Kurt Weill
composer, soloist
- Der Silbersee: Ein Wintermärchen (1933)
- Das Berliner Requiem (The Berlin Requiem), Cantata (1928): Ballade vom ertrunkenen Mädchen (Ballad of the Drowned Girl) (Version for Voice and Piano)
- Ballade vom Weib des Nazisoldaten (Ballad of the Nazi Soldier's Wife) (1942)
- Sonata for Violoncello and Piano (1920)
- Die Dreigroschenoper (The Threepenny Opera) (Berlin 1928): Zuhälterballade (Pimp's Ballad (Tango Ballad)) (Arr. for Concert Band)
- Die Dreigroschenoper (The Threepenny Opera) (Berlin 1928): Zuhälterballade (Pimp's Ballad (Tango Ballad)) (Arr. for Orchestra)
- Die Dreigroschenoper (The Threepenny Opera) (Berlin 1928): Kanonen-Song (Cannon Song) (Arr. for Concert Band)
- Die Dreigroschenoper (The Threepenny Opera) (Berlin 1928): Ballade vom angenehmen Leben (Ballad of the Easy Life) (Arr. for Concert Band)
- Aufstieg und Fall der Stadt Mahagonny (Rise and Fall of the City of Mahagonny) (1930): Havanna Song (Begbick, Act I)
- Lost in the Stars (1949): Trouble Man (Irina, Act I) (Arr. for Voice and Piano)
- Lost in the Stars (1949): Thousands of Miles (Stephen, Act I) (Arr. for Voice and Piano)
- Die Dreigroschenoper (The Threepenny Opera) (Berlin 1928): Ballade von der sexuellen Hörigkeit (Ballad of Sexual Dependency) (Mrs. Peachum, Act II)
- Die Dreigroschenoper (The Threepenny Opera) (Berlin 1928): Barbara-Song (Polly, Act I, in French)
- Marie Galante (1934): Le roi d'Aquitaine (Marie)
- The Firebrand of Florence (1944): Life, Love, and Laughter (Cellini, Act I)
- The Firebrand of Florence (1944): You Have to Do What You Do Do (Cellini, Chorus, Act II)
- Johnny Johnson (1936): Johnny's Song (Johnny, Act III)
- Je ne t'aime pas (1934) (Arr. for Trumpet and Piano)
- The Threepenny Opera (New York 1954): Ballad of Sexual Dependency (Mrs. Peachum, Act II)
- Happy End (New Haven 1972): The Bilbao Song (Bill, Act I)
- Der Silbersee: Ein Wintermärchen (The Silver Lake: A Winter's Tale) (1932-1933): 'Ich bin eine arme Verwandte' (Fennimore, Act II)
- Die Dreigroschenoper (The Threepenny Opera) (Berlin 1928): Seeräuberjenny (Pirate Jenny) (Polly, Act I, in French)
- Die Dreigroschenoper (The Threepenny Opera) (Berlin 1928): Polly's Song (Arr. for Saxophone Quartet)
- Es regnet (1933)
- One Touch of Venus (1943): Foolish Heart (Venus, Act I)
- Marie Galante (1934): Tango-Habanera 'Youkali' (Arr. for Violin and Piano)
- Die Dreigroschenoper (The Threepenny Opera) (Berlin 1928): Liebeslied (Lovesong) (Polly, Macheath, Act I)
- Die Dreigroschenoper (The Threepenny Opera) (Berlin 1928): Prologue: Die Moritat von Mackie Messer (The Ballad of Mack the Knife) (Arr. for trumpet and orchestra)
- Aufstieg und Fall der Stadt Mahagonny (Rise and Fall of the City of Mahagonny) (1930): 'Meine Herren, meine Mutter prägte' (Jenny, Act II)
- Lady in the Dark (1940): Tschaikowsky (Russell Paxton, Act II)
- Berlin im Licht Song (Berlin Lit Up), March for Concert Band (1928)
- Zu Potsdam unter den Eichen (In Potsdam under the Oak Trees) (1928) (Version for Male Chorus a cappella)
- One Touch of Venus, Original Film Score (1948): Don't Look Now
- String Quartet in B minor (1918)
- Down in the Valley (1948)
- Der Jasager (The Yes-Sayer) (Berlin 1930)
- Die sieben Todsünden (The Seven Deadly Sins) (Paris 1933) (Arr. W. Brückner-Rüggeberg)
- The New Orpheus (Der neue Orpheus) op. 16 (1925)
- Die Dreigroschenoper (The Threepenny Opera) (Berlin 1928): Prologue: Die Moritat von Mackie Messer (The Ballad of Mack the Knife) (Street Singer, in French)
- Lady in the Dark (1940): The Saga of Jenny (Liza Elliott, Jury, Act II)
- Lost in the Stars (1949): Lost in the Stars (Stephen, Act I) (Arr. for Voice and Instrumental Ensemble)
- Lady in the Dark (1940): The Saga of Jenny (Liza Elliott, Jury, Act II) (Arr. for Voice and Instrumental Ensemble)
- Happy End (Berlin 1929): Surabaya Johnny (Lilian, Act III, in English) (Arr. L. Berio for Mezzo Soprano and Instrumental Ensemble)
- Knickerbocker Holiday (1938): It Never Was You (Brom, Tina, Act I)
- Knickerbocker Holiday (1938): How Can You Tell an American? (Irving, Brom, Act I)
- The Firebrand of Florence (1944): When the bell of doom is clanging (Song of the Hangman: Hangman, Act I)
- The Firebrand of Florence (1944): Come to Florence (Marquis, Chorus, Act I)
- The Firebrand of Florence (1944): 'My lords and ladies' (Cellini, Chorus, Act I)
- The Firebrand of Florence (1944): You're Far Too Near Me (Angela, Cellini, Act I)
- The Firebrand of Florence (1944): Hear Ye! Hear Ye! (People of Florence) – The World Is Full of Villains (Judges, Act II)