Thomas Adès
composer, conductor, soloist
- The Fayrfax Carol (1997)
- Arcadiana op. 12 (1994)
- Mazurkas for Piano op. 27 (2009)
- Darknesse Visible (1992)
- Concerto for Violin and Orchestra op. 23 (2005) 'Concentric Paths'
- Chamber Symphony op. 2 (1990)
- Traced Overhead op. 15 (1996)
- Asyla op. 17 (1997)
- Les baricades mistérieuses for Chamber Ensemble (1994) (after F. Couperin: Second Livre de Pièces de Clavecin)
- America: A Prophecy for Mezzo-Soprano, Orchestra and Optional Chorus op. 19 (1999)
- Tevot for Orchestra op. 24 (2007)
- Catch op. 4 (1991)
- Piano Quintet op. 20 (2000)
- The Four Quarters op. 28 (2010)
- Polaris op. 29 (2010)
- Sonata da Caccia op. 11 (1993)
- Concert Paraphrase on Powder Her Face (2009)
- These Premises Are Alarmed op. 16 (1996)
- Fool's Rhymes op. 5 (1992)
- The Lover in Winter for Countertenor and Piano (1989)
- Brahms for Baritone and Orchestra op. 21 (2001)
- Life Story op. 8 (1993) (Version for Soprano and Chamber Ensemble)
- Still Sorrowing op. 7 (1992)
- Under Hamelin Hill op. 6 (1992)
- Five Eliot Landscapes op. 1 (1990)
- ...but all shall be well op. 10 (1993)
- Living Toys op. 9 (1993)
- Three Studies from Couperin (2006)
- Gefriolsae Me op. 3b (1990)
- January Writ (1999)
- O thou who didst with pitfall and with gin (1990)
- Life Story op. 8a (1993) (Version for Soprano and Piano)
- Concerto Conciso for Piano and Chamber Ensemble (1997-1998)
- Concerto for Piano and Orchestra (2008) “In Seven Days”
- Powder Her Face op. 14 (1995)
- Blanca Variations (2015)
- Berceuse from 'The Exterminating Angel' for Piano (2018)
- The Branch
- Dante (2019)
- Lieux retrouvés (2016)
- Three-Piece Suite from 'Powder Her Face' (Suite No. 1) (2007)
- The Origin of the Harp op. 13 (1994)
- Court Studies from 'The Tempest' (2005)
- Arcadiana op. 12 (1994): VI. O Albion (Arr. for Vocal Ensemble)
- The Tempest (London 2004)
- Concerto for Piano and Orchestra (2018)
- Totentanz (2013)
- Colette, Original Film Score (2018): Souvenir
- Concert Paraphrase on Powder Her Face (2009) (Version for 2 Pianos)
- The Tempest (London 2004): 'Who was here' (Caliban, Ariel, Act III)