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The Leonard Bernstein Collection - Volume 1 - Part 2

©℗ 2014 Deutsche Grammophon (DG)
  • Bernstein • Symphony No. 1 (1942) “Jeremiah” • I. Prophecy. Largamente
    Symphony No. 1 (1942)
    I. Prophecy. Largamente
    Christa Ludwig (Mezzo-soprano), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1977, Berlin, Philharmonie
  • Bernstein • Symphony No. 1 (1942) “Jeremiah” • II. Profanation. Vivace con brio
    Symphony No. 1 (1942)
    II. Profanation. Vivace con brio
    Christa Ludwig (Mezzo-soprano), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1977, Berlin, Philharmonie
  • Bernstein • Symphony No. 1 (1942) “Jeremiah” • III. Lamentation. Lento
    Symphony No. 1 (1942)
    III. Lamentation. Lento
    Christa Ludwig (Mezzo-soprano), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1977, Berlin, Philharmonie
  • Bernstein • Chichester Psalms (1965) • 1. Psalm 108,2 'Urah hanevel, v’chinor urah' – Psalm 100 'Hari ul Adonai kol ha’arets'. Maestoso ma energico - Allegro molto
  • Bernstein • Chichester Psalms (1965) • 2. Psalm 23 'Adonai ro-i, lo ehsar' – Psalm 2,1-4 'Lamah rag’shu goyim'. Andante con moto ma tranquillo - Allegro feroce
  • Bernstein • Chichester Psalms (1965) • 3. Psalm 131 'Adonai, Adonai, lo gavah libi' – Psalm 133,1 'Hineh mah tov'. Sostenuto molto - Peacefully flowing
  • Foss • The Song of Songs (1946-1947) • 1. Awake, o north wind
    The Song of Songs (1946-1947)
    1. Awake, o north wind
    Sheri Greenawald (Soprano), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1986, Paris, Salle Pleyel
  • Foss • The Song of Songs (1946-1947) • 2. Come my beloved
    The Song of Songs (1946-1947)
    2. Come my beloved
    Sheri Greenawald (Soprano), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1986, Paris, Salle Pleyel
  • Foss • The Song of Songs (1946-1947) • 3. By night on my bed
    The Song of Songs (1946-1947)
    3. By night on my bed
    Sheri Greenawald (Soprano), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1986, Paris, Salle Pleyel
  • Foss • The Song of Songs (1946-1947) • 4. Set me as a seal
    The Song of Songs (1946-1947)
    4. Set me as a seal
    Sheri Greenawald (Soprano), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1986, Paris, Salle Pleyel
  • Bernstein • Symphony No. 2 (1947-1949, rev. 1955) “The Age of Anxiety” • Part I • The Prologue. Lento moderato
    Symphony No. 2 (1947-1949, rev. 1955)
    Part I • The Prologue. Lento moderato
    Lukas Foss (Piano), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1977, Berlin, Philharmonie
  • Bernstein • Symphony No. 2 (1947-1949, rev. 1955) “The Age of Anxiety” • Part I • The Seven Ages. Var. I-VII
    Symphony No. 2 (1947-1949, rev. 1955)
    Part I • The Seven Ages. Var. I-VII
    Lukas Foss (Piano), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1977, Berlin, Philharmonie
  • Bernstein • Symphony No. 2 (1947-1949, rev. 1955) “The Age of Anxiety” • Part I • The Seven Stages. Var. VIII-XIV
    Symphony No. 2 (1947-1949, rev. 1955)
    Part I • The Seven Stages. Var. VIII-XIV
    Lukas Foss (Piano), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1977, Berlin, Philharmonie
  • Bernstein • Symphony No. 2 (1947-1949, rev. 1955) “The Age of Anxiety” • Part II • The Dirge. Largo
    Symphony No. 2 (1947-1949, rev. 1955)
    Part II • The Dirge. Largo
    Lukas Foss (Piano), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1977, Berlin, Philharmonie
  • Bernstein • Symphony No. 2 (1947-1949, rev. 1955) “The Age of Anxiety” • Part II • The Masque. Extremely fast
    Symphony No. 2 (1947-1949, rev. 1955)
    Part II • The Masque. Extremely fast
    Lukas Foss (Piano), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1977, Berlin, Philharmonie
  • Bernstein • Symphony No. 2 (1947-1949, rev. 1955) “The Age of Anxiety” • Part II • The Epilogue. L'istesso tempo – Adagio – Andante – quasi cadenza – Lento molto
  • Bernstein • Symphony No. 3 (1963) with narration in English “Kaddish” • Ia. Invocation
    Symphony No. 3 (1963) with narration in English
    Ia. Invocation
    Montserrat Caballé (Soprano), Michael Wager (Speaker), Leonard Bernstein
    Wiener Jeunesse Chor, Wiener Sängerknaben, The Israel Philharmonic Orchestra
    1977, Mainz, Rheingoldhalle Mainz
  • Bernstein • Symphony No. 3 (1963) with narration in English “Kaddish” • Ib. Kaddish 1
    Symphony No. 3 (1963) with narration in English
    Ib. Kaddish 1
    Montserrat Caballé (Soprano), Michael Wager (Speaker), Leonard Bernstein
    Wiener Jeunesse Chor, Wiener Sängerknaben, The Israel Philharmonic Orchestra
    1977, Mainz, Rheingoldhalle Mainz
  • Bernstein • Symphony No. 3 (1963) with narration in English “Kaddish” • IIa. Din-Torah
    Symphony No. 3 (1963) with narration in English
    IIa. Din-Torah
    Montserrat Caballé (Soprano), Michael Wager (Speaker), Leonard Bernstein
    Wiener Jeunesse Chor, Wiener Sängerknaben, The Israel Philharmonic Orchestra
    1977, Mainz, Rheingoldhalle Mainz
  • Bernstein • Symphony No. 3 (1963) with narration in English “Kaddish” • IIb. Kaddish 2
    Symphony No. 3 (1963) with narration in English
    IIb. Kaddish 2
    Montserrat Caballé (Soprano), Michael Wager (Speaker), Leonard Bernstein
    Wiener Jeunesse Chor, Wiener Sängerknaben, The Israel Philharmonic Orchestra
    1977, Mainz, Rheingoldhalle Mainz
  • Bernstein • Symphony No. 3 (1963) with narration in English “Kaddish” • IIIa. Scherzo
    Symphony No. 3 (1963) with narration in English
    IIIa. Scherzo
    Montserrat Caballé (Soprano), Michael Wager (Speaker), Leonard Bernstein
    Wiener Jeunesse Chor, Wiener Sängerknaben, The Israel Philharmonic Orchestra
    1977, Mainz, Rheingoldhalle Mainz
  • Bernstein • Symphony No. 3 (1963) with narration in English “Kaddish” • IIIb. Kaddish 3
    Symphony No. 3 (1963) with narration in English
    IIIb. Kaddish 3
    Montserrat Caballé (Soprano), Michael Wager (Speaker), Leonard Bernstein
    Wiener Jeunesse Chor, Wiener Sängerknaben, The Israel Philharmonic Orchestra
    1977, Mainz, Rheingoldhalle Mainz
  • Bernstein • Symphony No. 3 (1963) with narration in English “Kaddish” • IIIc. Finale – Fugue
    Symphony No. 3 (1963) with narration in English
    IIIc. Finale – Fugue
    Montserrat Caballé (Soprano), Michael Wager (Speaker), Leonard Bernstein
    Wiener Jeunesse Chor, Wiener Sängerknaben, The Israel Philharmonic Orchestra
    1977, Mainz, Rheingoldhalle Mainz
  • Bernstein • Serenade after Plato's 'Symposium' for Solo Violin, Strings and Percussion (1954) • 1. Phaedrus - Pausanias (Lento - Allegro)
    Serenade after Plato's 'Symposium' for Solo Violin, Strings and Percussion (1954)
    1. Phaedrus - Pausanias (Lento - Allegro)
    Gidon Kremer (Violin), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1979, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Serenade after Plato's 'Symposium' for Solo Violin, Strings and Percussion (1954) • 2. Aristophanes (Allegretto)
    Serenade after Plato's 'Symposium' for Solo Violin, Strings and Percussion (1954)
    2. Aristophanes (Allegretto)
    Gidon Kremer (Violin), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1979, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Serenade after Plato's 'Symposium' for Solo Violin, Strings and Percussion (1954) • 3. Eryximachus (Presto)
    Serenade after Plato's 'Symposium' for Solo Violin, Strings and Percussion (1954)
    3. Eryximachus (Presto)
    Gidon Kremer (Violin), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1979, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Serenade after Plato's 'Symposium' for Solo Violin, Strings and Percussion (1954) • 4. Agathon (Adagio)
    Serenade after Plato's 'Symposium' for Solo Violin, Strings and Percussion (1954)
    4. Agathon (Adagio)
    Gidon Kremer (Violin), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1979, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Serenade after Plato's 'Symposium' for Solo Violin, Strings and Percussion (1954) • 5. Socrates - Alcibiades (Molto tenuto - Allegro molto vivace)
    Serenade after Plato's 'Symposium' for Solo Violin, Strings and Percussion (1954)
    5. Socrates - Alcibiades (Molto tenuto - Allegro molto vivace)
    Gidon Kremer (Violin), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1979, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Fancy Free, Ballet (1944) • Prologue. 'Big Stuff' Blues
    Fancy Free, Ballet (1944)
    Prologue. 'Big Stuff' Blues
    Ruth Mense (Piano), Manfred "Thissy" Thiers (Bass Guitar), Reinhard "Dicky" Tarrach (Drums), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1979, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Fancy Free, Ballet (1944) • No. 1. Opening Dance. Enter the Sailors
    Fancy Free, Ballet (1944)
    No. 1. Opening Dance. Enter the Sailors
    Ruth Mense (Piano), Manfred "Thissy" Thiers (Bass Guitar), Reinhard "Dicky" Tarrach (Drums), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1979, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Fancy Free, Ballet (1944) • No. 2. Scene at the Bar
    Fancy Free, Ballet (1944)
    No. 2. Scene at the Bar
    Ruth Mense (Piano), Manfred "Thissy" Thiers (Bass Guitar), Reinhard "Dicky" Tarrach (Drums), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1979, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Fancy Free, Ballet (1944) • No. 3. Enter Two Girls
    Fancy Free, Ballet (1944)
    No. 3. Enter Two Girls
    Ruth Mense (Piano), Manfred "Thissy" Thiers (Bass Guitar), Reinhard "Dicky" Tarrach (Drums), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1979, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Fancy Free, Ballet (1944) • No. 4. Pas de deux
    Fancy Free, Ballet (1944)
    No. 4. Pas de deux
    Ruth Mense (Piano), Manfred "Thissy" Thiers (Bass Guitar), Reinhard "Dicky" Tarrach (Drums), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1979, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Fancy Free, Ballet (1944) • No. 5. Competition Scene
    Fancy Free, Ballet (1944)
    No. 5. Competition Scene
    Ruth Mense (Piano), Manfred "Thissy" Thiers (Bass Guitar), Reinhard "Dicky" Tarrach (Drums), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1979, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Fancy Free, Ballet (1944) • No. 6a. Variation I. Galop
    Fancy Free, Ballet (1944)
    No. 6a. Variation I. Galop
    Ruth Mense (Piano), Manfred "Thissy" Thiers (Bass Guitar), Reinhard "Dicky" Tarrach (Drums), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1979, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Fancy Free, Ballet (1944) • No. 6b. Variation II. Waltz
    Fancy Free, Ballet (1944)
    No. 6b. Variation II. Waltz
    Ruth Mense (Piano), Manfred "Thissy" Thiers (Bass Guitar), Reinhard "Dicky" Tarrach (Drums), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1979, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Fancy Free, Ballet (1944) • No. 6c. Variation III. Danzon
    Fancy Free, Ballet (1944)
    No. 6c. Variation III. Danzon
    Ruth Mense (Piano), Manfred "Thissy" Thiers (Bass Guitar), Reinhard "Dicky" Tarrach (Drums), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1979, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Fancy Free, Ballet (1944) • No. 7. Finale
    Fancy Free, Ballet (1944)
    No. 7. Finale
    Ruth Mense (Piano), Manfred "Thissy" Thiers (Bass Guitar), Reinhard "Dicky" Tarrach (Drums), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1979, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • 'Big Stuff' Blues (Prologue to 'Fancy Free') (1944)
    'Big Stuff' Blues (Prologue to 'Fancy Free') (1944)
    Leonard Bernstein (Piano), Manfred "Thissy" Thiers (Bass), Reinhard "Dicky" Tarrach (Drums)
    1979, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Dybbuk Suite No. 1 (1974) • 1. Invocation And Trance
    Dybbuk Suite No. 1 (1974)
    1. Invocation And Trance
    Paul Sperry (Tenor), Bruce Fifer (Bass-baritone), Leonard Bernstein
    New York Philharmonic
    1975, New York, CBS Studios
  • Bernstein • Dybbuk Suite No. 1 (1974) • 2. The Pledge
    Dybbuk Suite No. 1 (1974)
    2. The Pledge
    Paul Sperry (Tenor), Bruce Fifer (Bass-baritone), Leonard Bernstein
    New York Philharmonic
    1975, New York, CBS Studios
  • Bernstein • Dybbuk Suite No. 1 (1974) • 3. Kabbalah
    Dybbuk Suite No. 1 (1974)
    3. Kabbalah
    Paul Sperry (Tenor), Bruce Fifer (Bass-baritone), Leonard Bernstein
    New York Philharmonic
    1975, New York, CBS Studios
  • Bernstein • Dybbuk Suite No. 1 (1974) • 4. Possession
    Dybbuk Suite No. 1 (1974)
    4. Possession
    Paul Sperry (Tenor), Bruce Fifer (Bass-baritone), Leonard Bernstein
    New York Philharmonic
    1975, New York, CBS Studios
  • Bernstein • Dybbuk Suite No. 1 (1974) • 5. Pas de deux
    Dybbuk Suite No. 1 (1974)
    5. Pas de deux
    Paul Sperry (Tenor), Bruce Fifer (Bass-baritone), Leonard Bernstein
    New York Philharmonic
    1975, New York, CBS Studios
  • Bernstein • Dybbuk Suite No. 1 (1974) • 6. Exorcism
    Dybbuk Suite No. 1 (1974)
    6. Exorcism
    Paul Sperry (Tenor), Bruce Fifer (Bass-baritone), Leonard Bernstein
    New York Philharmonic
    1975, New York, CBS Studios
  • Bernstein • Dybbuk Suite No. 2 (1974) • 1. The Messengers
    Dybbuk Suite No. 2 (1974)
    1. The Messengers
    Leonard Bernstein, New York Philharmonic
    1975, New York, CBS Studios
  • Bernstein • Dybbuk Suite No. 2 (1974) • 2. Leah
    Dybbuk Suite No. 2 (1974)
    2. Leah
    Leonard Bernstein, New York Philharmonic
    1975, New York, CBS Studios
  • Bernstein • Dybbuk Suite No. 2 (1974) • 3. Five Kabbalah Variations
    Dybbuk Suite No. 2 (1974)
    3. Five Kabbalah Variations
    Leonard Bernstein, New York Philharmonic
    1975, New York, CBS Studios
  • Bernstein • Dybbuk Suite No. 2 (1974) • 4. Dream
    Dybbuk Suite No. 2 (1974)
    4. Dream
    Leonard Bernstein, New York Philharmonic
    1975, New York, CBS Studios
  • Bernstein • Songfest (1977) • 1. To the Poem
    Songfest (1977)
    1. To the Poem
    Clamma Dale (Soprano), Nancy Williams (Mezzo-soprano), Rosalind Elias (Mezzo-soprano), Neil Rosenshein (Tenor), John Reardon (Baritone), Donald Gramm (Bass), Leonard Bernstein
    National Symphony Orchestra (Washington)
    1977, Washington D.C., John F. Kennedy Center for the Performing Arts
  • Bernstein • Songfest (1977) • 2. The Pennycandystore Beyond the El
    Songfest (1977)
    2. The Pennycandystore Beyond the El
    Clamma Dale (Soprano), Nancy Williams (Mezzo-soprano), Rosalind Elias (Mezzo-soprano), Neil Rosenshein (Tenor), John Reardon (Baritone), Donald Gramm (Bass), Leonard Bernstein
    National Symphony Orchestra (Washington)
    1977, Washington D.C., John F. Kennedy Center for the Performing Arts
  • Bernstein • Songfest (1977) • 3. A Julia de Burgos
    Songfest (1977)
    3. A Julia de Burgos
    Clamma Dale (Soprano), Nancy Williams (Mezzo-soprano), Rosalind Elias (Mezzo-soprano), Neil Rosenshein (Tenor), John Reardon (Baritone), Donald Gramm (Bass), Leonard Bernstein
    National Symphony Orchestra (Washington)
    1977, Washington D.C., John F. Kennedy Center for the Performing Arts
  • Bernstein • Songfest (1977) • 4. To What You Said
    Songfest (1977)
    4. To What You Said
    Clamma Dale (Soprano), Nancy Williams (Mezzo-soprano), Rosalind Elias (Mezzo-soprano), Neil Rosenshein (Tenor), John Reardon (Baritone), Donald Gramm (Bass), Leonard Bernstein
    National Symphony Orchestra (Washington)
    1977, Washington D.C., John F. Kennedy Center for the Performing Arts
  • Bernstein • Songfest (1977) • 5. I, Too, Sing America/Okay 'Negroes'
    Songfest (1977)
    5. I, Too, Sing America/Okay 'Negroes'
    Clamma Dale (Soprano), Nancy Williams (Mezzo-soprano), Rosalind Elias (Mezzo-soprano), Neil Rosenshein (Tenor), John Reardon (Baritone), Donald Gramm (Bass), Leonard Bernstein
    National Symphony Orchestra (Washington)
    1977, Washington D.C., John F. Kennedy Center for the Performing Arts
  • Bernstein • Songfest (1977) • 6. To My Dear and Loving Husband
    Songfest (1977)
    6. To My Dear and Loving Husband
    Clamma Dale (Soprano), Nancy Williams (Mezzo-soprano), Rosalind Elias (Mezzo-soprano), Neil Rosenshein (Tenor), John Reardon (Baritone), Donald Gramm (Bass), Leonard Bernstein
    National Symphony Orchestra (Washington)
    1977, Washington D.C., John F. Kennedy Center for the Performing Arts
  • Bernstein • Songfest (1977) • 7. Storyette H. M.
    Songfest (1977)
    7. Storyette H. M.
    Clamma Dale (Soprano), Nancy Williams (Mezzo-soprano), Rosalind Elias (Mezzo-soprano), Neil Rosenshein (Tenor), John Reardon (Baritone), Donald Gramm (Bass), Leonard Bernstein
    National Symphony Orchestra (Washington)
    1977, Washington D.C., John F. Kennedy Center for the Performing Arts
  • Bernstein • Songfest (1977) • 8. if you can't eat you got to
    Songfest (1977)
    8. if you can't eat you got to
    Clamma Dale (Soprano), Nancy Williams (Mezzo-soprano), Rosalind Elias (Mezzo-soprano), Neil Rosenshein (Tenor), John Reardon (Baritone), Donald Gramm (Bass), Leonard Bernstein
    National Symphony Orchestra (Washington)
    1977, Washington D.C., John F. Kennedy Center for the Performing Arts
  • Bernstein • Songfest (1977) • 9. Music I Heard with You
    Songfest (1977)
    9. Music I Heard with You
    Clamma Dale (Soprano), Nancy Williams (Mezzo-soprano), Rosalind Elias (Mezzo-soprano), Neil Rosenshein (Tenor), John Reardon (Baritone), Donald Gramm (Bass), Leonard Bernstein
    National Symphony Orchestra (Washington)
    1977, Washington D.C., John F. Kennedy Center for the Performing Arts
  • Bernstein • Songfest (1977) • 10. Zizi's Lament
    Songfest (1977)
    10. Zizi's Lament
    Clamma Dale (Soprano), Nancy Williams (Mezzo-soprano), Rosalind Elias (Mezzo-soprano), Neil Rosenshein (Tenor), John Reardon (Baritone), Donald Gramm (Bass), Leonard Bernstein
    National Symphony Orchestra (Washington)
    1977, Washington D.C., John F. Kennedy Center for the Performing Arts
  • Bernstein • Songfest (1977) • 11. What Lips My Lips Have Kissed
    Songfest (1977)
    11. What Lips My Lips Have Kissed
    Clamma Dale (Soprano), Nancy Williams (Mezzo-soprano), Rosalind Elias (Mezzo-soprano), Neil Rosenshein (Tenor), John Reardon (Baritone), Donald Gramm (Bass), Leonard Bernstein
    National Symphony Orchestra (Washington)
    1977, Washington D.C., John F. Kennedy Center for the Performing Arts
  • Bernstein • Songfest (1977) • 12. Israfel
    Songfest (1977)
    12. Israfel
    Clamma Dale (Soprano), Nancy Williams (Mezzo-soprano), Rosalind Elias (Mezzo-soprano), Neil Rosenshein (Tenor), John Reardon (Baritone), Donald Gramm (Bass), Leonard Bernstein
    National Symphony Orchestra (Washington)
    1977, Washington D.C., John F. Kennedy Center for the Performing Arts
  • Bernstein • Divertimento for Orchestra (1980) • I. Sennets and Tuckets. Allegro non troppo, ma con brio
    Divertimento for Orchestra (1980)
    I. Sennets and Tuckets. Allegro non troppo, ma con brio
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Divertimento for Orchestra (1980) • II. Waltz. Allegretto, con grazia
    Divertimento for Orchestra (1980)
    II. Waltz. Allegretto, con grazia
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Divertimento for Orchestra (1980) • III. Mazurka. Mesto
    Divertimento for Orchestra (1980)
    III. Mazurka. Mesto
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Divertimento for Orchestra (1980) • IV. Samba. Allegro giusto
    Divertimento for Orchestra (1980)
    IV. Samba. Allegro giusto
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Divertimento for Orchestra (1980) • V. Turkey Trot. Allegretto, ben misurato
    Divertimento for Orchestra (1980)
    V. Turkey Trot. Allegretto, ben misurato
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Divertimento for Orchestra (1980) • VI. Sphinxes. Adagio lugubre
    Divertimento for Orchestra (1980)
    VI. Sphinxes. Adagio lugubre
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Divertimento for Orchestra (1980) • VII. Blues. Slow blues tempo
    Divertimento for Orchestra (1980)
    VII. Blues. Slow blues tempo
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Divertimento for Orchestra (1980) • VIII. In Memoriam - March 'The BSO Forever'. Andante
    Divertimento for Orchestra (1980)
    VIII. In Memoriam - March 'The BSO Forever'. Andante
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • A Musical Toast for Orchestra (1980) • Allegro con brio
    A Musical Toast for Orchestra (1980)
    Allegro con brio
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Slava! A Political Overture for Orchestra (1977) • Fast and flamboyant
    Slava! A Political Overture for Orchestra (1977)
    Fast and flamboyant
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1978, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Three Dance Episodes from 'On the Town' (1963) • 1. The Great Lover from Dream Ballet (Act II)
    Three Dance Episodes from 'On the Town' (1963)
    1. The Great Lover from Dream Ballet (Act II)
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Three Dance Episodes from 'On the Town' (1963) • 2. Pas de Deux from Lonely Town (Act I)
    Three Dance Episodes from 'On the Town' (1963)
    2. Pas de Deux from Lonely Town (Act I)
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Three Dance Episodes from 'On the Town' (1963) • 3. Times Square (Finale, Act I)
    Three Dance Episodes from 'On the Town' (1963)
    3. Times Square (Finale, Act I)
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Facsimile (A Choreographic Essay for Orchestra) (1946) • Opening: Alone at the Beach – The First Man Enters – The Second Man Enters – Quarrel – Alone Again at the Beach
  • Bernstein • Halil, Nocturne (1981)
    Halil, Nocturne (1981)
    Jean-Pierre Rampal (Flute), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • 3 Meditations from MASS for Violoncello and Orchestra (1971, rev. 1977) • Meditation No. 1. Lento assai, molto sostenuto
    3 Meditations from MASS for Violoncello and Orchestra (1971, rev. 1977)
    Meditation No. 1. Lento assai, molto sostenuto
    Mstislav Rostropovich (Violoncello), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • 3 Meditations from MASS for Violoncello and Orchestra (1971, rev. 1977) • Medidation No. 2. Andante sostenuto
    3 Meditations from MASS for Violoncello and Orchestra (1971, rev. 1977)
    Medidation No. 2. Andante sostenuto
    Mstislav Rostropovich (Violoncello), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • 3 Meditations from MASS for Violoncello and Orchestra (1971, rev. 1977) • Meditation No. 3. Presto
    3 Meditations from MASS for Violoncello and Orchestra (1971, rev. 1977)
    Meditation No. 3. Presto
    Mstislav Rostropovich (Violoncello), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Symphonic Suite from the film 'On The Waterfront' (1955) • 1. Andante (with dignity) - Presto barbaro
    Symphonic Suite from the film 'On The Waterfront' (1955)
    1. Andante (with dignity) - Presto barbaro
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Symphonic Suite from the film 'On The Waterfront' (1955) • 2. Adagio - Allegro molto agitato
    Symphonic Suite from the film 'On The Waterfront' (1955)
    2. Adagio - Allegro molto agitato
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Symphonic Suite from the film 'On The Waterfront' (1955) • 3. Andante largamente - More flowing - Lento
    Symphonic Suite from the film 'On The Waterfront' (1955)
    3. Andante largamente - More flowing - Lento
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Symphonic Suite from the film 'On The Waterfront' (1955) • 4. Moving forward, with warmth - Largamente - Andante come prima
    Symphonic Suite from the film 'On The Waterfront' (1955)
    4. Moving forward, with warmth - Largamente - Andante come prima
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Symphonic Suite from the film 'On The Waterfront' (1955) • 5. Allegro non troppo, molto marcato - Poco più sostenuto
    Symphonic Suite from the film 'On The Waterfront' (1955)
    5. Allegro non troppo, molto marcato - Poco più sostenuto
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Symphonic Suite from the film 'On The Waterfront' (1955) • 6. A tempo
    Symphonic Suite from the film 'On The Waterfront' (1955)
    6. A tempo
    Leonard Bernstein, The Israel Philharmonic Orchestra
    1981, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Prelude, Fugue and Riffs (1949) • 1. Prelude
    Prelude, Fugue and Riffs (1949)
    1. Prelude
    Peter Schmidl (Clarinet), Leonard Bernstein
    Wiener Philharmoniker
    1988, Wien, Großer Saal, Musikverein
  • Bernstein • Prelude, Fugue and Riffs (1949) • 2. Fugue
    Prelude, Fugue and Riffs (1949)
    2. Fugue
    Peter Schmidl (Clarinet), Leonard Bernstein
    Wiener Philharmoniker
    1988, Wien, Großer Saal, Musikverein
  • Bernstein • Prelude, Fugue and Riffs (1949) • 3. Riffs
    Prelude, Fugue and Riffs (1949)
    3. Riffs
    Peter Schmidl (Clarinet), Leonard Bernstein
    Wiener Philharmoniker
    1988, Wien, Großer Saal, Musikverein
  • Gershwin • Rhapsody in Blue (Arr. for Piano and Orchestra)
    Rhapsody in Blue (Arr. for Piano and Orchestra)
    Transcription: Ferde Grofé
    Los Angeles Philharmonic
    Leonard Bernstein (Piano)
    1982, San Francisco, Davies Symphony Hall
  • Gershwin • Preludes for Piano (1926) • 2. Andante con moto e poco rubato
    Preludes for Piano (1926)
    2. Andante con moto e poco rubato
    Leonard Bernstein
    1982, San Francisco, Davies Symphony Hall
  • Bernstein • Symphonic Dances from 'West Side Story' (1960) • 1. Prologue. Allegro moderato
    Symphonic Dances from 'West Side Story' (1960)
    1. Prologue. Allegro moderato    Arrangement: Sid Ramin, Irwin Kostal
    Leonard Bernstein, Los Angeles Philharmonic
    1982, San Francisco, Davies Symphony Hall
  • Bernstein • Symphonic Dances from 'West Side Story' (1960) • 2. Somewhere. Adagio
    Symphonic Dances from 'West Side Story' (1960)
    2. Somewhere. Adagio    Arrangement: Sid Ramin, Irwin Kostal
    Leonard Bernstein, Los Angeles Philharmonic
    1982, San Francisco, Davies Symphony Hall
  • Bernstein • Symphonic Dances from 'West Side Story' (1960) • 3. Scherzo. Vivace e leggiero
    Symphonic Dances from 'West Side Story' (1960)
    3. Scherzo. Vivace e leggiero    Arrangement: Sid Ramin, Irwin Kostal
    Leonard Bernstein, Los Angeles Philharmonic
    1982, San Francisco, Davies Symphony Hall
  • Bernstein • Symphonic Dances from 'West Side Story' (1960) • 4. Mambo. Meno Presto
    Symphonic Dances from 'West Side Story' (1960)
    4. Mambo. Meno Presto    Arrangement: Sid Ramin, Irwin Kostal
    Leonard Bernstein, Los Angeles Philharmonic
    1982, San Francisco, Davies Symphony Hall
  • Bernstein • Symphonic Dances from 'West Side Story' (1960) • 5. Cha-cha. Andante con grazia
    Symphonic Dances from 'West Side Story' (1960)
    5. Cha-cha. Andante con grazia    Arrangement: Sid Ramin, Irwin Kostal
    Leonard Bernstein, Los Angeles Philharmonic
    1982, San Francisco, Davies Symphony Hall
  • Bernstein • Symphonic Dances from 'West Side Story' (1960) • 6. Meeting Scene. Meno mosso
    Symphonic Dances from 'West Side Story' (1960)
    6. Meeting Scene. Meno mosso    Arrangement: Sid Ramin, Irwin Kostal
    Leonard Bernstein, Los Angeles Philharmonic
    1982, San Francisco, Davies Symphony Hall
  • Bernstein • Symphonic Dances from 'West Side Story' (1960) • 7. Cool Fugue. Allegretto
    Symphonic Dances from 'West Side Story' (1960)
    7. Cool Fugue. Allegretto    Arrangement: Sid Ramin, Irwin Kostal
    Leonard Bernstein, Los Angeles Philharmonic
    1982, San Francisco, Davies Symphony Hall
  • Bernstein • Symphonic Dances from 'West Side Story' (1960) • 8. Rumble. Molto allegro
    Symphonic Dances from 'West Side Story' (1960)
    8. Rumble. Molto allegro    Arrangement: Sid Ramin, Irwin Kostal
    Leonard Bernstein, Los Angeles Philharmonic
    1982, San Francisco, Davies Symphony Hall
  • Bernstein • Symphonic Dances from 'West Side Story' (1960) • 9. Finale. Adagio
    Symphonic Dances from 'West Side Story' (1960)
    9. Finale. Adagio    Arrangement: Sid Ramin, Irwin Kostal
    Leonard Bernstein, Los Angeles Philharmonic
    1982, San Francisco, Davies Symphony Hall
  • Tredici • Tattoo (1986) • 1. Moderato Maestoso
    Tattoo (1986)
    1. Moderato Maestoso
    Leonard Bernstein, New York Philharmonic
    1988, New York, Avery Fisher Hall
  • Tredici • Tattoo (1986) • 2. Moderato Maestoso - Omaggio a Nicolò Paganini
    Tattoo (1986)
    2. Moderato Maestoso - Omaggio a Nicolò Paganini
    Leonard Bernstein, New York Philharmonic
    1988, New York, Avery Fisher Hall
  • Rorem • Concerto for Violin and Orchestra (1984) • I. Twilight
    Concerto for Violin and Orchestra (1984)
    I. Twilight
    Gidon Kremer (Violin), Leonard Bernstein
    New York Philharmonic
    1988, New York, Avery Fisher Hall
  • Rorem • Concerto for Violin and Orchestra (1984) • II. Toccata - Chaconne
    Concerto for Violin and Orchestra (1984)
    II. Toccata - Chaconne
    Gidon Kremer (Violin), Leonard Bernstein
    New York Philharmonic
    1988, New York, Avery Fisher Hall
  • Rorem • Concerto for Violin and Orchestra (1984) • III. Romance Without Words
    Concerto for Violin and Orchestra (1984)
    III. Romance Without Words
    Gidon Kremer (Violin), Leonard Bernstein
    New York Philharmonic
    1988, New York, Avery Fisher Hall
  • Rorem • Concerto for Violin and Orchestra (1984) • IV. Midnight
    Concerto for Violin and Orchestra (1984)
    IV. Midnight
    Gidon Kremer (Violin), Leonard Bernstein
    New York Philharmonic
    1988, New York, Avery Fisher Hall
  • Rorem • Concerto for Violin and Orchestra (1984) • V. Toccata - Rondo
    Concerto for Violin and Orchestra (1984)
    V. Toccata - Rondo
    Gidon Kremer (Violin), Leonard Bernstein
    New York Philharmonic
    1988, New York, Avery Fisher Hall
  • Rorem • Concerto for Violin and Orchestra (1984) • VI. Dawn
    Concerto for Violin and Orchestra (1984)
    VI. Dawn
    Gidon Kremer (Violin), Leonard Bernstein
    New York Philharmonic
    1988, New York, Avery Fisher Hall
  • Bernstein • Concerto for Orchestra (1986, rev. 1989) “Jubilee Games” • I. Free-Style Events. Allegro con brio, giocoso
    Concerto for Orchestra (1986, rev. 1989)
    I. Free-Style Events. Allegro con brio, giocoso
    José Eduardo Chama (Baritone), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1988, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Concerto for Orchestra (1986, rev. 1989) “Jubilee Games” • II. Mixed Doubles. Theme and Variations
    Concerto for Orchestra (1986, rev. 1989)
    II. Mixed Doubles. Theme and Variations
    José Eduardo Chama (Baritone), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1988, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Concerto for Orchestra (1986, rev. 1989) “Jubilee Games” • III. Diaspora Dances. Vivace
    Concerto for Orchestra (1986, rev. 1989)
    III. Diaspora Dances. Vivace
    José Eduardo Chama (Baritone), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1988, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • Concerto for Orchestra (1986, rev. 1989) “Jubilee Games” • IV. Benediction. Moderato, invocando
    Concerto for Orchestra (1986, rev. 1989)
    IV. Benediction. Moderato, invocando
    José Eduardo Chama (Baritone), Leonard Bernstein
    The Israel Philharmonic Orchestra
    1988, Tel Aviv, Frederic R. Mann Auditorium
  • Bernstein • On the Town (1944) • Act I • I Feel Like I'm Not Out Of Bed Yet (Three Workmen, Men's Quartet)
    On the Town (1944)
    Act I • I Feel Like I'm Not Out Of Bed Yet (Three Workmen, Men's Quartet)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act I • New York, New York (Ozzie, Chip, Gabey)
    On the Town (1944)
    Act I • New York, New York (Ozzie, Chip, Gabey)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act I • Presentation of Miss Turnstiles (Announcer, Ivy)
    On the Town (1944)
    Act I • Presentation of Miss Turnstiles (Announcer, Ivy)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act I • Gabey's Comin' – Pickup Song (Ozzie, Chip, Gabey, Girls)
    On the Town (1944)
    Act I • Gabey's Comin' – Pickup Song (Ozzie, Chip, Gabey, Girls)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act I • Come Up To My Place (Taxi Song) (Chip, Hildy)
    On the Town (1944)
    Act I • Come Up To My Place (Taxi Song) (Chip, Hildy)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act I • Carried Away (Claire, Ozzie)
    On the Town (1944)
    Act I • Carried Away (Claire, Ozzie)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act I • Lonely Town (Gabey)
    On the Town (1944)
    Act I • Lonely Town (Gabey)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act I • High School Girls
    On the Town (1944)
    Act I • High School Girls    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act I • Pas de deux
    On the Town (1944)
    Act I • Pas de deux    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act I • Carnegie Hall Pavane (Ivy, Madame Dilly, Chorus)
    On the Town (1944)
    Act I • Carnegie Hall Pavane (Ivy, Madame Dilly, Chorus)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act I • I Can Cook Too (Hildy)
    On the Town (1944)
    Act I • I Can Cook Too (Hildy)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act I • Lucky To Be Me (Gabey, Chorus)
    On the Town (1944)
    Act I • Lucky To Be Me (Gabey, Chorus)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act I • Finale (Act I): Times Square Ballet
    On the Town (1944)
    Act I • Finale (Act I): Times Square Ballet    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act II • So Long, Baby (Chorus)
    On the Town (1944)
    Act II • So Long, Baby (Chorus)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act II • I Wish I Was Dead (Diana)
    On the Town (1944)
    Act II • I Wish I Was Dead (Diana)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act II • Ya Got Me (Hildy, Ozzie, Claire, Chip)
    On the Town (1944)
    Act II • Ya Got Me (Hildy, Ozzie, Claire, Chip)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act II • Ain't Got No Tears Left (Night Club Singer)
    On the Town (1944)
    Act II • Ain't Got No Tears Left (Night Club Singer)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act II • I Understand (Pitkin)
    On the Town (1944)
    Act II • I Understand (Pitkin)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act II • Subway Ride and Imaginary Coney Island
    On the Town (1944)
    Act II • Subway Ride and Imaginary Coney Island    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act II • The Great Lover Displays Himself
    On the Town (1944)
    Act II • The Great Lover Displays Himself    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act II • Pas de deux
    On the Town (1944)
    Act II • Pas de deux    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act II • Some Other Time (Claire, Hildy, Ozzie, Chip)
    On the Town (1944)
    Act II • Some Other Time (Claire, Hildy, Ozzie, Chip)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act II • The Real Coney Island (Rajah Bimmy)
    On the Town (1944)
    Act II • The Real Coney Island (Rajah Bimmy)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Act II • Finale (Company)
    On the Town (1944)
    Act II • Finale (Company)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • On the Town (1944) • Appendix: The Intermission's Great (Chorus)
    On the Town (1944)
    Appendix: The Intermission's Great (Chorus)    Libretto: Betty Comden, Adolph Green
    Frederica von Stade (Mezzo-soprano), Tyne Daly (Soprano), Marie McLaughlin (Soprano), Thomas Hampson (Baritone), Kurt Ollmann (Baritone), David Garrison (Voice), Samuel Ramey (Bass), Evelyn Lear (Soprano), Cleo Laine (Voice), Meriel Dickinson (Alto), Adolph Green (Voice), Lindsay Benson (Baritone), Stewart Collins (Voice), Bruce Ogsten (Voice), Nicholas Sears (Baritone), Michael Tilson Thomas
    London Voices, London Symphony Orchestra
    1992, London, Barbican Centre
  • Bernstein • Candide (London 1989) • Overture
    Candide (London 1989)
    Overture    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 1. Westphalia Chorale (Chorus)
    Candide (London 1989)
    Act I • 1. Westphalia Chorale (Chorus)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 2. Life Is Happiness Indeed (Candide)
    Candide (London 1989)
    Act I • 2. Life Is Happiness Indeed (Candide)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 3. The Best Of All Possible Worlds (Dr. Pangloss, Cunegonde, Paquette, Candide, Maximilian)
    Candide (London 1989)
    Act I • 3. The Best Of All Possible Worlds (Dr. Pangloss, Cunegonde, Paquette, Candide, Maximilian)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 4. Universal Good (Cunegonde, Paquette, Candide, Maximilian)
    Candide (London 1989)
    Act I • 4. Universal Good (Cunegonde, Paquette, Candide, Maximilian)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 5. Oh, Happy We (Candide, Cunegonde)
    Candide (London 1989)
    Act I • 5. Oh, Happy We (Candide, Cunegonde)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 6. It Must Be So (Candide's First Meditation) (Candide)
    Candide (London 1989)
    Act I • 6. It Must Be So (Candide's First Meditation) (Candide)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 7. Westphalia Chorale (Chorus)
    Candide (London 1989)
    Act I • 7. Westphalia Chorale (Chorus)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 8. Battle Music (Mazurka)
    Candide (London 1989)
    Act I • 8. Battle Music (Mazurka)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 9. Candide's Lament (Candide)
    Candide (London 1989)
    Act I • 9. Candide's Lament (Candide)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 10. Dear Boy (Dr. Pangloss, Chorus)
    Candide (London 1989)
    Act I • 10. Dear Boy (Dr. Pangloss, Chorus)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 11. Auto-da-Fé (What a day) (Candide, Dr. Pangloss, Inquisitors, Judges, Chorus)
    Candide (London 1989)
    Act I • 11. Auto-da-Fé (What a day) (Candide, Dr. Pangloss, Inquisitors, Judges, Chorus)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 12. Candide Continues His Travels – It Must Be Me (Candide's Second Meditation) (Candide)
    Candide (London 1989)
    Act I • 12. Candide Continues His Travels – It Must Be Me (Candide's Second Meditation) (Candide)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 13. The Paris Waltz
    Candide (London 1989)
    Act I • 13. The Paris Waltz    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 14. Glitter and Be Gay (Cunegonde)
    Candide (London 1989)
    Act I • 14. Glitter and Be Gay (Cunegonde)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 15. You Were Dead, You Know (Candide, Cunegonde)
    Candide (London 1989)
    Act I • 15. You Were Dead, You Know (Candide, Cunegonde)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 16. I Am Easily Assimilated (The Old Lady, Cunegonde, Chorus)
    Candide (London 1989)
    Act I • 16. I Am Easily Assimilated (The Old Lady, Cunegonde, Chorus)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act I • 17. Quartet Finale (Candide, Cunegonde, The Old Lady, Captain, Chorus)
    Candide (London 1989)
    Act I • 17. Quartet Finale (Candide, Cunegonde, The Old Lady, Captain, Chorus)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act II • 1. Universal Good (Chorus)
    Candide (London 1989)
    Act II • 1. Universal Good (Chorus)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act II • 2. My Love (Governor's Serenade) (Governor, Cunegonde)
    Candide (London 1989)
    Act II • 2. My Love (Governor's Serenade) (Governor, Cunegonde)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act II • 3. We Are Women (Polka) (Cunegonde, The Old Lady)
    Candide (London 1989)
    Act II • 3. We Are Women (Polka) (Cunegonde, The Old Lady)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act II • 4. The Pilgrim's Procession – Alleluia (Maximilian, Chorus)
    Candide (London 1989)
    Act II • 4. The Pilgrim's Procession – Alleluia (Maximilian, Chorus)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act II • 5. Quiet (The Old Lady, Cunegonde, Governor of Buenos Aires)
    Candide (London 1989)
    Act II • 5. Quiet (The Old Lady, Cunegonde, Governor of Buenos Aires)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act II • 6. Introduction to Eldorado
    Candide (London 1989)
    Act II • 6. Introduction to Eldorado    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act II • 7. Ballad of Eldorado (Candide, Chorus)
    Candide (London 1989)
    Act II • 7. Ballad of Eldorado (Candide, Chorus)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act II • 8. Words, Words, Words (Martin's Laughing Song) (Martin)
    Candide (London 1989)
    Act II • 8. Words, Words, Words (Martin's Laughing Song) (Martin)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act II • 9. Bon Voyage (Vanderdendur, Chorus)
    Candide (London 1989)
    Act II • 9. Bon Voyage (Vanderdendur, Chorus)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act II • 10. The Kings' Barcarolle (Charles Edward, Candide, Hermann Augustus, Dr. Pangloss, Sultan Achmet, Tsar Ivan, Stanislaus)
    Candide (London 1989)
    Act II • 10. The Kings' Barcarolle (Charles Edward, Candide, Hermann Augustus, Dr. Pangloss, Sultan Achmet, Tsar Ivan, Stanislaus)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act II • 11. Money, Money, Money (Croupier, Chorus)
    Candide (London 1989)
    Act II • 11. Money, Money, Money (Croupier, Chorus)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act II • 12. What's the Use? (The Old Lady, Ragatski, Maximilian, Crook, Chorus)
    Candide (London 1989)
    Act II • 12. What's the Use? (The Old Lady, Ragatski, Maximilian, Crook, Chorus)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act II • 13. The Venice Gavotte (The Old Lady, Candide, Cunegonde, Dr. Pangloss)
    Candide (London 1989)
    Act II • 13. The Venice Gavotte (The Old Lady, Candide, Cunegonde, Dr. Pangloss)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act II • 14. Nothing More Than This (Candide)
    Candide (London 1989)
    Act II • 14. Nothing More Than This (Candide)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act II • 15. Universal Good (Chorus)
    Candide (London 1989)
    Act II • 15. Universal Good (Chorus)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • Candide (London 1989) • Act II • 16. Make Our Garden Grow (Ensemble)
    Candide (London 1989)
    Act II • 16. Make Our Garden Grow (Ensemble)    Libretto: Hugh Wheeler, Lillian Hellman
    Jerry Hadley (Tenor), June Anderson (Soprano), Adolph Green (Voice), Christa Ludwig (Mezzo-soprano), Nicolai Gedda (Tenor), Della Jones (Mezzo-soprano), Kurt Ollmann (Baritone), Clive Bayley (Bass), Neil Jenkins (Tenor), Lindsay Benson (Baritone), Richard Suart (Bass), John Treleaven (Tenor), Leonard Bernstein
    London Symphony Chorus, London Symphony Orchestra
    1989, London, Abbey Road Studios
  • Bernstein • West Side Story (1957) • Prologue
    West Side Story (1957)
    Prologue    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act I • Jet Song (Riff, Jets)
    West Side Story (1957)
    Act I • Jet Song (Riff, Jets)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act I • Something's Coming (Tony)
    West Side Story (1957)
    Act I • Something's Coming (Tony)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act I • The Dance At The Gym: Blues (Jets, Sharks)
    West Side Story (1957)
    Act I • The Dance At The Gym: Blues (Jets, Sharks)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act I • The Dance At The Gym: Promenade (Jets, Sharks)
    West Side Story (1957)
    Act I • The Dance At The Gym: Promenade (Jets, Sharks)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act I • The Dance At The Gym: Mambo (Jets, Sharks)
    West Side Story (1957)
    Act I • The Dance At The Gym: Mambo (Jets, Sharks)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act I • The Dance At The Gym: Cha-Cha (Jets, Sharks)
    West Side Story (1957)
    Act I • The Dance At The Gym: Cha-Cha (Jets, Sharks)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act I • The Dance At The Gym: Meeting Scene (Jets, Sharks)
    West Side Story (1957)
    Act I • The Dance At The Gym: Meeting Scene (Jets, Sharks)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act I • The Dance At The Gym: Jump (Jets, Sharks)
    West Side Story (1957)
    Act I • The Dance At The Gym: Jump (Jets, Sharks)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act I • Maria (Tony)
    West Side Story (1957)
    Act I • Maria (Tony)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act I • Tonight (Tony, Maria)
    West Side Story (1957)
    Act I • Tonight (Tony, Maria)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act I • America (Anita, Rosalia, Shark Girls)
    West Side Story (1957)
    Act I • America (Anita, Rosalia, Shark Girls)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act I • Cool (Riff, Jets)
    West Side Story (1957)
    Act I • Cool (Riff, Jets)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act I • One Hand, One Heart (Tony, Maria)
    West Side Story (1957)
    Act I • One Hand, One Heart (Tony, Maria)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act I • Tonight Quintet
    West Side Story (1957)
    Act I • Tonight Quintet    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act I • The Rumble
    West Side Story (1957)
    Act I • The Rumble    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act II • I Feel Pretty (Maria, Rosalia, Estella, Consuelo)
    West Side Story (1957)
    Act II • I Feel Pretty (Maria, Rosalia, Estella, Consuelo)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act II • Ballet Sequence: Beginning
    West Side Story (1957)
    Act II • Ballet Sequence: Beginning    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act II • Ballet Sequence: Transition to Scherzo
    West Side Story (1957)
    Act II • Ballet Sequence: Transition to Scherzo    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act II • Ballet Sequence: Scherzo
    West Side Story (1957)
    Act II • Ballet Sequence: Scherzo    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act II • Ballet Sequence: Somewhere (Consuelo)
    West Side Story (1957)
    Act II • Ballet Sequence: Somewhere (Consuelo)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act II • Ballet Sequence: Procession And Nightmare
    West Side Story (1957)
    Act II • Ballet Sequence: Procession And Nightmare    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act II • Gee, Officer Krupke (Action, Snowboy, Jets)
    West Side Story (1957)
    Act II • Gee, Officer Krupke (Action, Snowboy, Jets)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act II • A Boy Like That (Anita, Maria)
    West Side Story (1957)
    Act II • A Boy Like That (Anita, Maria)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act II • I Have A Love (Anita, Maria)
    West Side Story (1957)
    Act II • I Have A Love (Anita, Maria)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act II • Taunting Scene (Anita, Jets)
    West Side Story (1957)
    Act II • Taunting Scene (Anita, Jets)    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • West Side Story (1957) • Act II • Finale
    West Side Story (1957)
    Act II • Finale    Text: Stephen Sondheim, Arthur Laurents
    Dame Kiri Te Kanawa (Soprano), Nina Bernstein (Speaker), José Carreras (Tenor), Alexander Bernstein (Speaker), Tatiana Troyanos (Alto), Kurt Ollmann (Baritone), Marilyn Horne (Mezzo-soprano), Louise Edeiken (Mezzo-soprano), Stella Zambalis (Mezzo-soprano), Angelina Réaux (Soprano), David Livingston (Voice), Marty Nelson (Voice), Stephen Bogardus (Voice), Peter Thom (Voice), Todd Lester (Voice), Richard Harrell (Voice), Leonard Bernstein
    Studio Chorus, Studio Orchestra
    1984, New York, RCA Studio A
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act I • No. 1 The Path Of Truth Is Plain And Safe
    A Quiet Place (1983, rev. 1984)
    Act I • No. 1 The Path Of Truth Is Plain And Safe    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act I • No. 2 I'm Sorry Bill
    A Quiet Place (1983, rev. 1984)
    Act I • No. 2 I'm Sorry Bill    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act I • No. 3 God Has His Ways
    A Quiet Place (1983, rev. 1984)
    Act I • No. 3 God Has His Ways    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act I • No. 4 You're Late (Sam)
    A Quiet Place (1983, rev. 1984)
    Act I • No. 4 You're Late (Sam)    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act I • No. 5 Dear Daddy
    A Quiet Place (1983, rev. 1984)
    Act I • No. 5 Dear Daddy    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act I • No. 6 Merry Christmas To You Too
    A Quiet Place (1983, rev. 1984)
    Act I • No. 6 Merry Christmas To You Too    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act I • No. 7 Postlude
    A Quiet Place (1983, rev. 1984)
    Act I • No. 7 Postlude    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act II • No. 8 I Wish I Could Sleep
    A Quiet Place (1983, rev. 1984)
    Act II • No. 8 I Wish I Could Sleep    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act II • No. 9 Doa - Daa - Day - Day - (From Trouble In Tahiti)
    A Quiet Place (1983, rev. 1984)
    Act II • No. 9 Doa - Daa - Day - Day - (From Trouble In Tahiti)    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act II • No. 10 How Could You Say (From Trouble In Tahiti)
    A Quiet Place (1983, rev. 1984)
    Act II • No. 10 How Could You Say (From Trouble In Tahiti)    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act II • No. 11 Yes? Oh, Mr. Partridge! (From Trouble In Tahiti)
    A Quiet Place (1983, rev. 1984)
    Act II • No. 11 Yes? Oh, Mr. Partridge! (From Trouble In Tahiti)    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act II • No. 12 I Was Standing In A Garden (From Trouble In Tahiti)
    A Quiet Place (1983, rev. 1984)
    Act II • No. 12 I Was Standing In A Garden (From Trouble In Tahiti)    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act II • No. 13 Well, Of All People (From Trouble In Tahiti)
    A Quiet Place (1983, rev. 1984)
    Act II • No. 13 Well, Of All People (From Trouble In Tahiti)    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act II • No. 14 June Twelfth
    A Quiet Place (1983, rev. 1984)
    Act II • No. 14 June Twelfth    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act II • No. 15 But First I'd Like To Sing You A Little Song
    A Quiet Place (1983, rev. 1984)
    Act II • No. 15 But First I'd Like To Sing You A Little Song    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act II • No. 16 My God, Dinah
    A Quiet Place (1983, rev. 1984)
    Act II • No. 16 My God, Dinah    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act II • No. 17 The Path Of Truth Is Plain And Safe
    A Quiet Place (1983, rev. 1984)
    Act II • No. 17 The Path Of Truth Is Plain And Safe    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act II • No. 18 Skid A Lit Day (From Trouble In Tahiti)
    A Quiet Place (1983, rev. 1984)
    Act II • No. 18 Skid A Lit Day (From Trouble In Tahiti)    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act II • No. 19 There's A Law (From Trouble In Tahiti)
    A Quiet Place (1983, rev. 1984)
    Act II • No. 19 There's A Law (From Trouble In Tahiti)    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act II • No. 20 What A Movie (From Trouble In Tahiti)
    A Quiet Place (1983, rev. 1984)
    Act II • No. 20 What A Movie (From Trouble In Tahiti)    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act II • No. 21 There's A Law (From Trouble In Tahiti)
    A Quiet Place (1983, rev. 1984)
    Act II • No. 21 There's A Law (From Trouble In Tahiti)    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act III • No. 22 Prelude
    A Quiet Place (1983, rev. 1984)
    Act III • No. 22 Prelude    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act III • No. 23 Morning! Good Morning!
    A Quiet Place (1983, rev. 1984)
    Act III • No. 23 Morning! Good Morning!    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act III • No. 24 The One And Only Cereal
    A Quiet Place (1983, rev. 1984)
    Act III • No. 24 The One And Only Cereal    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act III • No. 25 Come On, Dede, It's Your Burn!
    A Quiet Place (1983, rev. 1984)
    Act III • No. 25 Come On, Dede, It's Your Burn!    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act III • No. 26 Hmm. Bye Bye
    A Quiet Place (1983, rev. 1984)
    Act III • No. 26 Hmm. Bye Bye    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A Quiet Place (1983, rev. 1984) • Act III • No. 27 My Heart Shall Be... Thy... Garden
    A Quiet Place (1983, rev. 1984)
    Act III • No. 27 My Heart Shall Be... Thy... Garden    Libretto: Stephen Wadsworth
    Chester Ludgin (Tenor), Beverly Morgan (Soprano), John Brandstetter (Baritone), Peter Kazaras (Tenor), Jean Kraft (Mezzo-soprano), Theodor Uppman (Baritone), Clarity James (Mezzo-soprano), John Kuether (Bass), Charles Walker (Tenor), Douglas Perry (Tenor), Wendy White (Mezzo-soprano), Edward Crafts (Baritone), Louise Edeiken (Soprano), Mark Thomsen (Tenor), Kurt Ollmann (Baritone), Leonard Bernstein
    ORF Radio-Symphonieorchester Wien
    1986, Wien, Staatsoper
  • Bernstein • A White House Cantata (1976) • Part 1 • Prelude
    A White House Cantata (1976)
    Part 1 • Prelude
    Victor Acquah (Boy Soprano), Barbara Hendricks (Soprano), June Anderson (Soprano), Kenneth Tarver (Tenor), Neil Jenkins (Tenor), Thomas Hampson (Baritone), Keel Watson (Bass), Kent Nagano
    London Voices, London Symphony Orchestra
    1998, London, Abbey Road Studios, Studio 1
  • Bernstein • A White House Cantata (1976) • Part 1 • No. 1 Ten Miles by the Potomac River
    A White House Cantata (1976)
    Part 1 • No. 1 Ten Miles by the Potomac River
    Victor Acquah (Boy Soprano), Barbara Hendricks (Soprano), June Anderson (Soprano), Kenneth Tarver (Tenor), Neil Jenkins (Tenor), Thomas Hampson (Baritone), Keel Watson (Bass), Kent Nagano
    London Voices, London Symphony Orchestra
    1998, London, Abbey Road Studios, Studio 1
  • Bernstein • A White House Cantata (1976) • Part 1 • No. 2 If I Was a Dove
    A White House Cantata (1976)
    Part 1 • No. 2 If I Was a Dove
    Victor Acquah (Boy Soprano), Barbara Hendricks (Soprano), June Anderson (Soprano), Kenneth Tarver (Tenor), Neil Jenkins (Tenor), Thomas Hampson (Baritone), Keel Watson (Bass), Kent Nagano
    London Voices, London Symphony Orchestra
    1998, London, Abbey Road Studios, Studio 1
  • Bernstein • A White House Cantata (1976) • Part 1 • No. 3 Welcome Home Miz Adams
    A White House Cantata (1976)
    Part 1 • No. 3 Welcome Home Miz Adams
    Victor Acquah (Boy Soprano), Barbara Hendricks (Soprano), June Anderson (Soprano), Kenneth Tarver (Tenor), Neil Jenkins (Tenor), Thomas Hampson (Baritone), Keel Watson (Bass), Kent Nagano
    London Voices, London Symphony Orchestra
    1998, London, Abbey Road Studios, Studio 1
  • Bernstein • A White House Cantata (1976) • Part 1 • No. 4 Take Care of This House
    A White House Cantata (1976)
    Part 1 • No. 4 Take Care of This House
    Victor Acquah (Boy Soprano), Barbara Hendricks (Soprano), June Anderson (Soprano), Kenneth Tarver (Tenor), Neil Jenkins (Tenor), Thomas Hampson (Baritone), Keel Watson (Bass), Kent Nagano
    London Voices, London Symphony Orchestra
    1998, London, Abbey Road Studios, Studio 1
  • Bernstein • A White House Cantata (1976) • Part 1 • No. 5 The President Jefferson Sunday Luncheon March