629
    Act IV • 10. Air    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 1. Prelude
    The Fairy Queen Z 629
    Act V • 1. Prelude    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 2. Epithalamium – "Thrice Happy Lovers"
    The Fairy Queen Z 629
    Act V • 2. Epithalamium – "Thrice Happy Lovers"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 3. The Plaint
    The Fairy Queen Z 629
    Act V • 3. The Plaint    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 4. Entry Dance
    The Fairy Queen Z 629
    Act V • 4. Entry Dance    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 5. Symphony
    The Fairy Queen Z 629
    Act V • 5. Symphony    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 6. "Thus The Gloomy World"
    The Fairy Queen Z 629
    Act V • 6. "Thus The Gloomy World"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 7. "Thus Happy And Free"
    The Fairy Queen Z 629
    Act V • 7. "Thus Happy And Free"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 8. "Yes, Daphne, in your Looks I find"
    The Fairy Queen Z 629
    Act V • 8. "Yes, Daphne, in your Looks I find"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 9. Monkey's Dance
    The Fairy Queen Z 629
    Act V • 9. Monkey's Dance    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 10. "Hark! How All Things"
    The Fairy Queen Z 629
    Act V • 10. "Hark! How All Things"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 11. "Hark! The Ech'ing Air"
    The Fairy Queen Z 629
    Act V • 11. "Hark! The Ech'ing Air"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 12. "Sure The Dull God"
    The Fairy Queen Z 629
    Act V • 12. "Sure The Dull God"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 13. Prelude
    The Fairy Queen Z 629
    Act V • 13. Prelude    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 14. "See, see, I obey"
    The Fairy Queen Z 629
    Act V • 14. "See, see, I obey"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 15. "Turn then thine Eyes"
    The Fairy Queen Z 629
    Act V • 15. "Turn then thine Eyes"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 16. "My Torch, indeed"
    The Fairy Queen Z 629
    Act V • 16. "My Torch, indeed"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 17. "They shall be as happy"
    The Fairy Queen Z 629
    Act V • 17. "They shall be as happy"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 18. Air
    The Fairy Queen Z 629
    Act V • 18. Air    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 19. "They shall be as happy"
    The Fairy Queen Z 629
    Act V • 19. "They shall be as happy"    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Purcell • The Fairy Queen Z 629 • Act V • 20. Dance For Chinese Man And Woman
    The Fairy Queen Z 629
    Act V • 20. Dance For Chinese Man And Woman    Text: William Shakespeare
    Eiddwen Harrhy (Soprano), Stephen Varcoe (Bass), Judith Nelson (Soprano), Elisabeth Priday (Soprano), David Thomas (Bass), Wynford Evans (Tenor), Martyn Hill (Tenor), Jennifer Smith (Soprano), Timothy Nicholas Penrose (Countertenor), Ashley Stafford (Countertenor), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1981, Göttingen, Stadthalle
    Live
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 1 Chorus 'Kommt, ihr Töchter, helft mir klagen' (Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 1 Chorus 'Kommt, ihr Töchter, helft mir klagen' (Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 2 Recitative 'Da Jesus diese Rede vollendet hatte' (Evangelist, Jesus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 2 Recitative 'Da Jesus diese Rede vollendet hatte' (Evangelist, Jesus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 3 Chorale 'Herzliebster Jesu, was hast du verbrochen' (Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 3 Chorale 'Herzliebster Jesu, was hast du verbrochen' (Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 4 Recitative and Chorus 'Da versammelten sich die Hohenpriester' (Evangelist, Chorus, Jesus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 4 Recitative and Chorus 'Da versammelten sich die Hohenpriester' (Evangelist, Chorus, Jesus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 5 Recitative 'Du lieber Heiland du' (Alto)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 5 Recitative 'Du lieber Heiland du' (Alto)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 6 Aria 'Buß und Reu' (Alto)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 6 Aria 'Buß und Reu' (Alto)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 7 Recitative 'Da ging hin der Zwölfen Einer' (Evangelist, Judas)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 7 Recitative 'Da ging hin der Zwölfen Einer' (Evangelist, Judas)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 8 Aria 'Blute nur, du liebes Herz!' (Soprano)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 8 Aria 'Blute nur, du liebes Herz!' (Soprano)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 9 Recitative and Chorus 'Aber am ersten Tage der süßen Brot' (Evangelist, Chorus, Jesus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 9 Recitative and Chorus 'Aber am ersten Tage der süßen Brot' (Evangelist, Chorus, Jesus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 10 Chorale 'Ich bin's, ich sollte büßen' (Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 10 Chorale 'Ich bin's, ich sollte büßen' (Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 11 Recitative 'Er antwortete und sprach' (Evangelist, Jesus, Judas)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 11 Recitative 'Er antwortete und sprach' (Evangelist, Jesus, Judas)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 12 Recitative 'Wiewohl mein Herz in Tränen schwimmt' (Soprano)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 12 Recitative 'Wiewohl mein Herz in Tränen schwimmt' (Soprano)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 13 Aria 'Ich will dir mein Herze schenken' (Soprano)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 13 Aria 'Ich will dir mein Herze schenken' (Soprano)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 14 Recitative 'Und da sie den Lobgesang gesprochen hatten' (Evangelist, Jesus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 14 Recitative 'Und da sie den Lobgesang gesprochen hatten' (Evangelist, Jesus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 15 Chorale 'Erkenne mich, mein Hüter' (Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 15 Chorale 'Erkenne mich, mein Hüter' (Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 16 Recitative 'Petrus aber antwortete und sprach zu ihm' (Evangelist, Petrus, Jesus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 16 Recitative 'Petrus aber antwortete und sprach zu ihm' (Evangelist, Petrus, Jesus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 17 Chorale 'Ich will hier bei dir stehen' (Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 17 Chorale 'Ich will hier bei dir stehen' (Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 18 Recitative 'Da kam Jesus mit ihnen zu einem Hofe' (Evangelist, Jesus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 18 Recitative 'Da kam Jesus mit ihnen zu einem Hofe' (Evangelist, Jesus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 19 Recitative with Chorale 'O Schmerz! Hier zittert das gequälte Herz' – 'Was ist die Ursach' aller solcher Plagen' (Tenor, Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 19 Recitative with Chorale 'O Schmerz! Hier zittert das gequälte Herz' – 'Was ist die Ursach' aller solcher Plagen' (Tenor, Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 20 Aria and Chorus 'Ich will bei meinem Jesu wachen' – 'So schlafen unsre Sünden ein' (Tenor, Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 20 Aria and Chorus 'Ich will bei meinem Jesu wachen' – 'So schlafen unsre Sünden ein' (Tenor, Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 21 Recitative 'Und ging hin ein wenig' (Evangelist, Jesus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 21 Recitative 'Und ging hin ein wenig' (Evangelist, Jesus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 22 Recitative 'Der Heiland fällt vor seinem Vater nieder' (Bass)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 22 Recitative 'Der Heiland fällt vor seinem Vater nieder' (Bass)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 23 Aria 'Gerne will ich mich bequemen' (Bass)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 23 Aria 'Gerne will ich mich bequemen' (Bass)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 24 Recitative 'Und er kam zu seinen Jüngern' (Evangelist, Jesus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 24 Recitative 'Und er kam zu seinen Jüngern' (Evangelist, Jesus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 25 Chorale 'Was mein Gott will, das g'scheh allzeit' (Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 25 Chorale 'Was mein Gott will, das g'scheh allzeit' (Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 26 Recitative 'Und er kam und fand sie aber schlafend' (Evangelist, Jesus, Judas)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 26 Recitative 'Und er kam und fand sie aber schlafend' (Evangelist, Jesus, Judas)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 27 Duet and Chorus 'So ist mein Jesus nun gefangen' – 'Sind Blitze, sind Donner in Wolken verschwunden?' (Soprano, Alto, Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 27 Duet and Chorus 'So ist mein Jesus nun gefangen' – 'Sind Blitze, sind Donner in Wolken verschwunden?' (Soprano, Alto, Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 28 Recitative 'Und siehe, Einer aus denen, die mit Jesu waren' (Evangelist, Jesus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 28 Recitative 'Und siehe, Einer aus denen, die mit Jesu waren' (Evangelist, Jesus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part I • No. 29 Chorale 'O Mensch, bewein dein Sünde groß' (Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part I • No. 29 Chorale 'O Mensch, bewein dein Sünde groß' (Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 30 Aria and Chorus 'Ach, nun ist mein Jesus hin!' – 'Wo ist denn dein Freund hingegangen' (Alto, Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 30 Aria and Chorus 'Ach, nun ist mein Jesus hin!' – 'Wo ist denn dein Freund hingegangen' (Alto, Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 31 Recitative 'Die aber Jesum gegriffen hatten' (Evangelist)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 31 Recitative 'Die aber Jesum gegriffen hatten' (Evangelist)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 32 Chorale 'Mir hat die Welt trüglich gericht' (Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 32 Chorale 'Mir hat die Welt trüglich gericht' (Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 33 Recitative 'Und wiewohl viel falsche Zeugen herzutraten' – 'Und der Hohepriester stand auf' (Evangelist, Witnesses, High Priest)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 33 Recitative 'Und wiewohl viel falsche Zeugen herzutraten' – 'Und der Hohepriester stand auf' (Evangelist, Witnesses, High Priest)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 34 Recitative 'Mein Jesus schweigt zu falschen Lügen stille' (Tenor)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 34 Recitative 'Mein Jesus schweigt zu falschen Lügen stille' (Tenor)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 35 Aria 'Geduld! Wenn mich falsche Zungen stechen' (Tenor)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 35 Aria 'Geduld! Wenn mich falsche Zungen stechen' (Tenor)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 36 Recitative and Chorus 'Und der Hohepriester antwortete' (Evangelist, High Priest, Jesus, Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 36 Recitative and Chorus 'Und der Hohepriester antwortete' (Evangelist, High Priest, Jesus, Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 37 Chorale 'Wer hat dich so geschlagen' (Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 37 Chorale 'Wer hat dich so geschlagen' (Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 38 Recitative and Chorus 'Petrus aber saß draußen im Palast' (Evangelist, Petrus, Maids, Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 38 Recitative and Chorus 'Petrus aber saß draußen im Palast' (Evangelist, Petrus, Maids, Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 39 Aria 'Erbarme dich, mein Gott' (Alto)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 39 Aria 'Erbarme dich, mein Gott' (Alto)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 40 Chorale 'Bin ich gleich von dir gewichen' (Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 40 Chorale 'Bin ich gleich von dir gewichen' (Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 41 Recitative and Chorus 'Des Morgens aber hielten alle Hohepriester' (Evangelist, Judas, Chorus, High Priests)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 41 Recitative and Chorus 'Des Morgens aber hielten alle Hohepriester' (Evangelist, Judas, Chorus, High Priests)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 42 Aria 'Gebt mir meinen Jesum wieder' (Bass)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 42 Aria 'Gebt mir meinen Jesum wieder' (Bass)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 43 Recitative 'Sie hielten aber einen Rat - Jesus aber stand vor dem Landpfleger' (Evangelist, Pilatus, Jesus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 43 Recitative 'Sie hielten aber einen Rat - Jesus aber stand vor dem Landpfleger' (Evangelist, Pilatus, Jesus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 44 Chorale 'Befiehl du deine Wege' (Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 44 Chorale 'Befiehl du deine Wege' (Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 45 Recitative 'Auf das Fest aber' – 'Lass ihn kreuzigen'(Evangelist, Pilatus, Uxor Pilati, Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 45 Recitative 'Auf das Fest aber' – 'Lass ihn kreuzigen'(Evangelist, Pilatus, Uxor Pilati, Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 46 Chorale 'Wie wunderbarlich ist doch diese Strafe' (Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 46 Chorale 'Wie wunderbarlich ist doch diese Strafe' (Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 47 Recitative 'Der Landpfleger sagte' (Evangelist, Pilatus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 47 Recitative 'Der Landpfleger sagte' (Evangelist, Pilatus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 48 Recitative 'Er hat uns allen wohlgetan' (Soprano)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 48 Recitative 'Er hat uns allen wohlgetan' (Soprano)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 49 Aria 'Aus Liebe will mein Heiland sterben' (Soprano)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 49 Aria 'Aus Liebe will mein Heiland sterben' (Soprano)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 50 Recitative with Chorus 'Sie schrieen aber noch mehr und sprachen' (Evangelist, Pilatus, Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 50 Recitative with Chorus 'Sie schrieen aber noch mehr und sprachen' (Evangelist, Pilatus, Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 51 Recitative 'Erbarm es Gott!' (Alto)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 51 Recitative 'Erbarm es Gott!' (Alto)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 52 Aria 'Können Tränen meiner Wangen' (Alto)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 52 Aria 'Können Tränen meiner Wangen' (Alto)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 53 Recitative 'Da nahmen die Kriegsknechte' (Evangelist, Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 53 Recitative 'Da nahmen die Kriegsknechte' (Evangelist, Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 54 Chorale 'O Haupt voll Blut und Wunden' (Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 54 Chorale 'O Haupt voll Blut und Wunden' (Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 55 Recitative 'Und da sie ihn verspottet hatten' (Evangelist)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 55 Recitative 'Und da sie ihn verspottet hatten' (Evangelist)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 56 Recitative 'Ja freilich will in uns das Fleisch und Blut' (Bass)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 56 Recitative 'Ja freilich will in uns das Fleisch und Blut' (Bass)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 57 Aria 'Komm, süsses Kreuz' (Bass)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 57 Aria 'Komm, süsses Kreuz' (Bass)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 58 Recitative and Chorus 'Und da sie an die Stätte kamen' (Evangelist, Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 58 Recitative and Chorus 'Und da sie an die Stätte kamen' (Evangelist, Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 59 Recitative 'Ach, Golgatha' (Alto)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 59 Recitative 'Ach, Golgatha' (Alto)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 60 Aria and Chorus 'Sehet, Jesus hat die Hand - Wohin?' (Alto, Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 60 Aria and Chorus 'Sehet, Jesus hat die Hand - Wohin?' (Alto, Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 61 Recitative 'Und von der sechsten Stunde an' (Evangelist, Jesus, Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 61 Recitative 'Und von der sechsten Stunde an' (Evangelist, Jesus, Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 62 Chorale 'Wenn ich einmal soll scheiden' (Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 62 Chorale 'Wenn ich einmal soll scheiden' (Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 63 Recitative and Chorus 'Und siehe da, der Vorhang im Tempel zerriß' (Evangelist, Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 63 Recitative and Chorus 'Und siehe da, der Vorhang im Tempel zerriß' (Evangelist, Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 64 Recitative 'Am Abend, da es kühle war' (Bass)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 64 Recitative 'Am Abend, da es kühle war' (Bass)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 65 Aria 'Mache dich, mein Herze, rein' (Bass)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 65 Aria 'Mache dich, mein Herze, rein' (Bass)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 66 Recitative 'Und Joseph nahm den Leib' (Evangelist, Pilatus, Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 66 Recitative 'Und Joseph nahm den Leib' (Evangelist, Pilatus, Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 67 Recitative and Chorus 'Nun ist der Herr zur Ruh gebracht - Mein Jesu, gute Nacht!' (Soprano, Alto, Tenor, Bass, Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 67 Recitative and Chorus 'Nun ist der Herr zur Ruh gebracht - Mein Jesu, gute Nacht!' (Soprano, Alto, Tenor, Bass, Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Bach • Matthäus-Passion (St. Matthew Passion) BWV 244 • Part II • No. 68 Chorus 'Wir setzen uns mit Tränen nieder' (Chorus)
    Matthäus-Passion (St. Matthew Passion) BWV 244
    Part II • No. 68 Chorus 'Wir setzen uns mit Tränen nieder' (Chorus)
    Anthony Rolfe Johnson (Tenor), Andreas Schmidt (Baritone), Ann Monoyios (Soprano), Barbara Bonney (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Howard Crook (Tenor), Olaf Bär (Baritone), Cornelius Hauptmann (Bass), Patrick Russill (Organ), Sir John Eliot Gardiner
    The London Oratory Junior Choir, Monteverdi Choir, English Baroque Soloists
    1988, Snape (Suffolk), The Maltings, Concert Hall
  • Handel • Jephtha HWV 70 • Overture – Menuet
    Jephtha HWV 70
    Overture – Menuet    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act I • 1. "It must be so: or these vile Ammonites"
    Jephtha HWV 70
    Act I • 1. "It must be so: or these vile Ammonites"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act I • 2. "Pour forth no more unheeded pray'rs"
    Jephtha HWV 70
    Act I • 2. "Pour forth no more unheeded pray'rs"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act I • 3. "No more to Ammon's god and king"
    Jephtha HWV 70
    Act I • 3. "No more to Ammon's god and king"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act I • 4. "But Jephta comes"
    Jephtha HWV 70
    Act I • 4. "But Jephta comes"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act I • 5. "Virtue my soul shall still embrace"
    Jephtha HWV 70
    Act I • 5. "Virtue my soul shall still embrace"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act I • 6. "'Twill be a painful separation, Jephta...In gentle murmurs will I mourn"
    Jephtha HWV 70
    Act I • 6. "'Twill be a painful separation, Jephta...In gentle murmurs will I mourn"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act I • 7. "Happy this embassy, my charming Iphis...Dull delay, in piercing anguish"
    Jephtha HWV 70
    Act I • 7. "Happy this embassy, my charming Iphis...Dull delay, in piercing anguish"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act I • 8. "Ill suits the voice of love when glory calls...Take the heart you fondly gave"
    Jephtha HWV 70
    Act I • 8. "Ill suits the voice of love when glory calls...Take the heart you fondly gave"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act I • 9. "I go. My soul, inspir'd by thy command...These labours past, how happy we!"
    Jephtha HWV 70
    Act I • 9. "I go. My soul, inspir'd by thy command...These labours past, how happy we!"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act I • 10. "What mean these doubtful fancies"
    Jephtha HWV 70
    Act I • 10. "What mean these doubtful fancies"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act I • 11. "O God, behold our sore distress"
    Jephtha HWV 70
    Act I • 11. "O God, behold our sore distress"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act I • 12. "Some dire event hangs o'er our heads...Scenes of horror, scenes of woe"
    Jephtha HWV 70
    Act I • 12. "Some dire event hangs o'er our heads...Scenes of horror, scenes of woe"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act I • 13. "Say, my dear mother"
    Jephtha HWV 70
    Act I • 13. "Say, my dear mother"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act I • 14. "The smiling dawn of happy days"
    Jephtha HWV 70
    Act I • 14. "The smiling dawn of happy days"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act I • 15. "Such, Jephta, was the haughty king's reply"
    Jephtha HWV 70
    Act I • 15. "Such, Jephta, was the haughty king's reply"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act I • 16. "When his loud voice in thunder spoke"
    Jephtha HWV 70
    Act I • 16. "When his loud voice in thunder spoke"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 1. "Glad tidings of great joy to thee, dear Iphis"
    Jephtha HWV 70
    Act II • 1. "Glad tidings of great joy to thee, dear Iphis"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 2. "Cherub and Seraphim, unbodied forms"
    Jephtha HWV 70
    Act II • 2. "Cherub and Seraphim, unbodied forms"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 3. "Up the dreadful steep ascending"
    Jephtha HWV 70
    Act II • 3. "Up the dreadful steep ascending"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 4. "'Tis well. Haste, haste, ye maidens...Tune the soft melodious lute"
    Jephtha HWV 70
    Act II • 4. "'Tis well. Haste, haste, ye maidens...Tune the soft melodious lute"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 5. "Heav'n smiles once more on his repentant people...His mighty arm, with sudden blow"
    Jephtha HWV 70
    Act II • 5. "Heav'n smiles once more on his repentant people...His mighty arm, with sudden blow"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 6. "In glory high, in might serene"
    Jephtha HWV 70
    Act II • 6. "In glory high, in might serene"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 7. Symphony – "Hail, glorious conqueror"
    Jephtha HWV 70
    Act II • 7. Symphony – "Hail, glorious conqueror"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 8. "Welcome as the cheerful light"
    Jephtha HWV 70
    Act II • 8. "Welcome as the cheerful light"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 9. "Horror! confusion!...Open thy marble jaws, O tomb"
    Jephtha HWV 70
    Act II • 9. "Horror! confusion!...Open thy marble jaws, O tomb"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 10. "Why is my brother thus afflicted"
    Jephtha HWV 70
    Act II • 10. "Why is my brother thus afflicted"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 11. "First perish thou, and perish all the world"
    Jephtha HWV 70
    Act II • 11. "First perish thou, and perish all the world"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 12. "If such thy cruel purpose...On me let blind mistaken zeal"
    Jephtha HWV 70
    Act II • 12. "If such thy cruel purpose...On me let blind mistaken zeal"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 13. "O spare your daughter"
    Jephtha HWV 70
    Act II • 13. "O spare your daughter"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 14. "Such news flies swift"
    Jephtha HWV 70
    Act II • 14. "Such news flies swift"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 15. "Happy they! this vital breath"
    Jephtha HWV 70
    Act II • 15. "Happy they! this vital breath"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 16. "Deeper, and deeper still"
    Jephtha HWV 70
    Act II • 16. "Deeper, and deeper still"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act II • 17. "How dark, O Lord, are Thy decrees!"
    Jephtha HWV 70
    Act II • 17. "How dark, O Lord, are Thy decrees!"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act III • 1. "Hide thou thy hated beams, O sun"
    Jephtha HWV 70
    Act III • 1. "Hide thou thy hated beams, O sun"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act III • 2. "Waft her, angels, through the skies"
    Jephtha HWV 70
    Act III • 2. "Waft her, angels, through the skies"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act III • 3. "Ye sacred priests...Farewell, ye limpid springs and floods"
    Jephtha HWV 70
    Act III • 3. "Ye sacred priests...Farewell, ye limpid springs and floods"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act III • 4. "Doubtful fear and rev'rent awe"
    Jephtha HWV 70
    Act III • 4. "Doubtful fear and rev'rent awe"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act III • 5. Symphony
    Jephtha HWV 70
    Act III • 5. Symphony    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act III • 6. "Rise, Jephta, and ye rev'rend priests"
    Jephtha HWV 70
    Act III • 6. "Rise, Jephta, and ye rev'rend priests"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act III • 7. "Happy, Iphis shalt thou live"
    Jephtha HWV 70
    Act III • 7. "Happy, Iphis shalt thou live"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act III • 8. "For ever blessed be Thy holy name"
    Jephtha HWV 70
    Act III • 8. "For ever blessed be Thy holy name"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act III • 9. "Theme sublime of endless praise"
    Jephtha HWV 70
    Act III • 9. "Theme sublime of endless praise"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act III • 11. "O let me fold thee in a mother's arms...Sweet as sight
    Jephtha HWV 70
    Act III • 11. "O let me fold thee in a mother's arms...Sweet as sight    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act III • 12. "My faithful Hamor, may that Providence...All that is in Hamor mine"
    Jephtha HWV 70
    Act III • 12. "My faithful Hamor, may that Providence...All that is in Hamor mine"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Handel • Jephtha HWV 70 • Act III • 13. "Ye house of Gilead, with one voice"
    Jephtha HWV 70
    Act III • 13. "Ye house of Gilead, with one voice"    Text: Thomas Morell
    Nigel Robson (Tenor), Lynne Dawson (Soprano), Anne Sofie von Otter (Alto), Michael Chance (Countertenor), Stephen Varcoe (Baritone), Ruth Holton (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, English Baroque Soloists
    1988, Göttingen, Stadthalle
  • Miscellaneous • Applause
    Applause
    Audience
    1988, Göttingen, Stadthalle
  • Gluck • Iphigénie en Tauride GluckWV 1.48 • Act I • 1. Introduction et choeur. "Grands Dieux ! soyez-nous secouables"
    Iphigénie en Tauride GluckWV 1.48
    Act I • 1. Introduction et choeur. "Grands Dieux ! soyez-nous secouables"    Libretto: Nicolas-François Guillard
    Diana Montague (Mezzo-soprano), Colette Alliot-Lugaz (Soprano), John Aler (Tenor), Thomas Allen (Baritone), René Massis (Bass-baritone), René Schirrer (Bass-baritone), Nancy Argenta (Soprano), Lucinda Houghton (Soprano), Sophie Boulin (Mezzo-soprano), Carol Hall (Soprano), Jane Armstrong (Soprano), Nicola Jenkin (Soprano), Mary Seers (Soprano), Jean Knibbs (Alto), Rachel Platt (Soprano), Daniëlle Borst (Soprano), Suzanne Flowers (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, Orchestre de l’Opéra de Lyon
    1985, Lyon
  • Gluck • Iphigénie en Tauride GluckWV 1.48 • Act I • 2. Récitatif. "Iphigénie, ô ciel!" - Choeur. "O songe affreux!" - Récitatif. "O race de Pélops!"
    Iphigénie en Tauride GluckWV 1.48
    Act I • 2. Récitatif. "Iphigénie, ô ciel!" - Choeur. "O songe affreux!" - Récitatif. "O race de Pélops!"    Libretto: Nicolas-François Guillard
    Diana Montague (Mezzo-soprano), Colette Alliot-Lugaz (Soprano), John Aler (Tenor), Thomas Allen (Baritone), René Massis (Bass-baritone), René Schirrer (Bass-baritone), Nancy Argenta (Soprano), Lucinda Houghton (Soprano), Sophie Boulin (Mezzo-soprano), Carol Hall (Soprano), Jane Armstrong (Soprano), Nicola Jenkin (Soprano), Mary Seers (Soprano), Jean Knibbs (Alto), Rachel Platt (Soprano), Daniëlle Borst (Soprano), Suzanne Flowers (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, Orchestre de l’Opéra de Lyon
    1985, Lyon
  • Gluck • Iphigénie en Tauride GluckWV 1.48 • Act I • 3. Air. "O toi qui prolongeas mes jours" - Choeur. "Quand verrons-nous tarir nos pleurs?"
    Iphigénie en Tauride GluckWV 1.48
    Act I • 3. Air. "O toi qui prolongeas mes jours" - Choeur. "Quand verrons-nous tarir nos pleurs?"    Libretto: Nicolas-François Guillard
    Diana Montague (Mezzo-soprano), Colette Alliot-Lugaz (Soprano), John Aler (Tenor), Thomas Allen (Baritone), René Massis (Bass-baritone), René Schirrer (Bass-baritone), Nancy Argenta (Soprano), Lucinda Houghton (Soprano), Sophie Boulin (Mezzo-soprano), Carol Hall (Soprano), Jane Armstrong (Soprano), Nicola Jenkin (Soprano), Mary Seers (Soprano), Jean Knibbs (Alto), Rachel Platt (Soprano), Daniëlle Borst (Soprano), Suzanne Flowers (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, Orchestre de l’Opéra de Lyon
    1985, Lyon
  • Gluck • Iphigénie en Tauride GluckWV 1.48 • Act I • 4. Scène 2. Récitatif. "Dieux! le malheur en" - Air. "De noir pressentiments"
    Iphigénie en Tauride GluckWV 1.48
    Act I • 4. Scène 2. Récitatif. "Dieux! le malheur en" - Air. "De noir pressentiments"    Libretto: Nicolas-François Guillard
    Diana Montague (Mezzo-soprano), Colette Alliot-Lugaz (Soprano), John Aler (Tenor), Thomas Allen (Baritone), René Massis (Bass-baritone), René Schirrer (Bass-baritone), Nancy Argenta (Soprano), Lucinda Houghton (Soprano), Sophie Boulin (Mezzo-soprano), Carol Hall (Soprano), Jane Armstrong (Soprano), Nicola Jenkin (Soprano), Mary Seers (Soprano), Jean Knibbs (Alto), Rachel Platt (Soprano), Daniëlle Borst (Soprano), Suzanne Flowers (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, Orchestre de l’Opéra de Lyon
    1985, Lyon
  • Gluck • Iphigénie en Tauride GluckWV 1.48 • Act I • 5. Scène 3. Choeur. "Les Dieux apaisent" - Récitatif. "Dieux! étouffez en moi" - Scène 4. Récitatif. "Et vous, à vos Dieux" - Choeur. "Il nous fallait du sang"
    Iphigénie en Tauride GluckWV 1.48
    Act I • 5. Scène 3. Choeur. "Les Dieux apaisent" - Récitatif. "Dieux! étouffez en moi" - Scène 4. Récitatif. "Et vous, à vos Dieux" - Choeur. "Il nous fallait du sang"    Libretto: Nicolas-François Guillard
    Diana Montague (Mezzo-soprano), Colette Alliot-Lugaz (Soprano), John Aler (Tenor), Thomas Allen (Baritone), René Massis (Bass-baritone), René Schirrer (Bass-baritone), Nancy Argenta (Soprano), Lucinda Houghton (Soprano), Sophie Boulin (Mezzo-soprano), Carol Hall (Soprano), Jane Armstrong (Soprano), Nicola Jenkin (Soprano), Mary Seers (Soprano), Jean Knibbs (Alto), Rachel Platt (Soprano), Daniëlle Borst (Soprano), Suzanne Flowers (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, Orchestre de l’Opéra de Lyon
    1985, Lyon
  • Gluck • Iphigénie en Tauride GluckWV 1.48 • Act I • 6. Ballet - Scène 5. Choeur. "Il nous fallait du sang"
    Iphigénie en Tauride GluckWV 1.48
    Act I • 6. Ballet - Scène 5. Choeur. "Il nous fallait du sang"    Libretto: Nicolas-François Guillard
    Diana Montague (Mezzo-soprano), Colette Alliot-Lugaz (Soprano), John Aler (Tenor), Thomas Allen (Baritone), René Massis (Bass-baritone), René Schirrer (Bass-baritone), Nancy Argenta (Soprano), Lucinda Houghton (Soprano), Sophie Boulin (Mezzo-soprano), Carol Hall (Soprano), Jane Armstrong (Soprano), Nicola Jenkin (Soprano), Mary Seers (Soprano), Jean Knibbs (Alto), Rachel Platt (Soprano), Daniëlle Borst (Soprano), Suzanne Flowers (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, Orchestre de l’Opéra de Lyon
    1985, Lyon
  • Gluck • Iphigénie en Tauride GluckWV 1.48 • Act II • 1. Scène 1. Récitatif. "Quel silence effrayant!"
    Iphigénie en Tauride GluckWV 1.48
    Act II • 1. Scène 1. Récitatif. "Quel silence effrayant!"    Libretto: Nicolas-François Guillard
    Diana Montague (Mezzo-soprano), Colette Alliot-Lugaz (Soprano), John Aler (Tenor), Thomas Allen (Baritone), René Massis (Bass-baritone), René Schirrer (Bass-baritone), Nancy Argenta (Soprano), Lucinda Houghton (Soprano), Sophie Boulin (Mezzo-soprano), Carol Hall (Soprano), Jane Armstrong (Soprano), Nicola Jenkin (Soprano), Mary Seers (Soprano), Jean Knibbs (Alto), Rachel Platt (Soprano), Daniëlle Borst (Soprano), Suzanne Flowers (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, Orchestre de l’Opéra de Lyon
    1985, Lyon
  • Gluck • Iphigénie en Tauride GluckWV 1.48 • Act II • 2. Air. "Dieux qui me poursuivez" - Récitatif. "Quel langage accablant"
    Iphigénie en Tauride GluckWV 1.48
    Act II • 2. Air. "Dieux qui me poursuivez" - Récitatif. "Quel langage accablant"    Libretto: Nicolas-François Guillard
    Diana Montague (Mezzo-soprano), Colette Alliot-Lugaz (Soprano), John Aler (Tenor), Thomas Allen (Baritone), René Massis (Bass-baritone), René Schirrer (Bass-baritone), Nancy Argenta (Soprano), Lucinda Houghton (Soprano), Sophie Boulin (Mezzo-soprano), Carol Hall (Soprano), Jane Armstrong (Soprano), Nicola Jenkin (Soprano), Mary Seers (Soprano), Jean Knibbs (Alto), Rachel Platt (Soprano), Daniëlle Borst (Soprano), Suzanne Flowers (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, Orchestre de l’Opéra de Lyon
    1985, Lyon
  • Gluck • Iphigénie en Tauride GluckWV 1.48 • Act II • 3. Air. "Unis dès la plus tendre enfance"
    Iphigénie en Tauride GluckWV 1.48
    Act II • 3. Air. "Unis dès la plus tendre enfance"    Libretto: Nicolas-François Guillard
    Diana Montague (Mezzo-soprano), Colette Alliot-Lugaz (Soprano), John Aler (Tenor), Thomas Allen (Baritone), René Massis (Bass-baritone), René Schirrer (Bass-baritone), Nancy Argenta (Soprano), Lucinda Houghton (Soprano), Sophie Boulin (Mezzo-soprano), Carol Hall (Soprano), Jane Armstrong (Soprano), Nicola Jenkin (Soprano), Mary Seers (Soprano), Jean Knibbs (Alto), Rachel Platt (Soprano), Daniëlle Borst (Soprano), Suzanne Flowers (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, Orchestre de l’Opéra de Lyon
    1985, Lyon
  • Gluck • Iphigénie en Tauride GluckWV 1.48 • Act II • 4. Scène 2. Récitatif. "Etrangers malheureux" - Scène 3. Récitatif. "Dieux protecteurs"
    Iphigénie en Tauride GluckWV 1.48
    Act II • 4. Scène 2. Récitatif. "Etrangers malheureux" - Scène 3. Récitatif. "Dieux protecteurs"    Libretto: Nicolas-François Guillard
    Diana Montague (Mezzo-soprano), Colette Alliot-Lugaz (Soprano), John Aler (Tenor), Thomas Allen (Baritone), René Massis (Bass-baritone), René Schirrer (Bass-baritone), Nancy Argenta (Soprano), Lucinda Houghton (Soprano), Sophie Boulin (Mezzo-soprano), Carol Hall (Soprano), Jane Armstrong (Soprano), Nicola Jenkin (Soprano), Mary Seers (Soprano), Jean Knibbs (Alto), Rachel Platt (Soprano), Daniëlle Borst (Soprano), Suzanne Flowers (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, Orchestre de l’Opéra de Lyon
    1985, Lyon
  • Gluck • Iphigénie en Tauride GluckWV 1.48 • Act II • 5. Air. "Le calme rentre dans mon coeur"
    Iphigénie en Tauride GluckWV 1.48
    Act II • 5. Air. "Le calme rentre dans mon coeur"    Libretto: Nicolas-François Guillard
    Diana Montague (Mezzo-soprano), Colette Alliot-Lugaz (Soprano), John Aler (Tenor), Thomas Allen (Baritone), René Massis (Bass-baritone), René Schirrer (Bass-baritone), Nancy Argenta (Soprano), Lucinda Houghton (Soprano), Sophie Boulin (Mezzo-soprano), Carol Hall (Soprano), Jane Armstrong (Soprano), Nicola Jenkin (Soprano), Mary Seers (Soprano), Jean Knibbs (Alto), Rachel Platt (Soprano), Daniëlle Borst (Soprano), Suzanne Flowers (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, Orchestre de l’Opéra de Lyon
    1985, Lyon
  • Gluck • Iphigénie en Tauride GluckWV 1.48 • Act II • 6. Scène 4. Pantomime - Choeur et danse. "Vengeons et la nature et les Dieux"
    Iphigénie en Tauride GluckWV 1.48
    Act II • 6. Scène 4. Pantomime - Choeur et danse. "Vengeons et la nature et les Dieux"    Libretto: Nicolas-François Guillard
    Diana Montague (Mezzo-soprano), Colette Alliot-Lugaz (Soprano), John Aler (Tenor), Thomas Allen (Baritone), René Massis (Bass-baritone), René Schirrer (Bass-baritone), Nancy Argenta (Soprano), Lucinda Houghton (Soprano), Sophie Boulin (Mezzo-soprano), Carol Hall (Soprano), Jane Armstrong (Soprano), Nicola Jenkin (Soprano), Mary Seers (Soprano), Jean Knibbs (Alto), Rachel Platt (Soprano), Daniëlle Borst (Soprano), Suzanne Flowers (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, Orchestre de l’Opéra de Lyon
    1985, Lyon
  • Gluck • Iphigénie en Tauride GluckWV 1.48 • Act II • 7. Scène 5. Récitatif. "Je vois toute" - Scène 6. Choeur. "Patrie infortunée"
    Iphigénie en Tauride GluckWV 1.48
    Act II • 7. Scène 5. Récitatif. "Je vois toute" - Scène 6. Choeur. "Patrie infortunée"    Libretto: Nicolas-François Guillard
    Diana Montague (Mezzo-soprano), Colette Alliot-Lugaz (Soprano), John Aler (Tenor), Thomas Allen (Baritone), René Massis (Bass-baritone), René Schirrer (Bass-baritone), Nancy Argenta (Soprano), Lucinda Houghton (Soprano), Sophie Boulin (Mezzo-soprano), Carol Hall (Soprano), Jane Armstrong (Soprano), Nicola Jenkin (Soprano), Mary Seers (Soprano), Jean Knibbs (Alto), Rachel Platt (Soprano), Daniëlle Borst (Soprano), Suzanne Flowers (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, Orchestre de l’Opéra de Lyon
    1985, Lyon
  • Gluck • Iphigénie en Tauride GluckWV 1.48 • Act II • 8. Air et choeur. "O malheureuse Iphigénie!"
    Iphigénie en Tauride GluckWV 1.48
    Act II • 8. Air et choeur. "O malheureuse Iphigénie!"    Libretto: Nicolas-François Guillard
    Diana Montague (Mezzo-soprano), Colette Alliot-Lugaz (Soprano), John Aler (Tenor), Thomas Allen (Baritone), René Massis (Bass-baritone), René Schirrer (Bass-baritone), Nancy Argenta (Soprano), Lucinda Houghton (Soprano), Sophie Boulin (Mezzo-soprano), Carol Hall (Soprano), Jane Armstrong (Soprano), Nicola Jenkin (Soprano), Mary Seers (Soprano), Jean Knibbs (Alto), Rachel Platt (Soprano), Daniëlle Borst (Soprano), Suzanne Flowers (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, Orchestre de l’Opéra de Lyon
    1985, Lyon
  • Gluck • Iphigénie en Tauride GluckWV 1.48 • Act II • 9. Récitatif. "Honorez avec moi" - Choeur. "Contemplez ces tristes apprêts" - Air. "O mon frère"
    Iphigénie en Tauride GluckWV 1.48
    Act II • 9. Récitatif. "Honorez avec moi" - Choeur. "Contemplez ces tristes apprêts" - Air. "O mon frère"    Libretto: Nicolas-François Guillard
    Diana Montague (Mezzo-soprano), Colette Alliot-Lugaz (Soprano), John Aler (Tenor), Thomas Allen (Baritone), René Massis (Bass-baritone), René Schirrer (Bass-baritone), Nancy Argenta (Soprano), Lucinda Houghton (Soprano), Sophie Boulin (Mezzo-soprano), Carol Hall (Soprano), Jane Armstrong (Soprano), Nicola Jenkin (Soprano), Mary Seers (Soprano), Jean Knibbs (Alto), Rachel Platt (Soprano), Daniëlle Borst (Soprano), Suzanne Flowers (Soprano), Sir John Eliot Gardiner
    Monteverdi Choir, Orchestre de l’Opéra de Lyon
    1985, Lyon
  • Gluck • Iphigénie en Tauride GluckWV 1.48 • Act III • 1. Récitatif. "Je cède à vos" - Air. "D'une image, hélas! trop" - Scène 2. Récitatif. "Voici ces captifs" - Scène 3. Récitatif. "O joie inattendue!"