Fritz Kreisler
composer, soloist
- Cavatina for Violin and Piano (1933)
- The Old Refrain
- Scherzo in the Style of Dittersdorf for Violin and Piano (1910) (Version for String Quartet)
- Liebesleid (Arr. for Violoncello and Piano)
- Liebesleid (Die Liebe kommt, die Liebe geht) (Arr. for Violin and Piano)
- Grave in the style of W. F. Bach (arr. for violin and strings)
- Variations on a Theme by Corelli in the Style of Tartini (1910) (Arr. for Violin and Orchestra)
- Sicilienne and Rigaudon in the Style of Francoeur (arr. for violin and strings)
- Scherzo in the Style of Dittersdorf for Violin and Piano (1910) (Arr. for Violin and Orchestra)
- Aus Wien (Viennese Melody) (1915) (after E. Gärtner)
- Polichinelle (Sérénade) for Violin and Piano (1917) (Arr. for Violin and Orchestra)
- Caprice viennois for Violin and Piano op. 2 (1910) (Arr. for Piano)
- The Old Refrain, Viennese Popular Song (Arr. for Violin and Orchestra)
- Sissy: Stars in My Eyes (Arr. for Voice, Chorus and Orchestra)
- Old Viennese Dances (1910-1911) (Arr. for 2 Pianos)
- Praeludium and Allegro in the style of Pugnani (arr. for viola and piano)
- Marche miniature viennoise (Miniature Viennese March) (1925) (Version for Violin and Orchestra)
- Londonderry Air (arr. For violin and orchestra)
- Recitativo and Scherzo-Caprice for Solo Violin op. 6 (Arr. for Violin and Piano)
- The Old Refrain, Viennese Popular Song (Arr. for Voice, Violin and Orchestra)
- Liebesleid (Die Liebe kommt, die Liebe geht)
- Who Can Tell? (From Apple Blossoms)
- Syncopation (1926) (Version for Piano Trio)
- Chanson Louis XIII and Pavane in the Style of L. Couperin (Arr. for Violoncello and Piano)
- Old Viennese Dances (1910-1911) (Arr. for Clarinet and Piano)
- Syncopation (1926) (Arr. for Violoncello and Piano)
- Episode for Violin and Piano
- Menuett (in the Style of Porpora) for Violin and Piano (1910)
- Praeludium and Allegro (in the Style of Pugnani) (1910) (Arr. for Violin and Strings)
- Caprice viennois for Violin and Piano op. 2 (1910) (Arr. for Clarinet and Orchestra)
- Old Viennese Dances (1910-1911) (Arr. for Clarinet and Orchestra)
- Old Viennese Dances (1910-1911) (Arr. for Violin, Guitar and Double Bass)
- Chanson Louis XIII and Pavane in the Style of L. Couperin (arr. for violin and strings)
- Andantino in the Style of Martini (arr. for violin and strings)
- Schön Rosmarin (arr. for violin and string orchestra)
- The King Steps Out (arr. for violin and orchestra)
- Viennese Rhapsodie Fantasietta (arr. For violin and orchestra)
- Syncopation (arr. for clarinet and piano)
- Old Viennese Dances (1910-1911) (Arr. for Flute and Piano)
- La Gitana for Violin and Piano (1917) (Arr. for Violoncello and Piano)
- Slavonic Dance No. 1 in G Minor (after Dvorak's Slavonic Dances, Op. 46, No. 2 and Op. 72, No. 1) (arr. For violin and orchestra)
- Slavonic Dance No. 2 in E Minor (after Dvorak's Slavonic Dance, Op. 72, No. 2) (arr. For violin and orchestra)
- Old Viennese Dances (1910-1911) (Arr. for Flute and Orchestra)
- Sarabande and Allegretto for Violin and Piano (1913) (after A. Corelli)
- Farewell to Cucullain (Londonderry Air) (1922) (Version for Piano Trio)
- Old Viennese Dances (1910-1911) (Arr. for Trumpet and Piano)
- Paraphrase on 2 Russian folk songs
- The Old Refrain (arr. for organ)
- Caprice viennois op. 2 (Arr. for piano trio)
- Marche miniature viennoise (Miniature Viennese March) (1925) (Arr. for String Trio)